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Electronic Dance Music Blog

Lajze brings the world something so steamy it might burn fingers with Secret life of a Subflower

Fresh from previously intertwining our moods on Glue, Lajze has dropped something rather desirable and spine-healing to consume all fascinated minds with on her latest release, Secret life of a Subflower.

Lajze is an experimental London-based British/Polish singer-songwriter and composer who loves fusing in electropop to pulse our joints and give that spark back to the lost generation.

I want my music to tease and suck you in, put you in a trance. But also with my lyrics, I want to express female sexuality, boldly and delicately at the same time. I hope it empowers others, especially females to dig deep, get to know themselves, find their kinks, and explore them.” ~ taken from Lajze’s IG post here

Stunning all quiet hearts with a piercing sound, Lajze sizzles the snakes into their corner with an X-rated track to scare many and excite more to have fun again.

Secret life of a Subflower from the multi-creative Polish/British wonder Lajze is a seduction-packed experience to move even the most conservative souls amongst us. The lyrics are ear-tingling and the beat is rather intoxicating to the fullest possible realm, to stimulate emotions which were thought extinct before.

If you like it sexy unique and reloaded with desire, this might be the door you wish to open.

Turn this up on Spotify.

Listen up further on IG.

Reviewed by Llewelyn Screen

Sandor Gavin borrowed from 80s synthpop pioneers in his captivatingly lush synthwave single, Ghost of a Memory ft Weldon

For his latest single, Ghost of a Memory, the Synthwave sensation, Sandor Gavin, borrowed the mesmeric vocal timbre of the featuring artist, Weldon, to leave the airwaves awash with nostalgia, emotion, and captivatingly lush melodies.

There is a strange assumption amongst artists and producers that when summer hits everyone is drunk on love and desperate to hear anthems which capture the euphoria of lust. Thankfully, Sandor Gavin injected realism into his latest synthwave crusade to help his audience through the minefield of lost love and shattered dreams.

The relatability of his crushed romanticism does so much more than just scratch at the surface of superficiality. Everything within Ghost of a Memory runs deep, from the basslines to the ennui to the reverberant hums emanating from the vocals, ensuring that the bitter-sweet release hits all the right marks.

Ghost of a Memory hit the airwaves on June 16; stream it on SoundCloud.

Review by Amelia Vandergast

UK EDM duo Issi Noho rattle the windows of the drowsy with the hauntingly memorable pick-me-up, Back to The Abyss

Following the dynamics of a film that is still to be made, the massively experienced and much-loved Issi Noho drops track 8 from We erA (A Tale for Dreamers and Scientists) and this is called, Back to The Abyss.

Issi Noho is a UK-based EDM Psychedelic Beats lover who enjoys drenching all tired hearts into a bath of mass contentment and shall cause bodies to be reinvigorated again.

Formed by Nick Smith & Neil Riley who are known best for their electric track on the legendary and original FIFA game, Issi Noho scores a hattrick on their latest release which would trouble even the best keepers. This is riveting to the core of empty abdomens and shall fill up the hungriest, who are voracious for something proper. Eat up then. It’s snack time.

Back to The Abyss from UK-based EDM act Issi Noho is a fast-paced and pulsating track to turn the lights off with. With glowsticks in abundance and masses ripping off their shirts, we have found an anthem to stomp all toes off with.

Sizzling through the lights and never letting go, we hope you’re ready to pump up the volume.

Check out the video on YouTube.

Soak into the socials on Twitter.

Reviewed by Llewelyn Screen

Interview: DJ CoolRex loves that hard-to-get energy on the dance floor winner, I Want

Seducing us into a whole new vortex of discovery, DJ CoolRex rips off the band-aid of the past and drops us deeper into his speaker-shuddering new single, I Want. The Ohio-born tech-house producer reveals to us the inner workings of the music business, surviving 2022’s disastrous Hurricane Ian, future plans, selling cars and how it feels to be completely uplifted by a 24-hour rave in the mountains of Tennessee.

Llewelyn: Welcome to A&R Factory and we’re absolutely delighted to be speaking with you today. Firstly, how did you get in the music game and your DJ name..we love it..what is the story behind it if you don’t mind sharing?

