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Where they Gone: KNARS sees the bankers laughing on the most important single of 2023 called World is Burning

Telling us all the facts inside the cruel world of politics and banking which seems designed to hurt those who need money the most, KNARS boils our feelings and shall summon an energy which opens up those wounds which many are still healing from on the epic new single, World is Burning.

Created by the Dutch lyricist, music producer and filmmaker, Martijn Holtslag, KNARS is a massively reputable musician who has shown us his deepest frustrations on this memorable experience.

He shows us what is really happening. In raw detail. Wow. This is surely one of the most revealing tracks made this year. Or ever. KNARS is his name. Respect has been gained. It takes a  lot of gusto to tell it like this. He’s not wrong, is he?

World is Burning from the Dutch indie electronic/hip-hop fusion artist KNARS might rocket a vibe of eye-opening proportions beneath all listeners. Golly gosh this is an instant classic right?

With a beat so catchy and lyrics to wake up the sleepy..or tired..we are thrilled to the core on this brilliant single to play until the world does finally sizzle into nothingness.

See this fine music video on YouTube.

Reviewed by Llewelyn Screen

Hanging by a Thread: Ariana Molkara senses they’re messing with her head on the outstanding I Don’t Wanna Drown

Feeling the space between herself and a lover who she loves but is worried about showing her true feelings for fear of rocking the boat overboard, Ariana Molkara sings with the kind of gloriously classy energy to put shivers on the spines of those who want to be happy in love on I Don’t Wanna Drown.

Ariana Molkara is a radiantly exceptional award-winning Los Angeles-based 19-year-old singer-songwriter, actress and UPenn Wharton ‘27 student who has that extra hunger in her sparkling eyes which has her believing in her abilities.

Previously known best for her roles in Septembers of Shiraz and as Darby in WARPED!, Ariana Molkara is utterly mesmerising on I Don’t Wanna Drown and might cause hearts to flutter in abundance. This is the kind of honest single with a breathtaking beat, to catapult emotions into a reflective gaze of wonder at what the possibilities could be.

I Don’t Wanna Drown from your new favourite Southern California-born pop/EDM singer and actress Ariana Molkara is a rather special effort from a massively talented creative. She puts her heart and soul into this one of the results are supremely excellent no matter what genre you usually consume.

Having that lifejacket close for two is always a smart idea.

Turn this up on full volume with Spotify.

See more of her growing career reaching the top on IG.

Reviewed by Llewelyn Screen

UK-based house/techno legend Hugo Ryder helps us get back into the zone with In To Focus

Hitting the right notes and sliding on that awaiting dancefloor like an OG who knows what the crowd wants, Hugo Ryder is in no mood to mess around and has dropped something to party with all night long on In To Focus.

Hugo Ryder is a UK-based founding member of the famous Professional Misconduct sound system and an absolute legend in the techno and house scene.

Thundering in with something rather intensely vein-popping, Hugo Ryder is on absolute fire and shall summon the best vibes within and slice away all bad juices that serve no purpose.

In To Focus from the UK-based house music producer and DJ Hugo Ryder is a rather scintillating entry into our hearts when needed most. There is a thrilling energy to filter through into our awaiting souls, by a skilled pro who knows how to push our buttons rather sweetly.

If you like powerful music with a buzzsaw-like aura to cut through the nonsense outside, this is the winner you have been looking for.

Listen up on SoundCloud.

Reviewed by Llewelyn Screen

Konetix weaved an electrifying sonic tapestry with his monocultural-mould smashing Drum n Bass single, Soy Candela

Konetix didn’t just push the boundaries with his latest drum and bass hit, Soy Candela; he forced them to erupt with the infusion of Latina flavour, psytrance transcendence, and jazzy motifs fed through the fiery sax lines.

With infectious energy and electrifying sonic tapestries as the two cornerstones of his MO, the enduringly ambitious artist hasn’t failed to make his mark in the music industry, which has been keen to celebrate his profound passion and the nuances within his distinctively vibrant flair as a music producer.

After his 2020 debut EP, the impassioned visionary has racked up over 10 million streams and has refined his craft while collaborating with industry heavyweights, such as DJ Phantasy, Nicky Blackmarket, Henry Shotta and Ben Snow. To nurture the talent of other emerging acts in the drum and bass scene, he has founded his own record label, Melted Face Records. Somehow, he has also found the time to captivate audiences worldwide with his DJ sets by making appearances at renowned clubs and on international stages.

Stream Soy Candela from June 30th on Spotify.

Review by Amelia Vandergast

I Feel It On My Body: Elsa Karmitsa drops dance-loaded debut single called Glorious Call

With a fabulous beat to shake all the sadness away into the lake forever, lsa Karmitsa shows us how to get up and dance all night to feel so much better again away from the lies and fake energy with Glorious Call.

Elsa Karmitsa is a Finland-based Infinite Records signed dance solo artist who keeps her faith close to power her into previously unimaginable places her heart desires.

