Browsing Category

Electronic Dance Music Blog

One Tree – Beaming Up: A Cosmic Sojourn Through Time and Sound

One Tree’s latest single, “Beaming Up,” invites listeners on a cosmic journey that intertwines the mindfulness of the present moment with the futuristic exploration of the cosmos and a nod to the nostalgia of the happy hardcore era. Hailing from Lakewood, CO, One Tree delivered an interstellar production that transcends mere magnitude, forming a constellation of sound that captivates with each progressive sonic orbit.

In this hypersonic mix, One Tree deftly incorporates intuitively electrifying effects, creating a sonic landscape that resonates with both the exhilaration of the present and the boundless possibilities of the future. The track’s outro leaves listeners with a palpable sense of rejuvenation and a renewed zest for life, a testament to its ability to connect on a profound level.

In essence, “Beaming Up” is an invitation to embrace the now, to let go of the constraints of time and to immerse oneself in the pulsating rhythms of the present. With its fusion of cosmic themes and infectious energy, this single serves as a reminder that the only moment that truly matters is the one we’re living in.

Beaming Up was officially released on March 18; stream the single on SoundCloud.

Review by Amelia Vandergast

Meet the Einstein of IDM in Bitvert’s latest soundscape, wasted states

Wasted states by bitvert

Bitvert’s latest offering, ‘wasted states‘, is a testament to his profound understanding and innovative approach to electronica. Trained as a painter and skilled in music production, projection, 2D artwork, and visuals, Bitvert brings a unique perspective to his musical creations, evident in this captivating track.

‘wasted states’ draws listeners into a monochromatic techno landscape that is as dark and harbingering as it is transcendently liberating. Bitvert’s mastery in creating a soundscape that is both oppressive and enchanting is unparalleled. The backbeat, demanding and unyielding, forms the backbone of this auditory experience, compelling submission with its rhythmic magnetism.

As the instrumental progresses, haunting violin strings weave in, adding an exotic beguile that juxtaposes the track’s oppressive nature. This element of contrast is a reflection of Bitvert’s ability to allow his audience to profoundly feel what he visualises sonically.

Bitvert’s background in various artistic disciplines enriches his music, allowing him to create multi-dimensional experiences. His work with The Light Surgeons and performances at The Big Chill and Glastonbury Festival’s Gas Tower stage, as well as a groundbreaking VR set at The Lost Horizon Festival, showcase his versatility and commitment to pushing the boundaries of electronic music.

Wasted states was officially released on March 15; stream the single on Bandcamp.

Review by Amelia Vandergast

JBRRMUSIC produced the visceral ‘Feeling of XTC’ in his latest EDM hit

JBRRMUSIC refused to follow in anyone’s footsteps with his latest hit EDM single, Feeling of XTC, which brings everything that it says on the titular tin.

The EDM track which unravels as equal parts progressive house pop and euphoric techno follows a series of critically acclaimed and relentlessly playlisted and airplayed hits from the rising UK EDM producer who always thinks forward and takes his fans into the future of electronica with his innovative approach to alchemising aural ecstasy.

Feeling of XTC broke the EDM mould with its short and exhilaratingly sweet 2-minute duration. The succinct whirlwind of massive beats, build-ups so intense you may forget to breathe, and gravity-defying crescendos created a kinetically electrifying platform for the crystalline-with-soul female pop vocals to allude to the immense power of falling in love.

If anything can come close to the feeling of surrendering to someone completely and the subsequent addiction to the way that person makes you feel, it’s this monolith of an earworm which carries endless cross-over appeal. The sporadic tumultuous touches to the production became an efficacious sonic visualisation of love’s capacity to shake you to your core, leave you head over heels, and out of touch with gravity.

Feeling of XTC was officially released on February 23; stream the single on Spotify.

Review by Amelia Vandergast

n1ne8zero transcended the mundanity of the ordinary with their industrial debut, ruminate_illuminate

With harsh NIN-esque snares amidst the industrialised techno progressions that slither through the augmented production, the debut single, ruminate_illuminate, from n1ne8zero is a cacophonous juggernaut of an earworm which pays ode to industrial pioneers while modernising the genre and sealing its fate in the modern music landscape.

The biomechanical beats, tension-fraught builds, explosively euphoric breaks and deliciously distorted guitars all pull together to deliver a mind-mashing instrumental track that transcends the mundanity of the ordinary and stands as a testament to n1ne8zero’s ability as a boundary and convention obliterating innovator.

