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Grief transmuted into ground-breaking dance-pop in Tori BLK’s anthem of fortitude A-Okay

Tori BLK

Ignited by fiery pop-punk energy, Tori BLK’s latest dance-pop track, A-Okay, is an act of intense sonic fortitude. Written in the months following losing her mother to liver cirrhosis in February 2024, the single delivers mantras and sonics of solace as it sarcastically scathes at the internal and external expectations to be okay in the wake of a tragedy so colossal you lose your sense of gravity in an alien orbit of reality.

With so many layers to the single, consuming it completely requires digging deep into the emotional and thematic mantles of the single in addition to acknowledging how the instrumentation and stylistic touches amplify the heart-wrenching yet juxtaposing soul-enriching essence of the single.

As the hard-hitting beats thrash against the grief, the upbeat synth-carved melodies deliver the consolation in synergy with Tori BLK’s ascendingly ethereal vocal lines until the chorus hits and she fervently delivers the refrain “tell me that I’m okay, tell me that I’m a-okay”. The heterogeneous hit is inexplicably affecting; it transcends music to exhibit an unfiltered manifestation of a grief-torn soul. As someone who has also experienced the loss of their mother, I can attest first-hand to how raw and real the resonance is.

If this is your first introduction to Tori BLK (AKA Victoria Islas) and her ability to alchemise, transmute and transform broken hearts, it will be an unforgettable acquainting with the singer-songwriter, music producer, poet and spiritual intuitive.

A-Okay will be available to stream on all major platforms from May 31; find your preferred way to listen and connect with Tori BLK through her official website.

Review by Amelia Vandergast

Reach Nirvana with DJ Roko’s Slice of EDM ‘Heaven’

DJ Roko dialled up the disco dance-pop euphoria in his latest burst of beat-driven euphoria, Heaven; 90s disco nostalgia permeates the exhilarated EDM production that embodies the UK producer’s influence of David Guetta, Tiesto and Calvin Harris while leaving plenty of room for his signature style to ensnare the airwaves. If rhythm is a dancer, as Snap! proclaimed in ’92 it would get down to this hit that will maximise your lust for life.

The West Midlands-born, Glasgow-based artist and DJ first exhibited his talent for fusing kinetic rhythms with melodies that melt into the mind through his official debut release, Velocity, earlier this year, and has already attracted over 10k monthly Spotify listeners with the infectious intensity within his sound that will undoubtedly flood dancefloors throughout 2024.

With his self-produced debut LP, in addition to several other projects, ready to drop later this year, DJ Roko isn’t a name EDM fans will want to ignore for much longer.

Heaven was officially released on April 27; stream the single on Spotify.

Review by Amelia Vandergast

From Surgeon to Synths: CORM!! Unleashed Electrifying Ecstasy with ‘Lose My Mind’

If you tune into one up-and-coming EDM producer this year, make it CORM!! His latest hit, Lose My Mind, which will euphonise the airwaves with exhilaration is set to drop on May 3; when it does, the impact will be colossal.

The anticipation for the first drop builds right from the intro of lush reverb and female vocals, which break through the arcane atmosphere to directly deliver a sensuously melancholic vignette of heartbreak.

The emotional underpinnings may be heavy, but the ecstasy within the electrifyingly layered and heavy bass-bolstered progressions carries them effortlessly allowing pain and vulnerability to transmute into a synthesised storm of vindication which proves that even if you do lose your mind, you can still come to life on the dancefloor.

When CORM!! isn’t proving his mettle as the architect of visceral EDM floor-fillers, he’s going by the name Dr Jason Cormier, donning a white coat and living up to his legacy as a world-renowned neurosurgeon. Inspired by the likes of Skrillex, Diplo, and Tiesto, CORM!! has a varied discography, ranging from dubstep, trap, future house, big room and pop; hit play on Lose My Mind, and you’ll meet a hybridic earworm that won’t just bed down, it will arrest your rhythmic pulses.

For the full CORM!! experience stream the official music video for Lose My Mind on YouTube.

Review by Amelia Vandergast

MrrrDaisy delivered haunting harmonies and fierce fidelity in ‘Echoes of You

’MrrrDaisy may not be one of the most prolific artists of his generation, but when he does drop a track, he makes a profound impact. With his latest single, Echoes of You, which follows a year-long sabbatical, the Ghanaian-Spanish artist and producer pulled his fans into the spectral shadow side of dance-pop.

