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Blues Music Blog & Promotion

Henry Bitzer’s ‘25th Hour’ Radiates Rapturous Soul and Swagger

Henry Bitzer’s standout single, 25th Hour, from his debut LP Skydive, delivers some of the swankiest sounds of 2024. The track is a testament to the solo artist’s knack for nostalgically leaning songwriting chops, which remain sharp even when held up against his musical heroes.

Any attempt to resist the euphoric energy of 25th Hour is futile; the rapturous euphony he coaxes from the keys showcases his comfort and charisma in crafting soulful soundscapes that simultaneously nod to the past and stride confidently into the future.

Blending blues, 70s pop rock, and a smattering of jazz, Bitzer conjures a unique sonic synthesis that defies easy categorisation. The seamless fusion of styles creates a distinctive sound that harks back to the golden era of rock without feeling stuck in the past. His ability to weave eclectic influences into a seamless tour de rapturous force ensures that his legacy is already carving itself a place in the annals of contemporary alternative music. It’s only a matter of time before major labels are vying for his signature.

At just 19, the Minnesota native has been compared to the likes of Elton John and Billy Joel for his magnetic stage presence and infectious melodies. Now a second-year student at Belmont University in Nashville, Bitzer has spent the last four years performing live across the U.S., honing his craft and building a loyal following.

Stream Henry Bitzer’s debut LP, Skydive, on Spotify now.

Review by Amelia Vandergast

Harmonising Modern Blues and Boundless Creativity: An Exclusive Interview with Jay Lee 

https://www.youtube.com/watch?v=vsShw7qsXoM

Step into the world of Jay Lee, where blues gets a fierce modern makeover. In this exclusive interview with A&R Factory, Jay Lee cuts through the noise to reveal the core of his musical innovation. From his early days in a military band to sharing stages with top artists, he unpacks the discipline and raw passion driving his sound. Lee gives us a candid look at how he fuses diverse influences into his tracks, pushing the boundaries of traditional blues into uncharted territories. Get ready for a deep dive into the creative force of Jay Lee’s music. 

Jay Lee, welcome to A&R Factory! Thanks for the opportunity to solve the riddle behind your enigmatic persona. Before we dig into your storied history which has been written since your creative origin story, for your new fans, how would you define the quintessential components of the Jay Lee sound? 

I’d like to define it as modern blues. Since I love blues and have been greatly influenced by it, I try to infuse a touch of that blues feel into whatever I play.

What is typically running through your mind when you are penning and producing new music? 

When I decide to create new music, I try to be as honest with my emotions as possible. I base my melodies and chords on those feelings and thoughts, thinking about how to naturally express my story. This often leads me to reflect a lot on the past and future.

From serving in the military band to performing with world-renowned artists, your path is anything but conventional. How did your time in the military influence your discipline and versatility as a musician?

Having spent two years with over 30 musicians, working together 24/7, I’ve learned and felt so much. I’ve gained insights on how to communicate with other musicians, and how to improvise when unexpected situations arise during performances, and I’ve received valuable feedback on my playing from various artists. These experiences have been a foundation for my growth as a musician. Communication is incredibly important for a musician, and I’ve been positively influenced in that area.

Which artist has left the most pronounced influence on your sound and why? 

I’m heavily influenced by blues and rock, especially by guitarists like Joe Bonamassa, Philip Sayce, Eric Gales, and Gary Moore. Their techniques and tones are impressive, but it’s their unique styles that truly captivate me. I believe that while having good technique and tone is essential for a musician, establishing your own style is equally important.

With your extensive background in both classical and contemporary music, how do you see the future of genre-blending in your own compositions? 

Looking at the music I’ve created so far, it’s quite far from classical, and I think it will likely remain that way in the future. However, I always believe in trying out different things, and I’d love to create music that blends classical and contemporary styles.

How has your sonic signature evolved throughout your career?

Initially, I was just a “Blues Kid,” completely immersed in B.B. King. But after playing with various people and genres, including performing in a military band where I had to play all kinds of music, I developed the ability to play cleanly. Now, I can choose the tones and techniques that I want to use.

