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Best Folk Music Blog & Promotion

Denim Dan is in the borderlands between optimism and pensive resignation in the folky 60s psych-pop single, ‘Guess I’ll Be Alright’

Posted on 2 September 2024
Denim Dan

The invitation to celebrate Denim Dan’s 25th Anniversary (1994 – 2024) is the hottest sonic ticket on the airwaves. The commemorative LP compilates some of the biggest hits from the band’s seven studio album legacy, including 3AM, Don’t Throw it Away, Let Your Love Fall Down on Me (Too) and Down By the River Bend Flow.

Every release earned its coveted space on the expansive double album, yet potentially none more so than the quintessential kaleidoscope of eccentric nostalgia, Guess I’ll Be Alright. After a smoky 60s psych-pop overture, the single unravels in Denim Dan’s signature folk troubadour style, which permits his vocals to flood the mix over the cosmically swanky melodies.

Few artists dare to lyrically roam in the grey area between pensive resignation and optimism, yet Denim Dan boldly ventured over unchartered emotional territory to sonically visualise a relatable sensation of suffering a blow to the soul but looking ahead with jaded self-assurance that wounds will eventually heal.

Following the release of Denim Dan’s 25th Anniversary (1994 – 2024), Denim Dan is starting a new chapter with a new album in the pipeline and set to drop in November 2024.

The anniversary album will be available to stream on all platforms, including Spotify, from September 2nd.

Review by Amelia Vandergast

Lovers in Sepia: The Hearse Paid Homage to Bygone Eras with ‘AS HOPELESS ROMANTICS DO’

Posted on 30 August 2024

After forming in June 2024, The Hearse is gearing up to gain reverence as one of Manchester’s hottest breakthrough new wave indie rock acts. Filtered through a dreamy, sepia-tinged lens of nostalgia, their sophomore release, featuring the single, AS HOPELESS ROMANTICS DO, melodically strips away the decades which stand between the present epoch and the soul of the 60s and 70s.

With guitar chords which sweep through echoes of Joni Mitchell, vocals which capture the quintessence of dreamy diehard romanticism, authentically orchestrated crescendos of euphonic bliss, and hints of western indie folk breezing through the progressions, AS HOPELESS ROMANTICS DO is a route to the past never taken before.

If their sound is this sweet on record, the live experience will be enough to give you an aural sugar rush.

AS HOPELESS ROMANTICS DO will be officially released on August 30th with the B-side single, I’D LOVE TO BE YOUR GIRL. Stream the single on SoundCloud and connect with the Hearse on TikTok and Instagram.

Review by Amelia Vandergast

Drew Hersch broke new ground in heartache with the raw indie-folk pop reflections in ‘Onward & Upward’

Posted on 30 August 2024

Drew Hersch’s latest single, Onward & Upward, is a raw, intimate confession that bleeds vulnerability from start to finish. The lyric, “The other night when I had someone over, I taught him to hold me like you did,” is a gut-wrenching highlight, encapsulating the bitter pangs of moving on while still anchored to the past. This tender indie folk pop ballad doesn’t just brush against the surface of heartache—it plunges into the depths, making you feel every pulse of pain that Hersch so poignantly articulates.

In Onward & Upward, Hersch captures the agonising reality of being the one left behind, as his ex-partner soars above it all, while he’s left to grapple with memories that linger like ghosts in every corner. From old date spots to the universal curse of dating someone with a common name, Hersch paints a picture so vividly relatable, that it will be hard to determine where your emotions end and his torment starts.

At just 23, this Boulder, Colorado-based artist is already proving himself as an alt-indie folk pop savant of emotional resonance. The artful ingenuity intertwined with the confessionally cathartic release makes the irreverently witty melancholy hit so much harder. From hushed acoustic verses to ornately tender crescendos, each motif is a conduit of unfeigned emotion in the track which echoes the warmth of Zach Bryan, the haunting depth of Lana Del Ray and the textured production of Eilish.

The official music video for Onward & Upward will premiere on August 30th; stream it on YouTube.

Review by Amelia Vandergast

Whispers Through Time: Samaël’s Acoustic Revelations in Ancient Whispers

Posted on 28 August 2024

Samaël, the seasoned Canadian guitarist and composer, has stirred the strings once again with his latest acoustic composition, Ancient Whispers, the debut single from his anticipated album, CASCADIA.