Setting their debut release apart, ruminate_illuminate comes with an immersive cerebral touch through the intricacies in the labyrinth of instrumental layers and the way the transcendent elements juxtapose the visceral chaos offered to alleviate the listener from the external chaos that permeates our perceptions and worlds. We can’t wait to hear what lingers in n1ne8zero’s pipeline after this phenomenally strong debut.

ruminate_illuminate was officially released on February 16th; stream the single on Spotify.

Review by Amelia Vandergast

DARCY – Mandem Carni: an avant-garde installation of artful electronic annihilation

With her sophomore single, Mandem Carni, the artist and enigma DARCY emerged from the shadows of her former alias and unleashed a visceral force to be reckoned with. The dark, bass-heavy oscillations resonate with a raw, physical intensity, capable of giving even the most robust speakers goosebumps.

This track is a masterful blend of genres, straddling the line between an industrial electronic horror score and an avant-garde installation of artful annihilation. It’s a sound that carries the terrorised glamour of a Dana Dentata release, yet pulses with the kinetic energy akin to Avalien. DARCY’s approach to music production is both aggressive and energetic, yet marked by an increasing fluidity and ambition that sets her apart.

Mandem Carni is an unflinching embrace of the dark and the macabre. It’s a track that doesn’t just flirt with the nightmarish; it revels in it, all while maintaining a level of artistic finesse that transcends mere shock value. The production quality is impeccable, with each beat and synth meticulously crafted to contribute to an atmosphere of controlled chaos.

For anyone with a penchant for the darker, more brooding variants of drum and bass, Mandem Carni is an augmented anthem to be experienced.

Mandem Carni disrupted the airwaves on February 18th; stream the release on Spotify.

Review by Amelia Vandergast

Put Material Reality in the Rearview Mirror with Zac Zhan’s Alt-Pop Ear Unicorn, Fantasy Fantasy

Zac Zhan is in his euphoric element in Fantasy Fantasy, a track that defies convention and carries you to a new realm by taking you on a vibrational voyage that you’ll want to embark on time after time. If you want to be transported beyond the confines of the ordinary and the chaos of reality, hit play on the mesmerising blend of dance-pop, alt-pop, house and hip-hop, which pulsates with infectiously kinetic energy.

The artist and producer meticulously crafted Fantasy Fantasy from its lyrically intimate inception to its exhilarant production climax. It’s a hyper-pop masterpiece that not only showcases Zac’s vibrant approach to music but also cements his commitment to providing a haven for an ever-expanding fanbase.

The track’s 8bit-esque instrumentals weave a captivating fantasyscape, engulfing the listener from the outset. Zac’s vocals, both electrifying and eccentric, enhance the track’s wildly exhilarating aura with a sense of playful, unbridled enthusiasm. For those who find solace in the sounds of Charli XCX, Grimes, or Carly Rae Jepsen, Zac Zhan’s Fantasy Fantasy is a must-listen and a vibrant echo of freedom in the realm of hyper-pop.

Zac Zhan said:  

“To create Fantasy Fantasy, I embarked on a deeply personal and introspective journey, one that mirrors the complexities of the human condition and the perennial quest for solace in a world brimming with chaos. The lyrics, steeped in vivid imagery and raw emotion express a universal longing for escape, a utopia amidst the trials of life.

I wanted to invite listeners to envision a world where they are the architects of their happiness. It’s a call to embrace the beauty of creation and the freedom that comes from releasing the burdens of the past.”

Fantasy Fantasy was officially released on January 18th; stream the single on Spotify.

Stay up to date with all the latest releases from Zac Zhan via Facebook and Instagram.

Review by Amelia Vandergast

Bag of Cats ignited a firestorm of twisted genre contortions in their dance-punk hit, Devil at My Houseparty

If you never got over the disbanding of the Eighties Matchbox B-Line Disaster, wipe your tears with the kinetic rhythms in the seminal single from the Welsh dance-punk duo, Bag of Cats.

Devil at My Houseparty, featuring Will Griff, is a mind-mashing blend of psych, garage rock and proto-punk, all pulled together by punk-pierced guitar loops and alt-electronica synthetics that augment the anthemic track to the nines.

Between the rolling rhythms, distorted blues riffs, and caustically infectious electronic elements inspired by the likes of LCD Soundsystem and Jamie T, Devil at My Houseparty is a firestorm of twisted genre contortions that will make your pulse pound and get the adrenaline flowing.

The magnetic appeal of the duo comprising Sophie Holliday and Barney Williams doesn’t end there; lyrically and vocally, Bag of Cats, couldn’t be more ensnaring. They’ve perfected the formula of playfully roguish swagger. The mischievously jocular vibe is definitively rock n roll, just not rock n roll as you’ve known it before.