Do you prefer to be a solo creator or a collaborator? 

I aspire to become a great guitarist, but I know I need the support of excellent musicians to achieve that. In today’s music scene, while achieving solo success is important, collaborating with other musicians is equally vital. It’s challenging, but I want to be both an outstanding solo artist and a great collaborator.

Which project or achievement has brought the most amount of pride and sense of accomplishment? 

The sense of achievement I felt after successfully preparing for and performing in a military band over three months was immense. While it’s not always the case, I think the longer the preparation period, the greater the sense of accomplishment. Another memorable moment was when keyboardist Cory Henry held a masterclass at Berklee, and I played with my band for him. Even though the preparation time wasn’t long, when the audience cheered, I felt that’s when a musician is truly happiest.

Your career has been marked by a constant push for growth and exploration. If you could give advice to your younger self just starting out on this journey, what would it be, and why?

Before starting music, take some time to sincerely reflect on what music means to you. Even if it’s not about music, understanding what you want to do and why is crucial. Being honest with yourself and deciding what you want to pursue is important—then, enjoy it while working hard. Music is meant to be enjoyed.

After working on a project with the K-pop powerhouse, One Pact, working as a worship guitarist, experiencing culturally diverse landscapes as an artist, and honing your craft in conservatories, how do you reconcile all these contrasting worlds in your music? 

I believe musicians shouldn’t discriminate between genres. While you might have preferences, you should be able to play any genre—whether it’s worship, rock, or jazz. The more you play a variety of music, the more you develop a sense of identity within each genre. I want to explore diverse music, and I’m still striving to be able to play any random genre someone requests.


Stream Jay Lee’s standout single, PERIOD, created in collaboration with ONE PACT on YouTube.

Follow Jay Lee on Instagram.

Interview by Amelia Vandergast

Keith Rayburn – Shine On: Guitar Strings as Gospel

For his latest eagerly anticipated release, Shine On, Keith Rayburn rendered funk-laden rock into smoky, Motown-esque soul intersected with bluesy grooves to offer conjurings of catharsis so intense the single borders on sonically sacred.

Each progression plunges the listener deeper into a hazy, irresistibly immersive soundscape that echoes the nostalgic aura of The Doors as his guitars speak gospel in chorus with the lyrics which attest to how dimming your light is never the answer when the illumination of resilience is an option.

Rayburn is well on his way to riffing his way into the rock pantheon with his peerlessly cultivated sonic signature that will scribe its way through your synapses long after the outro of the sublimity-soaked sanctuary of a single which is easily one of the most sincere feel-good releases you’ll hear all year.

With tens of thousands of monthly Spotify listeners from around the globe behind him and his versatile musicianship, Rayburn is well on his way to reaching the acclaim his superlative song crafting deserves. Make his ear for a melody your new aural remedy.

Shine On arrived on the airwaves on September 4th; stream the single on Spotify now.

Review by Amelia Vandergast

Ross Flora – Santa Ana Wind: A Whiskey-Soaked Country Blues Rock Ode to a Femme Fatale

If you’re looking for a track that anchors itself in the quintessence of bluesy country rock, look no further than Ross Flora’s latest single, ‘Santa Ana Wind’, which speaks rhythmic volumes of the singer-songwriter’s seasoned artistry as a fret veteran.

With the sublimity of the single manifesting through the gravelly timbre of whiskey-soaked vocal lines that caustically cut across the winding, sustained guitar notes, it is destined to become a sonic sanctuary for anyone who feels at home in the Nashville sound.

Ross Flora, with a guitar in hand, Flora becomes a conduit of hypnotism, weaving an alchemic spell that prompts you to ponder just when his visage will grace the halls of rock n’ roll fame. His cultivated ability to wrap an aura of seductive soul around his virtuosity is a testament to his rightful place in the annals of music legends.