With chills all over her spine and never forgetting her love for Jesus, Elsa Karmitsa shakes the devil away and saves many souls with this back-grooving track to click everything back into place after a trip to the chiropractor. This is high-energy stuff. Are you ready to dance the night the pain away?

Glorious Call from the fantastic Finnish songstress Elsa Karmitsa is one of the freshest debuts available to soak into right now. There is pure energy here and everything is well-intentioned, taking us on a water slide of excitement to never forget despite the snowy storms of current times.

Sung so well and bringing us a much-needed break from negative energy, this is a fun song to open up the windows of hope again.

Listen up further on Spotify.

See more moves on her IG.

Reviewed by Llewelyn Screen

Sandor Gavin borrowed from 80s synthpop pioneers in his captivatingly lush synthwave single, Ghost of a Memory ft Weldon

For his latest single, Ghost of a Memory, the Synthwave sensation, Sandor Gavin, borrowed the mesmeric vocal timbre of the featuring artist, Weldon, to leave the airwaves awash with nostalgia, emotion, and captivatingly lush melodies.

There is a strange assumption amongst artists and producers that when summer hits everyone is drunk on love and desperate to hear anthems which capture the euphoria of lust. Thankfully, Sandor Gavin injected realism into his latest synthwave crusade to help his audience through the minefield of lost love and shattered dreams.

The relatability of his crushed romanticism does so much more than just scratch at the surface of superficiality. Everything within Ghost of a Memory runs deep, from the basslines to the ennui to the reverberant hums emanating from the vocals, ensuring that the bitter-sweet release hits all the right marks.

Ghost of a Memory hit the airwaves on June 16; stream it on SoundCloud.

Review by Amelia Vandergast

Aza.B dawned a new era of electronica in his deep house disco anthem, Funkin’ You Up

Lincolnshire, UK-hailing DJ and producer Aza.B’s raucously funked third single, Funkin’ You Up, grooves with big beats and even bigger blasts of euphoria.

After a blazing sax solo, the momentum starts to build in the vibrant electronica tapestry, which grooves through entrancing disco rhythms and the irreplicable atmosphere of deep house to construct a galvanising anthem that could only have been assembled in Aza.B’s wheelhouse of authenticity.

After getting a taste of different EDM scenes and cutting his teeth in many of them as a DJ and producer, Aza.B developed an understanding and passion for a myriad of genres before melding them into bespoke testaments to his boundless creativity. While other producers are attempting to go mainstream or fit into the confines of niches, Aza.B took the less pedestrian route with his interstellar productions to dawn a new era in electronica.

Funkin’ You Up hit the airwaves on June 16th; stream it on Spotify.

Review by Amelia Vandergast

Interview: Nottingham alternative electronic producer RICKY leads us through those era-defining Dark Places

Opening up a whole new brightly coloured tunnel and delving us deeper into a mysteriously illuminating venture to bury all demons inside forever, UK-based EDM producer RICKY slams the door shut rather brilliantly and tells us all about it with an interview all about his 7th of July scheduled 8-track release, Dark Places.

Llewelyn: Welcome to A&R Factory and thank you for taking the time to chat with us today RICKY. Let’s start off with this. You were known previously for your work with the 2 piece electro-punk indie rave band called Battlecat! What’s the progression been like in your life to now being an alternative EDM producer?

RICKY: Thanks for having me! I’ve always been passionate about music having previously grown up living in an independent family-run music venue and watching and prompting hundreds of bands every year and then came Battlecat! Who was made up of me plus the sound man from our venue (we were very close friends and had been talking about trying to write some test icicles-inspired tunes for a while.

Battlecat’s sound mixed elements of techno, EDM and drum and bass with punk guitars and distorted vocals and was heavily influenced by the ‘Nu rave scene’ of the early 00s. Working on that particular project gave me an opportunity to explore a different side of music production (as I only really played guitar prior) and is where I cut my teeth using Daw’s and Vst’s and hardware units. I kept exploring and learning more about arrangement and production and it became my passion and so transitioning to alternative Electronic production felt like a natural progression.

Llewelyn: You rep Nottingham in the UK. What’s the scene like there (good and bad things) and where are the best spots to watch underground music in your area?

RICKY: The scene in the early 00s consisted of a lot of indie, punk and metal but it seems to have broadened over the years and it’s literally a melting pot of unique artists of every genre you can think of. Nottingham is home to many great venues but JT SOAR, The Chameleon and Bodega are great venues to catch upcoming artists.

Llewelyn: Dark Places. Goodness me. This will wake up anyone who has been sleeping. We love the high-tempo energy. What was the main motivation behind the project and are there any tracks in particular you’re most proud of? Also, was there anyone else involved in the creation?