As haunting as a Portishead release, as euphorically elemental as a Kygo anthem, there’s an affecting parallel of dualism running through the fierily lush veins of the single which marks a departure from the artist’s overt yet distinct Afrobeat style.

The energy brought by the big bass-swathed beats and stabbing horns may be colossal, yet the vocals match it by seamlessly evolving from a smoky hell-hath-no-fury timbre to vulnerable delicacy to a stridency that belies the vocal style.

Despite the short duration, the affecting aura of the bitter-sweet song endures. The exposition on how memories linger as shadows couldn’t be closer to the mark. For anyone who knows how it feels to find the spectres of lost love everywhere, there are swathes of catharsis to be found in Echoes of You.

Echoes of You was officially released on April 18; stream the single on Spotify.

Review by Amelia Vandergast

Blonde Poulain rocketed through cosmic boundaries in ‘Objectivo la Tierra’

Blonde Poulain’s latest single, “Objectivo la Tierra,” catapults listeners straight into a celestial escapade, melding pop sensibilities with sci-fi synthetics. From the outset, spacey effects set an interstellar backdrop while the pop hooks orbit around hip-hop-adjacent beats.

The rhythmic foundation is robust, complemented by twinkling synths and a nod to 90s trance aesthetics that instil euphoria in the same vein as Faithless. Blonde Poulain embraces full creative freedom in this track, infusing his style, soul, and charisma to craft a universe that promises more than just a musical escape. By giving pop new life through the pulse of electronica, the innovative artist created a sound that’s both futuristic and deeply grounded in rhythmic tradition.

In essence, “Objectivo la Tierra” is an invitation to imagine and inhabit Blonde Poulain’s vibrant and upbeat cosmos—if Earth were to falter, his universe, as painted in this track, would be infinitely more accommodating.

This single marks the first release from his upcoming EP, setting a high bar for what’s to come as it skilfully combines real-world facts with the fantasy of science fiction.

Objectivo la Tierra will reach the airwaves on April 26th; stream the official music video on YouTube.

Review by Amelia Vandergast

FCF’s U AND I is a dynamically exhilarant dancefloor catalyst

U AND I” by FCF is a revolutionary dancefloor catalyst that ignited the sphere of alt-electronica and added intense anticipation around the producer’s upcoming LP.

The track launches with a tender progressive house pop prelude, where deep reverberating basslines and soulfully intoxicating vocal lines set the stage for the impending infectious aural oblivion to come. As the mix escalates, it transitions into a hypersonic entrancing hit that promises not just to bring listeners to the brink of euphoria but to climax with them through an exhilarating fusion of psytrance electronic layers and Spanish guitars. But don’t think the peak is reached here; before long, FCF introduces adrenalizing rap bars that evoke raw tribal energy, seamlessly interwoven with reprising female vocal harmonies. This blend is not just innovative; it’s evolutionary; while some artists are content with constructing floor fillers, FCF went one step further by dropping a track that could start a riot on even the most subdued dancefloor.

FCF, hailing from Lisbon and inspired by artists like Rosália and Travis Scott, has a proven track record of breaking boundaries in electronic music. His eclectic influence—ranging from techno and house to hip-hop and reggaeton—allows him to craft tracks that challenge the conventional frameworks of music production.

“U AND I” exemplifies FCF’s unparalleled ability to fuse fire, fervour, soul, and rhythmic magnetism into a coherent whole that resonates across diverse audiences.

U AND I was officially released on March 2nd; stream the single on Spotify.

Review by Amelia Vandergast

ToleX unveiled a fiery reckoning with their hell-hath-no-fury poetic epiphany of an EDM release, Cry Baby

ToleX’s EDM-Chill Step hybrid, Cry Baby, dropped on April Fool’s Day to prove they’re nobody’s fool in the searing indictment of post-breakup epiphanies. Even with the catharsis of the Chill-Step aesthetics, it hits with the force of a hurricane.

From the opening artillery of lyrics, ToleX sets the stage for a raw, unfiltered dive into the emotional abyss left in the wake of lost love. The poetic justice in the lines “It shouldn’t have to be until I leave to make you love me”, and “It shouldn’t have to be the memories that makes you miss me,” doesn’t just create a haunting reminder of love taken for granted; the introspection filters the enraging phenomenon through a brand-new lens.

But Cry Baby is more than a mere lament; it’s a battle cry wrapped in a rhythm. The female vocals, draped over ToleX’s fiery beats, serve as a siren song, luring listeners into a whirlpool of raw emotion and unapologetic truth-telling, resulting in a sonic uprising against the all-too-common narrative of love appreciated too late.