Raised in the shadow of the Blue Ridge Mountains of Virginia, Ross’s origin story was written early after exposure to a tapestry of R&B and Bluegrass influences. From harmonising in church pews under his father’s tutelage to shredding Van Halen tracks in his youth, his path has always been marked by intrepid sonic exploration, which continued when he put down roots in Nashville and amassed a legion of fans with his unique ability to paint panoramic portraits through sound and soul.

With ‘Santa Ana Wind’, Ross Flora ensnares the listener in a narrative wrought from his rural roots and life’s meanderings, underscored by his literary acumen and deep respect for his musical forebears like Gregg Allman and Chris Cornell.  It’s impossible to reach the last note without finding equal amounts of room in your heart and on your music radar for Ross Flora.

Santa Ana Wind was officially released on September 6th; stream it on all major platforms via this link.

Review by Amelia Vandergast

Honkytonk echoes the unspoken in The Stone Hill All-Stars’ seminal single, What I Left Unsaid

If their latest standout release, What I Left Unsaid, is anything to go by, The Stone Hill All-Stars more than live up to their moniker. The band may have borrowed from the blues in their honkytonk country folk-rock track, but the aural escapade is anything but mournful; the track exhilarates as it pulses with a liveliness that’s downright infectious, supported by the band’s unmistakable charisma.

Hailing from Baltimore’s music scene, the members of The Stone Hill All-Stars originally played with notable groups such as Two Legs, Mambo Combo, and The Polkats. Together, as a powerhouse, they traverse a smorgasbord of genres, adding depth, vigour and devil-may-care soul wherever they see fit.

With the production quality throwing back to the timbres of college radio rock nostalgia, image-evoking folk tales running through the lyrics and the confluence of crying harmonicas, blazing horns, fiddles flaring and guitars amplified through old tube amps, the band constructed a solid sonic foundation that celebrates musical roots while forging new expressive pathways.

Through their craft, The Stone Hill All-Stars pay homage to their diverse influences while offering and distinct take on what modern folk-rock can be.

What I Left Unsaid is now available to stream with the Wednesday in Winter LP on Spotify.

Review by Amelia Vandergast

Swirling Smoke and String Mastery in Peter Trappen’s ‘Cottonmouth Blues’

https://soundcloud.com/pete-trappen/cottonmouth-blues

Peter Trappen, with his four decades of experience and a Grammy nod under his belt, became a blues mesmerist with his latest single, Cottonmouth Blues.

The atmosphere of a blues bar unfurls through the release as Trappen’s textured Jim Morrison and Jimmy Buffet-esque croons drape over the guitar progressions which testify to his intuitive connection with his fretboard and his ability to materialise seductive echoes of alchemy with his notes.

Reminiscent of Eric Clapton’s and Mark Knopfler’s deft grooves, the guitars are an aphrodisiac to the rhythmic pulses as they introduce the sound and soul of a man who has soaked in the flavours of Motown, Memphis Soul, and Chicago Blues. The Epiphone Les Paul through a cranked Fender Blues Jr. ensures every note is a reverent whisper to blues’ storied past and a bold statement in its ongoing evolution.

The backing instrumentation, featuring stalwarts like Paul Hirsh on keys and Martin Ditcham on drums, complements Trappen’s work perfectly, making every moment of the track resonate with bluesy purity.

Stream Cottonmouth Blues on SoundCloud now and follow Peter Trappen on Facebook.

Review by Amelia Vandergast

Danielle Dennis glammed up blues rock with her latest hit, Fool’s Gold

With her latest single, Fool’s Gold, the rising-through-the-industry-ranks rock phenomenon, Danielle Dennis, proved that when it comes to emotional labour for those with an aversion to accountability, a woman’s work is never done.

If the indomitably raw edge of Hannah Wicklund met the creative conjurings of Stevie Nicks, the meeting point would be the affecting high-octane alchemy in Dennis’ scintillating sonic signature which ensures the singer-songwriter’s ink goes beyond skin deep and permeates the soul.

The San Francisco-born, New Orleans-based artist and producer unequivocally evinced that all of the best people would have been burnt at the stake for Witchcraft in the days of Salem; what she manifested in Fool’s Gold is almost beyond the realms of tangible comprehension.