In the process of giving the Welsh music scene more than it bargained for, Bag of Cats has garnered a staunch fanbase which only seems to grow with every release and livewire performance.

Devil at My Houseparty is now available to stream via Spotify.

Review by Amelia Vandergast

Ed Roberts became the guiding light in the EDM scene with Northern Star featuring Amy Wyatt and Roi Aknin

Ed Roberts’ latest single, ‘Northern Star’, featuring Amy Wyatt and Roi Aknin, is a luminous beacon in the EDM universe. This track, infused with metaphorical depth, stands as a testament to Roberts’ burgeoning prowess in a genre often overshadowed by the towering legacy of icons like Avicii.

Roberts, a UK-based producer, draws inspiration from EDM stalwarts such as David Guetta and Armin Van Buuren. His journey, which took a definitive turn at the Amsterdam Dance Event in 2019, has seen him evolve from a vocal producer to a creator of his own distinctive soundscapes. His previous works have already made waves on platforms like Spotify, but ‘Northern Star’ marks a zenith in his artistic trajectory.

The track opens with a subtle, yet captivating melody that sets the stage for the soul-stirring vocals. The production, bathed in the twilight of dreamy synths, allows the emotional resonance of the lyrics to shine through. Each beat, each note, is meticulously crafted to carry the weight of the song’s heartfelt message.

As the song progresses, Roberts demonstrates his mastery of the genre, blending powerful, energetic drops with a sense of emotional depth that is often elusive in EDM. The reverb, far from being just an auditory effect, acts as a vessel for the song’s affective power, drawing the listener deeper into its narrative.

Northern Star was officially released on February 18th; stream the single on SoundCloud.

Review by Amelia Vandergast

Sonic Alchemy: An Interview with KASIA on Weaving Spirituality into Music

In this enlightening interview with A&R Factory, artist KASIA opened up about her latest single, “Heartstrings,” and its deep-rooted connection to her spiritual journey in music. She reveals how her songs, emerging from personal struggles, have become a sanctuary for healing, with a special focus on the transformative power of specific musical frequencies.

The interview promises an intimate glimpse into her artistic evolution and the profound impact of her music on both personal growth and the collective human experience.

KASIA, welcome to A&R Factory! Can you share the story behind your latest single and music video, “Heartstrings”; where did the inspiration come from? 

“The inspiration behind my latest single and music video, “Heartstrings,” comes from personal experiences, as most of my songs do. The lyrics were born out of a pretty bad relationship, where I found myself struggling with difficult emotions. Throughout my life, music has served as my safe place, providing a certain protection from harsh realities. In many ways, music has been my reality, offering a means of expression and understanding in the face of adversity.”

How has music helped to shape your healing journey? And how important is it for you to light the path towards empowerment for your listeners? 

“Music has played a huge role in my healing journey, serving as a powerful form of catharsis and expression. It’s difficult to fully articulate the transformative effect that music has had on me. There’s a certain magic that occurs when you listen to music in specific frequencies. While most modern music is tuned to 440 Hz, which can sometimes evoke a sense of melancholy, I’ve found that music tuned to 432 Hz resonates more harmoniously with the energy of the Earth. Many older pieces of music were tuned to this frequency, and I tend to use it for my own work, including tuning my healing instruments to 432 Hz.

The impact of music extends beyond mere sound waves; it can deeply affect us on physical, emotional, and spiritual levels. For me, creating and listening to music in these frequencies has been a source of profound healing and growth. As an artist, I feel a responsibility to not only share my personal journey through lyrics and music but also to be vulnerable and real with people – hopefully to the effect of empowering my listeners.”

Your goal is to create a spiritual and energising journey through your music. How do you incorporate this intention into your creative process?

“Creating a spiritual and energizing journey through my music is paramount to me. I focus on making empowering lyrics that resonate with listeners on a deeper level. I integrate the ethereal tones of sound bowls into my electronic productions using Ableton. My creative process is deeply intertwined with meditation and spending time in nature, where I find wisdom and inspiration. Through the practice of gnosis, a process of inner exploration and connection with our higher selves and nature, I tap into somewhat hidden creative expression. I want to authentically express myself while offering something meaningful to others on their individual paths. I believe that music serves as a conduit to higher states of consciousness and my goal is to channel that energy and share it with my audience.”

How did you come about developing your unique blend of house, bass house and pop? Were there any particular influences which shaped it? 

