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Ride the synth waves in Dry’s latest alt-electro hit, DON’T GO

Dry finessed the future of alt-electro with his latest single, DON’T GO. With the synths delivering a unique flavour of cybernetic hyper-pop-adjacent funk into the adrenalized installation of retro-futurism, it is impossible not to get caught up in the kinetic hype of the genre-bending track.

The single’s foundation is laid with a robust bassline that pulsates through the melody, offering a deep, resonant contrast to the sharp clarity of vintage analogue synths. These elements combine to craft a backdrop that is rich in texture and brimming with infectious energy. The breakbeats act as a homage to the classic eras of hip-hop and Drum and Bass, infused with a modern twist that keeps the listener locked in and moving.

Adding complexity to this already dynamic mix, Dry’s vocals, autotuned to the edge of synthetic distortion, serve as a bold statement on the artificiality of modern pop. This choice is a clever nod to the genre’s roots in electronic manipulation, pushing the boundaries of vocal treatment into the realm of the experimental.

Each beat in ‘DON’T GO’ reflects a deep appreciation of Dry’s influences—from the intricate jazz time signatures that defy conventional expectations to the funk-infused grooves reminiscent of Jamiroquai and Steely Dan.

Stream DON’T GO on YouTube now.

Review by Amelia Vandergast

Rafał Przewłocki & Dr Gin summoned a sonic djinn to the dancefloor with their dark techno anthem, Sila

Rafał Przewłocki and Dr Gin conjured a sonic storm with their dark techno anthem, Sila. Like the mythical djinn from which the track takes its name, the single possesses an otherworldly magnetism that commands every moment it occupies.

The deep pulsations and nuanced shifts in momentum drive listeners beyond the edge of euphoria, an experience fuelled by the high-octane energy manifested by the experimentally luminary producer. Yet, don’t mistake experimentalism for a lack of precision; Sila is a carefully orchestrated ride through a meticulously constructed soundscape.

The Middle Eastern influence permeates the production, as ethereal Eastern vocal lines and the melancholic hum of the duduk breeze through the relentless beats. These elements open a vast expanse within the track, creating a sense of depth that leaves plenty of room to sink into its electrifying power. While the rhythmic intensity of Sila will undoubtedly flood your senses through your home speakers, it’s on the dancefloor where the full weight of the track will possess and devour your senses.

There’s a seamless interplay between the feminine and the sinister in the single which submerges listeners into its darkly atmospheric world. And with every drop, every subtle shift in rhythm, Sila teeters on the edge of chaos, while retaining a scintillating sense of control.

The official music video for Sila premiered on August 31; join the 7.4k watchers who have already caught the hype by heading over to YouTube.

Review by Amelia Vandergast

Spotlight Feature: Will Sync injected depth into Deep House with his EDM club anthem, Take a Shot

With his latest hit, Take a Shot, Will Sync went beyond riding the waves of Deep House; he went against the current to emerge as an unreckonable force in the genre in the same sonically hedonic vein as David Guetta and Calvin Harris.

The UK-based EDM producer dropped a bomb of a track that takes all the familiar elements of the genre and fuses them with something undeniably more. From the first beat, the track hits hard with its signature bassline, drawing you into its relentless energy. Yet, it’s the layered textures that push Take a Shot to the forefront of the EDM scene, injecting a refreshing depth into deep house that will undoubtedly command the dancefloor.

Co-produced with Paul Stanborough, Take a Shot balances a unique vocal contrast that elevates the overall intensity of the song. The interplay between ethereal female vocals and the deeper, darker male vocals brings a fierce dynamic to the track. It’s a combination that pulls listeners into a world of feverish euphoria, while the tight production keeps the tension simmering just below the surface.

If you’re sick of hearing EDM heavy-hitters and chart pop hits on the dancefloor, lock into how he synthesises deep house with more mainstream dance elements to build a sound that is as focused on creating a danceable groove as it is on capturing a sense of reality—something Sync believes the club scene has been missing. It’s a move that’s already paying off, as evidenced by his rising star status, recognition from major names in the industry, and his growing catalogue of hits.