The accompanying music video is a mesmerising prelude to a visual trilogy, entrenched in narrative depth and an artistic flair that dares to push the sensory boundaries. The baroque beguile of the high-production video marries perfectly with the mystical lens Samaël forces the listener to peer through with his intuitive notes. Each progression is a masterclass in musical clarity as the notes are sustained with celestial quality. If a picture is worth a thousand words, Ancient Whispers is enough to rival epic sagas in the vein of Divine Comedy.

Educated at the prestigious Musicians Institute and further honed in the halls of Concordia and the University of Montreal, Samaël’s academic journey is as storied as his creative output. From his debut album Halcyon Night to his introspective work Shadow, he has evolved into a virtuoso of minimalistic yet affectingly cinematic soundscapes. His forthcoming album is set to unveil some of his finest work to date.

Stream the official music video for Ancient Whispers on YouTube now.

Review by Amelia Vandergast

When Folk Meets Prince: Isiah & The New People’s Haunting Cover of ‘When Doves Cry’

Posted on 28 August 2024
Isiah & the New People

In their cover of Prince’s When Doves Cry, Isiah & The New People take the iconic track on a deeply personal journey, transforming it into something that resonates far beyond its original message. Following the success of their debut EP, Boxes, the Wisconsin-based collective has shown their ability to strip a song to its emotional core and rebuild it with raw, unfiltered candour.

The affecting exploration of loss, love, and the painful intersections between the two makes the intensity of the emotions palpable from the first note, as the vocals quiver under the weight of heartbreak. Isiah Driessen’s voice, laden with sorrow and yearning, delivers each line as if the wounds are still fresh, allowing listeners to step into his world and experience the pain of a love that could no longer survive in the wake of tragedy.

The instrumental arrangement further amplifies the track’s emotional depth. Gone are the synth-pop hooks that made the original so iconic; in their place is an expressive acoustic guitar that seems to echo the heartache embedded in the lyrics. The fretwork speaks alongside the vocals, visualising the fire that still burns, despite the devastation left in its wake.

The decision to cover When Doves Cry was clearly not taken lightly, and it shows in every carefully considered progression. This is music as catharsis, as a means of processing the unthinkable. With each strum and vocal tremor, Isiah & The New People invite listeners into their emotional landscape, offering a glimpse of the pain that led to this release, resulting in a track that challenges you to reconsider the original, now layered with the weight of lived experience.

When Doves Cry will be officially released on August 28th and available to stream on all major platforms, including Spotify.

Follow Isiah & the New People on Instagram.

Review by Amelia Vandergast

The melodies leap off the page in Go Metric USA’s installation of folk mysticism, Old Books No One Remembers

Posted on 27 August 2024

 In an unflinching mission to keep the traditions of folk storytelling alive, the Texan ensemble Go Metric USA has unveiled their tribally hypnotic sense-awakening serenade, Old Books No One Remembers. You can practically hear notes of opium drift through the production in the arcanely atmospheric alt-country vignette which allows poetry to acquiesce with seraphic folk melodies.

With an evocative potency which tears through the centuries, Old Books No One Remembers is inexplicably efficacious in its ability to consume the psyche. It is only when you reach the outro in the Legendary Pink Dots-reminiscent production that you realise how intertwined you’ve become in the eloquently enlightening narrative which can hold its own against Robert Frost’s poetry.

Old Books No One Remembers is now available to stream on SoundCloud.

Review by Amelia Vandergast

Gaze into the introspective kaleidoscope of leo hc’s seminal indie folk release, the shades EP

Posted on 23 August 2024

leo hc’s debut release, ‘the shades EP’, elegantly strips music back to its most elemental form, serving as a pure conduit for emotion which resonates through the instrumental textures and the lyrical narratives.

The opening track, the aptly named ‘the shades’, introduces us to a semi-lucid reverie where the angular, fingerpicked guitar notes intertwine with leo’s reticent, whispered vocals. Each motif transcends sound to become experiences shaded in deep introspection, allowing listeners to immerse their own melancholic emotions into the abstract depths of the production.

The subsequent track, ‘two wrongs’, transitions into a more indie folk aura, with vocals that echo Elliott Smith, soaring within a seraphically toned lo-fi backdrop. This piece epitomises intimacy, transforming the listening space into a personal enclave of reflective peace.