DJ CoolRex: Hi, thanks for having me! It’s really nice to be doing a feature with you guys! I have been making music since I was a kid and actually made a song back in high school that I tried to get our principal to play when our team came out of the tunnel, so you can see that I always had a business-like mindset. I went on to make some songs in my early twenties and got to a point where I had about 50,000 monthly listeners under a different name that had started as a group and ended up becoming a solo act because the guy I made the songs with (who shall remain nameless) after ghosting me three years prior came out of the woodwork demanding all this stuff from me. Then shortly after that the songs were removed by my publisher and that was that, but I learned a valuable lesson. I knew that moving forward if I was gonna make music again in the future I would do it by my own hand. So I moved towards producing and fiddled around with trying to make beats for the next few years just here and there. It was funny though I remember right around when Covid was really taking off I was working at a dealership and would be watching youtube tutorials on beat making or watching some lecture on EQing while waiting for clients because I was really trying to learn. It was always nerve-racking because in car sales you’re kind of always supposed to be on the dealership phones calling clients or sending follow-up emails, and car sales managers are always super inquisitive which makes it extra embarrassing if you get caught.

You might be surprised to hear that I picked the name and had it all mapped out before I even got a DJ controller. The name at first was just going to be CoolRex but one of my best friends Steve told me it should be DJ CoolRex so I made that change. I picked the name because I’m a laid-back guy most of the time unless I’m inspired about something which truthfully doesn’t take all that much but the Rex part is actually a double entendre because it is like a dinosaur like a T-Rex but Rex is also a synonym for King and I think subconsciously that kind of gives a sense of empowerment to the name on top of it already being like a T-Rex, a Cool, T-Rex, DJ CoolRex. I figured also everyone loves dinosaurs so, in the worst-case scenario people are just vibing heavily to some dinosaur visuals with lasers, smoke, and crazy bass which to me sounds like something I would want to do!

Llewelyn: DJs are God-like figures to many who just want to dance and forget their worries. What has been the best experience in the music world, be it with a fan or meeting a youngster who is so inspired to be behind the decks and rock a crowd into absolute delirium?

DJ CoolRex: This is funny to me as well because I just got back from a 24hr rave in the mountains of Tennessee that my brother Jake who is also a DJ he goes by Specs had invited me to last minute. I wasn’t scheduled to play or anything so it was just listening to other DJs for 24 hrs. Lots of dancing and mingling, it was great to be a fan of other people and just be a part of the crowd. I’m sold on the rave scene, I love the people, I love the energy, it’s a blast!

Llewelyn: Covid destroyed many dreams in the music world. Do you feel like everything is ‘back’ in your local area or is there more work to be done to ensure the long-term success of the venues?

DJ CoolRex: Yeah post covid it definitely seems like gatherings have been smaller at those venues but I think things are getting better over time. I think people just got used to not going out for a while so we have to give them a reason.

Llewelyn: Hurricane Ian almost destroyed your family and life. Firstly, we’re so happy you and your loved ones are okay.
Career-wise: You used to sell cars, how has the transition to being a full-time music producer/musician been and do you miss anything about your previous career?

DJ CoolRex: It’s going to take years to rebuild down there. The smaller towns around that area, their structures were like wooden houses on wooden poles extended out of the water. I mean they crumbled; I saw them. I remember not too many days after the hurricane, I was at the dealership helping move the cars back and clean up debris. The cars were ok but the dealership had taken some damage like the shop doors were smashed in. Anyway, This lady showed up in a frenzy asking if she could buy a car and we didn’t have power so we couldn’t sell her one. She was saying that she was from one of the smaller areas like the one I just mentioned and that she needed to buy a car to get out of the state because they had found a dead person in her front yard after the storm. We didn’t have power for weeks, other people went longer than us without power or running water. I miss certain aspects of it. I miss hanging out with my friends but this is better for me. I have more control over what I want to do. I can market/sell how I want and nobody is above me. That’s one way in which it’s similar. It’s still a business. I still manage it like I did in my car sales career. The difference is that I didn’t love selling cars, I love making music.

Llewelyn: If you met an alien tonight who had never heard music before, how would you describe your sound and craft to them?

DJ CoolRex: If I met an alien tonight firstly, I’d be amped and want to know all about their story and what it’s like where they’re from! If I had to explain my sound to an alien I would first have to ask them what it is they’re hearing, if they can hear. Then I would ask them what they mean? Then as they’re explaining to me through their own words my reactions would tell them if what they’re saying is what I think too. The more fellow earthlings I meet the more I have learned that people hear very differently. So I’m always more interested in how others are interpreting my sound rather than actually giving them a foundation to base their beliefs off on.