“My musical journey has been a fusion of diverse influences. Growing up, I was drawn to pop icons like The Spice Girls and Britney Spears, followed by a deep dive into hip-hop with artists such as Biggie, Tupac, WestSide Connection, Naz, and J Cole during my high school years. As I matured, I became more drawn towards house music. It was during this phase that I connected with the producer of Fan Death, SZAM, who invited me to step in as the lead singer, replacing Dandi Wind. Fan Death’s synth-pop style marked a pivotal moment in my musical evolution.

The more I got to know Vancouver’s music scene, I discovered a blend of techno and house influences. Although I wasn’t initially drawn to techno, I found my niche in Bass House, a genre that merges elements of house, pop, and rap. My journey is driven by a genuine love for music and a desire to create something uniquely mine. Recently, I’ve been particularly drawn to the lyrical style of Caroline Polachek.”

How indicative is “Heartstrings” of what is to come from your debut album? Which other themes does your LP explore? 

“While “Heartstrings” serves as a starting point, it’s just a glimpse of what’s to come with my debut album. I see it as an opportunity to test the waters, to gauge reactions to both my music and the visuals I create. Part of me is inclined to wait until there’s a readiness from the audience, while another part recognizes that significant change often arises from bold actions, regardless of initial readiness. As Theodore Roosevelt aptly said, ‘It’s not the critic who counts.’ So, while “Heartstrings” sets the tone, my debut album will delve deeper into a range of themes, exploring aspects of personal growth, resilience, and the human/spiritual experience.”

Did your transition from being a lead singer in a synth-pop band to becoming a music producer influence your current style? 

“The transition from being the lead singer of a synth-pop band to stepping into the role of a music producer has profoundly shaped my artistic trajectory. Fan Death was my first experience writing and recording professional music. I learnt what a DAW was and how to use it! Fan Death truly served as a pivotal chapter in my musical evolution.

Despite the stylistic differences between synth-pop and my current direction, I owe a great deal to SZAM, the creator and producer of Fan Death. The band imparted invaluable knowledge and skills. Looking back, Fan Death was ahead of its time, and I often reflect on the synchronicities and patterns that have guided my journey towards future endeavors.”

You’ve had your fair share of high-profile live performances; do you prefer writing music or performing and seeing first-hand the effects of your music on your fans? 

“Thank you for the question! It’s a tough call because I genuinely love both aspects. On one hand, there’s nothing quite like the energy of performing live and connecting with fans face-to-face. Witnessing firsthand the impact my music has on them is truly special. But then, there’s also something incredibly fulfilling about being in my element – in the studio, wearing my glasses and hoodie, lost in the creative process of making music. I find joy in every aspect of my artistry, including dreaming up music videos and bringing my vision to life through visuals.”

As a delegate of The Canadian Academy of Recording Arts and Sciences, what insights have you gained about the music industry?

“Just being around other artists pursuing similar goals is such an amazing experience. The most profound insight I’ve gained revolves around the power of community within the music industry. Coming from a small town where artistic pursuits were rare, I often felt isolated in my passion for music. However, being surrounded by other artists who share similar aspirations has been so refreshing. The opportunity to connect with full-time artists who understand the language of creativity has been incredibly inspiring. It’s a reminder that I’m not alone in this journey and that there’s this supportive community, rallying behind each other’s artistic pursuits.”

Stream KASIA’s latest music video on YouTube now.

Interview by Amelia Vandergast

NY’s Cindy Rees turned on the ‘Effervescent Light’ in her latest EDM pop release

Cindy Rees’ standout single, ‘Effervescent Light’, is a vibrant testament to the power of healing in music. Clocking in at just under two minutes, this New York-based singer and dancer turns every second into a pulsating celebration of sound and spirit. Rees, who found her voice in the bustling cityscape of NYC, channelled her passion for dance and songwriting into a track that radiates positivity and energy.

The song is a kaleidoscope of genres, seamlessly blending elements of trance and house with pop sensibilities. It’s a bold move, but Rees navigates this eclectic mix with the ease of a seasoned artist. The beats are snappy, creating a rhythmic pulse that forms the backbone of the track. It’s this foundation that allows the rest of the musical elements to shine.

Rees’ Bollywood-esque vocal range is nothing short of phenomenal as she harmonises over the commanding bass-swathed beats. Her voice doesn’t just traverse different pitches; it explores a spectrum of emotions.

With some honing to her production style, she has some serious promise in the music industry.

Effervescent Light was officially released on January 5th; stream the single on SoundCloud.

Review by Amelia Vandergast