Stream Take a Shot on all major platforms, including Spotify.

Review by Amelia Vandergast

Michael Kanyongolo followed his muse instead of the herd in his alt-dance track, Justice

Brooklyn-based electronic music producer Michael Kanyongolo obliterated the EDM mould with his 3-track release, MK, featuring the seminal single, Justice.

In a track that pulses with an electro heart, Kanyongolo injects licks of funk delivered by rolling bass guitars to deepen the groove, creating progressive rhythms that play with complex time signatures, flirting with the Avant-Garde.

As the track unfolds, the heavy, dark, and reverberant phasers cloak the mix with an ominous, almost cinematic feel. The sound design isn’t just on another level; it’s in an entirely different orbit. Kanyongolo’s interstellar mix is one you can get endlessly lost in as the interplay between the layers brings ever-deepening textural depth and scintillation.

The auditory slice of ingenuity established Kanyongolo as an artist you can always expect the unexpected from. His inspiration from electronic icons like Daft Punk and Justice is clear, but it’s his signature synthesis of adventurous production techniques that make him worthy of a space on your radar.

Stream Justice on Spotify now.

Review by Amelia Vandergast

Simon Jela’s Dance Pop Anthem, Dancing on the Line, Became A Phenomenon in its Own Right

Simon Jela’s latest single, Dancing on the Line, is a dance-pop anthem that strikes a powerful equilibrium between instrumental euphoria and raw emotional depth. Beneath the storming beat lies an evocative narrative of emotional turbulence, capturing the fear and uncertainty that arise when a relationship teeters on the edge. As the track pulsates with an irresistible rhythmic momentum, Jela’s vocals soar, bleeding sincerity as they traverse his expansive range.

With this release, which includes the B-side single Let Go of Me, Simon Jela solidifies his place as a pop icon in the making. If Dancing on the Line doesn’t elevate him to the same level of reverence as Olly Alexander and introduce him to the pop pantheon, it will be a disservice to the pop landscape.

This isn’t just another perennial pop earworm; it’s a phenomenon in its own right for the way it commands you to surrender to the kinetic energy while plunging you into the bittersweet reality of love on the brink.

Dancing On the Line dropped on August 22nd; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Alisma-Rei anthemised the cycle of connection and detachment in her dance track, While We’re Ahead

The emerging independent artist, producer, and mixing and mastering engineer, Alisma-Rei, has added to her repertoire of infectious dance anthems after unveiling her latest euphoric floor-filler, While We’re Ahead, which strikes all the right rhythmically kinetic chords.

While We’re Ahead infuses the soul of RnB and the introspection of singer-songwriters into the dance track which delivers an affecting vignette of the reality of fragile relationships heading toward their inevitable end.

The thematic depth is matched by an intricate production style, where subversive syncopated time signatures create a sonic landscape full of unexpected twists and turns. The rhythm, with its mercurial momentum, ensnares listeners, reflecting the track’s core message through its unpredictable beats.

The impassioned delivery of the fiery RnB vocals leaves no doubt that the track served as a canvas for cathartic expression for Alisma-Rei. The single unspokenly invites listeners to lose themselves in the rhythm, find solace on the dancefloor, and perhaps heal a little in the process.

While We’re Ahead dropped on August 8th; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Cincinnati icon of chameleonic pop, Catlea, has struck again with the affecting anthem, Crumbling

Cincinnati singer-songwriter and multi-instrumentalist Catlea is unreckonable in their mission to become one of the biggest pop sensations of their generation.

Their latest single, Crumbling, instantly arrests with emotionally weighted minor piano chords cradling the haunting with luminescence vocal lines before the single unravels as a synth-driven hit which sheds its dreamy etherealism to establish itself as an anthemic perennial pop earworm.

The lyrical exploration of the inevitability of not living up to unrealistic expectations in relationships where we only exist as an abstract idea and are expected to play out a role without being given a script is the ultimate consolation for anyone who has faced rejection after refusing to alter their autonomy.