Llewelyn: You’ve just been given the keys to crafting a massive festival lineup with an unlimited budget. Who is on the lineup, what is the vibe and where is it?

DJ CoolRex: It’s going to be somewhere that is not too hot or cold so people are comfortable. I’d have to research venues. I’m bringing Fisher, Martin Ikin, Chris Lake, David Guetta, Morten, Skrillex, James Hype, Diplo, Matroda, Noizu, Pauline Herr, DOBe’, John Summit, Chris Lorenzo, Oliver Heldens, Tom Budin, Merk & Kremont, Justus, Header, CamelPhat, armnhamr, Ray Volpe, Wax Motif, Dombresky, Flow Dan, Fredagain, Gorgon City, Zeds Dead, Blasterjaxx, Dom Dolla, Arminvan Buuren, Subtronics, Jay Eskar, Elif. I’m sure there’s more because there are so many dope artists all over the world oh and my brother Specs. The vibe is lots of lasers, bubbles, some fire, a gigantic screen for visuals, it’s a multiple-day festival. There are food trucks, lots of artists with tents to showcase their work, and all just love and fun.

Llewelyn: Lastly, what does the future hold and where do you see your sound headed? Also, where can our A&R Factory readers see you live next?

DJ CoolRex: In the future, I definitely plan to play festivals, and other big venues, and I have more songs in the pipeline so stay tuned! My social media is active and I’m always sharing other music artists’ content on my stories from all over the world so there’s fresh and exciting content daily! Also, please go to my website and subscribe to the mailing list so you can stay in the loop about new shows, merchandise, discounts, giveaways etc.

Turn this up on Spotify and forget all worries.

See the journey expand further on IG.

Interview by Llewelyn Screen

Baby Tap possessed the hardstyle genre with the maniacal aggression in DEMONS

Hardstyle got infinitely harder with the latest release from one of the most versatile Electronica artists and producers in any scene. Baby Tap’s latest feat of synthesised obscurity, DEMONS, is enough to rival the most visceral hits in $uicideboy$ and Wage War’s respective discographies.

The adrenalized aggression of the flawlessly finished released effortlessly resonates as galvanizingly chaotic energy, which won’t fail to leave you psyched by the UK-based experimental artist’s possession of the hot and heavy domain of electronica.

It may be different from what we have heard from Baby Tap before, but the cornerstones of subversion, darkness and cyberpunk harsh techno remain, and we stand firm on our position that asserts Baby Tap as one of the most seminally superlative acts in the UK right now.

DEMONS will officially release on June 6th; bastardise your ear canals with it by heading to YouTube.

Review by Amelia Vandergast

The Euro Disco Claws Are Out in Miron’s Latest Single, Long Nails

With synth lines that will speak to your rhythmic pulses as fluently as the ones that made New Order’s single, Blue Monday, so iconic, the latest single, Long Nails, from the Parisian purveyor of dance-rock, Miron, is strong enough to bring in a new wave of exhilarant gloomy electronica.

The singer-songwriter has become one of the freshest parts of the Parisian touring circuit fabric with his high-energy live shows; his Euro disco hits resonate just as well on the airwaves for the way his authentic vocal lines command your attention while the synthetics lure you into sonically hedonist escapism.

He may not have reinvented the wheel with Long Nails, but he has certainly engraved his signature into it while ensuring the familiarity of his earworm never came at a compromise to his expressive autonomy.

“I wanted to explore a different genre and bring in some fresh elements, while still staying true to my sound. The 80s influence in this track represents a time that has always fascinated me. I wanted to bring that feeling back and share it with my listeners”.

Long Nails is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Ducktail gave a lesson in inspirational exhilaration in his future bass debut, Over, ft Kristal Oliver

https://soundcloud.com/ducktailmusic/over/s-GjYt5XNuVOX?si=c3c6f4a5eec14e1f838d53d40193d6be&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

With a Wall Street career in the rear-view mirror, the electro luminary in the making, Ducktail, ensured the world knew about his arrival in the Future Bass scene by dropping his debut single, Over. If it’s good enough for Pete Tong, the multi-layered leads driving through pop-hooked groove-pocketed basslines are worthy enough for your rhythmic pulses.