Track three, ‘i’m the man’, continues the narrative with a progressively gratifying indie lullaby. It allows for a dynamic interplay of intensity, with artful flourishes that let emotional currents ebb and flow, underscoring leo’s mastery in balancing sonic peaks and valleys.

The EP rounds off with ‘lovers hilltop’, a stunning demonstration of acoustic indie songwriting. Here, the poignant strains of coming-of-age yearning are captured through evocative fingerpicked guitars, drawing influences from classical Spanish guitarists while paying homage to artists like Jose Gonzalez and Hot Left Pole.

Overall, ‘the shades EP’ by leo hc is a pacifying synthesis of introspection and musicality, offering a sanctuary where each track invites personal reflection amidst evocatively crafted soundscapes.

Stream the shades EP on Spotify now. 

Review by Amelia Vandergast

Goldfish24 pioneered a new wave of hyper-popped punk with ‘The Pit of My Life’

Posted on 20 August 2024

Goldfish24’s sonic riot of innovative expression, The Pit of My Life, starts with a raw, rugged, and intimate folk-punk overture before the melodicism sinks into a genre-fluid production that toys with the aesthetics of trap and hyperpop to animate an infectious earworm which sets the stage for the artist to emerge as one of the fiercest punk pioneers of his generation.

While the emotions in the single may weigh heavy, there isn’t an inch of space in the evocative riptide of a release for self-pity. Instead, the track is the epitome of running with your idiosyncrasies, embracing the chaos of the world, and finding resilience through irreverently witty tongue-in-cheek humour.

The Pit of My Life is the second chapter in the story Goldfish24 is narrating with his upcoming project, ERRORS IN COMMUNICATION. The single takes the first step in picking yourself up and coming to terms with the fact that life will always suck sometimes, and that’s okay. The mantra reverberates through the motifs as much as the lyricality, attesting to Goldfish24’s ability to fully visualise his psyche through sound. Brace yourself for the visceral vindication.

The Pit of My Life was officially released on August 16; stream the single on SoundCloud now.

Review by Amelia Vandergast

Mt Bonnell – Mistake: A Little Bit of Country, An Unholy Load of Rock n Roll

Posted on 17 August 2024

It’s almost worth enduring agonising lapses in romantic judgement to prise maximum resonance from Mt Bonnell’s latest lyrically bitter, sonically euphoric alt-rock single, Mistake.

The revelation in genre fusion fuses the twangy, intimate and narratively expansive warmth of upbeat country folk with all the fire and furore of a grungy rock anthem and the stylistic edge of indie to establish the artist as one of the most veritable outfits pouring sound out of Austin.

There’s clearly something in the Texan water which breeds peerless talent, but the flavour of Mt Bonnell is something no other outfit is capable of making you savour. Intensity and authenticity run in the veins of the infectiously zealous melodies ensuring you feel every ounce of the affecting weight in this anthem which epitomises what it means to wear your heart on your guitar strings.

As much as the emotively seismic vocals make you feel, that’s nothing compared to the compulsion to succumb to the rhythmic pulse which speaks volumes of how Mt Bonnell has honed their eclectic sound since forming in 2002, with each member bringing their own sonic proclivities to the table.

Mistake was officially released on August 8th; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Jake Marshall tore the sutures off his wounds for his folk-pop debut, bad singer

Posted on 14 August 2024

In one of the most vulnerable and soul-baring folk-pop debuts the airwaves have ever witnessed, Jake Marshall tore the sutures off his wounds and stood in front of the world unfeigned with his debut single, bad singer.

With gospel motifs swelling around his vocal lines that simultaneously exhibit his impressive octave range and his ability to convey heavy emotions in even the highest registers, there’s something profoundly sanctifying about the opportunity for connection presented by bad singer.

The titular paradox of this track is just one of the ways Marshall artistically shines in the raw vignette of his trauma that would break most and resign them to shame. The power of fortitude resounds through the release which proves that even if you live and sing in spite, you can salve the pain of others as you chart your arc of healing.

bad singer is Jake Marshall’s candid reflection on overcoming self-doubt instilled by past relationships. With evocative melodies and introspective lyrics, the song chronicles his journey from being told he couldn’t sing to embracing his voice. The track captures the essence of his unique blend of sad folk-pop, setting the stage for his forthcoming EP, Love(s) of My Life.

Stream the official music video for bad singer on YouTube now.

Review by Amelia Vandergast