The versatility in this track alone is enough to leave you in awe of Catlea’s ability to confidently command a myriad of genres and vocally match the sonic textures with unflinching ease; the rest of their discography is a larger attestation to their chameleonic cultivated skill.

As a precursor to the upcoming LP, Language Barrier, Crumbling, which was produced by Claudia Mills and features pianist Nick Tsang (Ed Sheeran, The Script, Lewis Capaldi), couldn’t set the anticipation any higher.

Crumbling euphonically cascaded onto the airwaves on August 2nd. Stream the single on Spotify now.

Review by Amelia Vandergast

Get on board with the tech house transcendence in Darth Athena’s Freight Train

After amassing over 25k streams since its debut, the momentum behind Darth Athena’s ‘Freight Train’ is showing no signs of slowing down.

The techno hit, which arrived on the airwaves on July 5th  thundered into the dance music scene with a pulsating energy to deliver a beat-driven masterclass in production. As the synths strobe light into the intricately textured and ominous in all the right places track, the slamming beats blister with swathes of bass, attesting to the meticulousness of the Atlanta, Georgia-residing artist and producer’s style, which couldn’t be more magnetic.

The sequences of euphoric entranced energy pull you in so viscerally that you can almost feel them getting under your skin as you become a victim to the infectious anthem which exemplifies old-school tech house vibes which are seamlessly synthesised with innovative sound design, making a pivotal step in Darth Athena’s journey as a producer.

Stream Freight Train on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Theo Lucas Shook Up Progressive House Pop with a Splash of Summer with ‘Sunset Martinis’

For his latest release, Sunset Martinis, the South London-based, Cypriot queer artist, Theo Lucas, hooked up with the multiplatinum DJ and producer, Lorenzo Cosi to drop the hedonistically hot EDM anthem of the summer.

By putting his own spin on progressive house with intersections of hyper-pop, Lucas crafted a track as intoxicating as the cocktail referenced in the title. The electrifying momentum seamlessly transitions into melodiously sensuous pre-choruses, efficaciously building intensity and anticipation before the bass drops, resulting in installations of pure euphoria.

The sticky-sweet vocal lines can sugar the pill of any hangover; by charging his vocal performance in the earworm with sincerity, it is clear that if Theo Lucas gets any hotter, he’s going to contribute to global warming.

In Sunset Martinis, Theo also embraces his queer identity and Cypriot roots, infusing them into his music with authentic flair as he lyrically compares his lover to Aphrodite, drawing on rich mythological imagery to celebrate love and beauty in its many forms.

So much more than a hit-maker, Theo Lucas is lighting a beacon for diversity and inclusion; his passion for advocacy shines through his work, which has seen him perform everywhere from London Pride to Westminster Abbey. Watch this proverbial space.

Sunset Martinis was officially released on August 15; stream the single now on Spotify.

Review by Amelia Vandergast

Tom Jung decoded festival vibes in his EDM anthem, Everybody Feels the Love

In his latest aural embodiment of transcendence, Everybody Feels the Love, the DJ and producer, Tom Jung harnessed the heat of festival season, allowing the warmth of unity to permeate his peerless EDM production.

The unmatchable feeling of getting your body beat and rushes of serotonin and euphoria surrounded by people sharing in a singular experience reverberates through the trance-y take on progressive house, allowing the release to unravel as a parable of the sanctity of emotion-driven electronica and the paragon of it.

The way Jung manipulates sound with nuance to spark a profound emotional response establishes him as one of the most promising up-and-coming producers in the industry. The anticipation as the ethereally enveloped instrumental layers inch towards climax will leave you entranced until the bass-swathed house beats amplify the euphonic ecstasy resulting in a danceable remedy, capable of exhilarating and moving even the most steadfast listeners.

Don’t be surprised if in a few years keeping your finger on the EDM pulse revolves around revelling within the pulsative utopias orchestrated under Jung’s prodigal volition.

Add Everybody Feels the Love to your Spotify playlists and follow Tom Jung on TikTok to keep up to date with the visionary’s latest releases.

Review by Amelia Vandergast