The New York-based artist and producer teamed up with the Grammy-nominated platinum artist Kristal Oliver, who exhilarated the release with her award-winning vocal lines before the anthem for a lost and now found cause was mixed and mastered by none other than Gosteffects.

As change is the only thing that is certain in life, Ducktail prepared us all for it by lighting the green light to illuminate the way towards spiritual decision-making, which will lead you to the endless possibilities awaiting in the unknown.

Ducktail and Kristal Oliver converged to create an unreckonable force with this fiery feat of anthemic electro-soul. With choruses that burst with riotous, almost punk, energy and ever-ascending verses, which will leave you on a new spiritual plateau, just try telling me this isn’t the debut of the year.

“Over is all about following your passion and finding happiness along the way. Music has always been the biggest source of happiness for me. So, in a way, Ducktail was created to repay the debt I owed to music. I always strive to create something of inherent value and spread joy – even through the darkest times. Lyrically, Over is a testament to this notion; it quells decisional regret, something we’ve all experienced.”

Over will hit the airwaves on June 2nd. Check it out on all major platforms via this link.

Review by Amelia Vandergast

Jody Lynn transcended Earth’s orbit to celebrate a cosmic connection in her latest dance-pop hit, Lost in Love

Lost in Love is the latest ethereally hyper dance pop track from the US artist Jody Lynn, who is in the habit of giving her ear candy, which is sweet enough to give you a euphoric sugar rush, a lyrical centre of gravity.

The trance elements are just one stitch in the tapestry of the massive genre-melding production, which transcends Earth’s orbit to pay an ode to an out-of-this-world cosmic connection. The indietronica elements give the massive anthem another element, allowing Lost in Love to become a sonic piece of ephemera from the fifth dimension.

Very few amorously fervent dance hits can claim to contain the same all-encompassing sense of soul exhibited in this future-ready floor-filler. Dance and EDM may be Jody Lynn’s wheelhouse, but in terms of inspiration, Prince’s tendency to push boundaries in his prolific career is the greatest influence behind her singles.

Lost in Love debuted on April 28; hear it on SoundCloud.

Review by Amelia Vandergast

 

Spotlight Feature: Tunde 2deep came in hot in his Afrobeat EDM hit, SUCCESS FEVER

Cape Town’s hottest independent artist, Tunde 2deep, elevated the emerging Afrobeat EDM scene with his euphorically mantric single, SUCCESS FEVER.

With Dancehall running right through the rhythmically intoxicating progressions, EDM beats that pound floor-filler material into the release and Tunde 2deep’s infectious brand of high-energy soul, SUCCESS FEVER is an introspective anthem that the Afrobeat scene will never forget.

All too often, high vibe anthems fail to speak to the people that need to hear that before the highs come the lows, SUCCESS FEVER conveys the fears and dark days which punctuate the journey to greatness and lets the listener know exactly how to overcome them. Regardless of the mood SUCCESS FEVER catches you in, it will be brighter once the entrancingly sun-slicked earworm has had its intrinsically rhythmic way with you.

“Afro-EDM has been gaining popularity in recent years; the hype inspired me to blend traditional African rhythms and instruments with electronic dance music. Success Fever is a high-energy track that celebrates achievements. I fully believe that greatness exists within us all; you just have to know how to unlock it; I hope this single is the key for my listeners.”

Add SUCCESS FEVER to your motivational Spotify playlists, or stream the official video via YouTube.

Follow Tunde2deep on Instagram and Twitter.

Review by Amelia Vandergast

Erick Diaz has launched his seduction-drenched house anthem, Into Me

You can practically taste the ecstasy in the air of the latest single, Into Me, from the artist, poet, author, and music philosopher Erick Diaz.

His definitively distinctive take on house anthems enabled the single released via NOS to unravel as a progressively steamy anthem of debauchery that any producer would be hard-pressed to assimilate. The massive sound resounds around the ingenuity written into every inexplicitly deft drop and build.

The harsh kicks, bass-swathed beats, and monolithic drops all become that little bit more salaciously transcendent through the reprising whispers that drench the dance hit with seduction. I’ve never written this in a music review before, but he’s a massive tease.

Into Me will hit the airwaves on May 26; hear it on SoundCloud.

Review by Amelia Vandergast