ToleX doesn’t just push boundaries; they incinerate them, offering a track that’s as much a balm for the scorned as it is a wake-up call for the complacent. Cry Baby is a musical inferno, burning away the clichés of heartbreak songs to reveal a core of fierce honesty and emotional depth. This isn’t just another break-up anthem; it’s a revolutionary redefinition of what it means to turn heartache into art.

Stream the single on all major platforms including Amazon Music and YouTube.

Review by Amelia Vandergast

Synthetix – Ominous Data: Meet the Master of Electronica Futurology

Synthetix looked far beyond the binary with the cybernetically harbingering title single from his latest bass-heavy electro LP, Ominous Data. The San Francisco-residing breakbeat producer and live artist Shea Steinbacher founded Synthetix and started cutting his teeth in the rave and nightclub scene in 1999, the same year The Matrix hit the big screen, which may or may not be coincidental, but one thing is for sure, Synthetix has become a moniker synonymous with the futurology of electronica.

As dark, heavy, and brooding as Ominous Data may be, nothing about the polished mix feels oppressive. The reverberating glitchy waves wash over you, allowing your rhythmic pulses to ebb and flow with the syncopated momentum that speaks volumes of the producer’s experience and expertise which has lent itself to 13 LPs and EPs on labels including Anti-Matter Records and Black Magic Records.

Currently operating under his own independent label, ZerosAndOnes Records, the innovative originator is ensuring that if we do have a future to look forward to where our autonomy doesn’t atrophy, he’s going to hold dominion over the breakbeat scene with his kinetic rhythms and synths that carve through the atmosphere with the reverberations of a full-scale invasion.

Ominous Data was inputted into the airwaves on April 5th; stream the track on SoundCloud.

Review by Amelia Vandergast

Delve into the digital abyss with Intonation Effigy’s harbingering journey, Artificial Intelligence

Intonation Effigy’s latest single, ‘Artificial Intelligence‘, composed by Keegan LaBrot, is a dark and harbingering journey into the underbelly of electronica. This cinematically dystopian instrumental release is larger than life in its encapsulation of the ever-lingering threat of AI’s inevitable domination.

The track is a masterclass in creating a disquieting and artfully disconcerting atmosphere. Intonation Effigy’s use of complex and glitchy time signatures is a sonic visualisation of the tumultuous epoch we are entering. The equilibrium between dark, bass-drenched synthetics and light, almost ethereal aesthetics is a testament to Intonation Effigy’s ability to emotionally round out his immersive productions. The track is a journey, not just through sound, but through the emotional landscape of a world grappling with the rise of artificial intelligence.

As the third single from this artfully profound visionary, ‘Artificial Intelligence’ establishes Intonation Effigy as an essential name to follow in the electronica scene. This track is more than a musical composition; it’s a statement, a reflection of our times, and a glimpse into a possible future dominated by AI. For fans of electronica looking for depth, complexity, and emotional resonance, ‘Artificial Intelligence’ by Intonation Effigy is a must-listen.

Artificial Intelligence dropped on March 19th; stream the single on Spotify now.

Review by Amelia Vandergast

Am Élie welcomed EDM fans to a new era with ‘Pareidolia’

Am Élie’s latest single, ‘Pareidolia‘, welcomes EDM fans to the new age while showcasing the Sydney-based prodigy as an emissary of innovation who operates decades beyond current trends.

This blissfully utopian anthem is a one-way ticket to an auditory sanctuary, where the builds and breaks rhythmically oscillate around bursts of euphoria and the production intertwines a futuristically rich tapestry of sonic rapture, strings, lush synths and EDM beats. Am Élie’s use of animatronic vocal effects complements the instrumentals perfectly, ensuring that the emotional themes resonate as powerfully as the ingenuity of the composition.

The lyrical narrative arc of Am Élie’s redemption following a bittersweet breakup is a testament to how the grass will always be greener if you move from what no longer serves you; the emotional depth of ‘Pareidolia’ is palpable, making it a standout piece in Am Élie’s growing discography.

Am Élie, a graduate of the prestigious Talent Development Project and a student at the Sydney Conservatorium of Music, brings a unique blend of influences to her music. Drawing inspiration from the likes of David Guetta and Lana Del Rey, she occupies the middleground with her distinctive flair which effortlessly sets her apart from her contemporaries.

Check out Pareidolia when it drops on April 5th on SoundCloud.

Review by Amelia Vandergast