RICKY: Dark Places is a follow-up to my ‘bedroom-produced Ep’ Pushing Buttons. I was fairly proud of Pushing Buttons but it was definitely a genre-hopping piece of work where as this next record feels a bit more coherent and uniform in terms of tone. I’m particularly proud of the debut single ‘Don’t say anything’ (which is released on 23rd June) and ‘Wreck’ which I suppose is my answer to Hudson Mohawke’s distorted brass, fidgety loveliness. The whole record was written, mixed and mastered by myself and the only contribution being that of ‘PLAEDO’ who is an activist, rapper and altogether great guy from Portland Oregon that pit some great lyrics to ‘I’m talking to you’

Llewelyn: 2020 was mad. Did you feel super refreshed after your hiatus and do you sense your creative process or sound changed at all?

RICKY: 2020 was definitely mad and full of negatives the only plus for me personally was the free time it gave me due to being furloughed and getting the last ep finished. When you have a family and full-time job it can be very difficult to find the time to work on your passion project because let’s face it family comes first.

Llewelyn: Do you have any funny stories about the music business you’re allowed to share? Perhaps an interaction with a fan, or a wild moment at a party/festival or a realisation which made you laugh?

RICKY: I can remember when the Eighties Matchbox B line disaster played our venue and after they played we had a lock-in with around 50 folks where we drank the bar dry to lots of The Cramps and QOTSA blasting out the PA and then around 3 am we took the party to their tour bus (they came it a massive double-decker tour bus complete with leather sofas and flat screens tvs) and invited a few of us on to indulge in some mushrooms and various other ‘vegetables’ that was a very epic and hilarious night. It wasn’t hilarious when I woke up with my head in a pizza box covered in filth and vomit though.

Llewelyn: Who are the OG’s of your local scene and who do you look up to the most?

RICKY: There’s always been Lots of great Nottingham bands but back in the day for me, it was probably ‘Late of the pier’ ‘I was a Cub Scout’ and Swound! There’s obviously been a good few Notts acts break in the last decade such as Sleaford mods and Jake Bugg.

Llewelyn: Lastly, where can we catch you live over the summer?

RICKY: I’m looking at getting the live show up and running for late August and I’m hoping to gig as much as physically possible (in between work and family commitments) through the back end of this year through next year onwards so hit me up if you’re a promoter and have any slots going free. I’ll sweat and make noise for beers and fuel.

Listen up to Don’t Say Anything on Spotify.

Find out more on IG.

Interviewed by Llewelyn Screen

UK EDM duo Issi Noho rattle the windows of the drowsy with the hauntingly memorable pick-me-up, Back to The Abyss

Following the dynamics of a film that is still to be made, the massively experienced and much-loved Issi Noho drops track 8 from We erA (A Tale for Dreamers and Scientists) and this is called, Back to The Abyss.

Issi Noho is a UK-based EDM Psychedelic Beats lover who enjoys drenching all tired hearts into a bath of mass contentment and shall cause bodies to be reinvigorated again.

Formed by Nick Smith & Neil Riley who are known best for their electric track on the legendary and original FIFA game, Issi Noho scores a hattrick on their latest release which would trouble even the best keepers. This is riveting to the core of empty abdomens and shall fill up the hungriest, who are voracious for something proper. Eat up then. It’s snack time.

Back to The Abyss from UK-based EDM act Issi Noho is a fast-paced and pulsating track to turn the lights off with. With glowsticks in abundance and masses ripping off their shirts, we have found an anthem to stomp all toes off with.

Sizzling through the lights and never letting go, we hope you’re ready to pump up the volume.

Check out the video on YouTube.

Soak into the socials on Twitter.

Reviewed by Llewelyn Screen

Spotlight Feature: Ducktail’s fiery feat of anthemic electro-soul, Over, ft Kristal Oliver, Bursts with riotous, almost punk energy: try telling us this isn’t the debut of the year

With a Wall Street career in the rear-view mirror, the electro luminary in the making, Ducktail, ensured the world knew about his arrival in the Future Bass scene by dropping his debut single, Over. If it’s good enough for Pete Tong, the multi-layered leads driving through pop-hooked groove-pocketed basslines are worthy enough for your rhythmic pulses.

The New York-based artist and producer teamed up with the Grammy-nominated platinum artist Kristal Oliver, who exhilarated the release with her award-winning vocal lines before the anthem for a lost and now found cause was mixed and mastered by none other than Gosteffects.

Ducktail and Kristal Oliver converged to create an unreckonable force with this fiery feat of anthemic electro-soul. With choruses that burst with riotous, almost punk, energy and ever-ascending verses, which will leave you on a new spiritual plateau, just try telling me this isn’t the debut of the year.

As change is the only inevitability in life, Ducktail prepared us for it with Over, by illustrating that freedom to step into the infinite possibilities of the unknown is something that we should forego complacency and stagnation for.

“Over is all about following your passion and finding happiness along the way. Music has always been the greatest source of happiness in my life. So, in a way, Ducktail was created to repay the debt I felt I owed to something that’s given me so much. Lyrically, Over is a testament to pursuit and passion; it quells decisional regret, something we’ve all experienced.”

Over hit the airwaves today on June 23rd. Check it out on all major platforms via this link.

Review by Amelia Vandergast

Follow Ducktail on Instagram
Listen on Spotify, Apple Music, SoundCloud
Watch on YouTube