If you can’t get enough of Fool’s Gold, pin her to your radar and await her forthcoming debut EP which will span all her influences through an amalgamation of gritty blues rock, synth-heavy pop, organic folk, and vibey trip-hop.

Fool’s Gold will be available to stream on all major platforms, including SoundCloud, on August 9th.

Review by Amelia Vandergast

Diehard Romantics Will Meet Their Match in Kaleb Cohen’s Bluesy Indie-Folk Release, Our Eyes Met on Friday

Kaleb Cohen is set to become the second biggest Cohen in folk after the release of his bluesy indie single, Our Eyes Met on Friday.

After opening with an introspectively tender extended prelude, inviting listeners into a defining moment that captures the essence of a soul finally finding its home the song unfolds through increments of upbeat folk elements reminiscent of the Lumineers and Mumford and Sons which surge through the ingenuity within the genre-bending energy.

This release showcases Kaleb’s profound ability to make loungey piano keys bleed pure raw emotion, complemented by his seraphically timbered vocals that masterfully blend the gruff with the smooth. The continuous sonic reinventions throughout the track play havoc with rhythmic expectations, yet each new arrangement is as euphonic as the last, exhibiting the devilishly playful innovation of an artist who could easily skate by on his larynx of gold but chooses instead to go the extra aural mile to beguile.

Kaleb Cohen, an indie-folk-rock prodigy from Connecticut who writes, records, and self-produces his music is currently pursuing a Bachelor of Fine Arts in Film & Television Production. As an omen of the illustrious path he is destined to pave, his first-ever show in New Haven was a sell-out with fans coming as far as Pennsylvania to witness one of Indie Folk’s most promising names etch their legacy.

Our Eyes Met on Friday will be officially released on July 26; stream the single on Spotify.

Review by Amelia Vandergast

NYC’s MG & the Orbs delivered a remedy for self-pity with their timelessly swanky jazz blues alchemy in HELP is What You’re Needin’

With Maria Giorgio at the helm, MG & the Orbs is a peerless ensemble, revered throughout the Big Apple and beyond for their soul-imbued brand of jazz blues. Their latest single, HELP is What You’re Needin’ is enough to make you want to turn back time to add them to your radar earlier.

The resolute rejection of an invitation to a pity party is the ultimate remedy for anyone who finds themselves perpetually employed to do other people’s emotional labour. The soulful defiance in the blues shuffle which Giorgio penned after a writer on a movie set she was working on started to sing his own relationship blues. After instantly finding the inspiration in the exchange, Giorgio enlisted her cultivated collective to breathe life into the upliftingly unreckonable single that proves just how dangerous it can be to bring out the hellcat in a conduit of soul.

MG & the Orbs don’t just believe in music as a healing force, they deliver the cure in their timelessly swanky jazz blues alchemy.

HELP is What You’re Needin’ was officially released on May 24; stream the single on YouTube.

Review by Amelia Vandergast

Sebas De Varona Opened a Portal to the Psychedelic Soul of the 70s with ‘Preachers’

The gospel in Sebas De Varona’s latest single, Preachers, opens a portal to the psychedelic soul of the 70s; it’s a doorway into the mind of a visionary artist you’ll never want to close. As an architect of melodies you instantly melt into and a lyricist that captures your mind as much as your soul, there are few artists of this generation as affecting as Sebas De Varona,

Thankfully, with the impending release of his new EP, Dynamics in the Fourth Dimension, you’ll have plenty more opportunities to trip with Varona’s dynamically electric vocal timbre that rests easy in the rooted-in-emotion synthesis of genres which illustrates the singer, songwriter, instrumentalist and producer’s expansive bedrock of influences. Primed to soak fans of Tame Impala and Pink Floyd alike in celestial euphony, the EP will easily be one of the most cultivated releases of the year.

After hearing the Hendrix-esque fret wizardry which blazes through a divine connection to the soul of blues in Preachers you’ll want to flock to the Floridian artist’s live performances like a moth to an arcane flame.

Preachers was officially released on May 15; stream the single on Spotify.

Review by Amelia Vandergast