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Alternative

Sam Caldwell – feeding the wound: An Indie Art Rock Ode to the Raw Edges of the Human Psyche

The intimacy of unfiltered vulnerability doesn’t just breathe through Sam Caldwell’s standout single, feeding the wound, it quiescently screams and resounds through the delirious-with-self-discontent production which embodies the stripped style of Elliott Smith, and the artfully cultivated expressionist air of Mitski and Neutral Milk Hotel.

Caging one of the most viscerally affecting crescendos that has ever torn its way into my soul, feeding the wound is so much more than a lyrically sharpened vignette of a masochistic mind. Each element serves to visualise a psyche marred with self-awareness and destruction; from the sonic pulls of ennui to how the mind cascades under the weight of affliction, each progression is a revelation of a raw, painfully relatable perception.

The LA singer-songwriter is quickly making a name for himself with his encapsulations of the pain of coming of age; with his debut LP, he’s rivalled the resonance of Brett Easton Ellis’ Less Than Zero. His ability to tune into universal themes of guilt and heartbreak while using heartstrings on his fretboard will undoubtedly see him go far in the industry which is crying out for veritable troubadours of candour.

feeding the wound is now available to stream on Spotify as part of Sam Caldwell’s debut album, wanderlust, which was officially released on July 25.

Review by Amelia Vandergast

Shotgun Waltz filtered roots rock through a college radio rock lens in their infectiously Sink or Swim

Single: Sink or Swim by Shotgun Waltz

Boston’s critically acclaimed roots rock revivalists, Shotgun Waltz, fortified their latest alt 90s indie-adjacent single, Sink or Swim, with infectious fortitude, as an invitation to shift to a rendered-with-resilience brighter perspective.

Just one hit and you will want to rip up those invitations to your pity party for one. There’s no room for remorse in the sun-bleached production which uplifts with melodically brashy college radio rock guitar chords that shift to mellow staccato rhythms in the verses, priming the listener for the bursts of euphoria in the choruses.

Shotgun Waltz may be roots reverent, yet their cultivated approach to pushing the genre forward resounds throughout Sink or Swim, which will also feature in their upcoming 10-track LP, which will arrive on the airwaves in Fall 2024.

Fronted by Jim DeTore, the fourpiece possesses a unique ability to reach directly to you as you immerse yourself in their honed synergy which belies the fact that the powerhouse has only been playing together since 2012. The symbiotic harmony between each layer in Sink or Swim pulls you into a vortex of dynamic rhythms and melodic interplays – you can practically feel each member playing intuitively to each other’s cues.

Sink or Swim was officially released on July 29 and is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Not From Concentrate crashed the alt-rock scene with their ska-grunge synthesis, You & I

Not From Concentrate promises the freshest sound in the NYC ska scene and the misft powerhouse definitively delivered with the release of their latest ska grunge hybrid, You & I, which showcases the group’s ability to blend fierce pop-punk bursts with tender, vulnerable harmonies, inviting listeners to experience every shade of emotion

For anyone who has ever let their walls down only to allow regret to build them again, this queer punk anthem is the ultimate consolation. Just as the artist’s moniker would lead you to believe, there’s nothing artificial about their sound; the visceral emotions mainlined into You & I are straight from the source.

By synthesising the sludge of grunge with the infectiously uplifting staccato chops of Ska, the Staten Island-hailing trio which is deeply entrenched in the NYC scene delivered a sonic revolution which shimmers with authenticity and raw power. Rounded off with a pioneeringly innovative guitar riff, You & I is a testament to their rightful place in the queer musical pantheon.

You & I was officially released on July 19; stream the single on Spotify now.

Review by Amelia Vandergast

Pain and beauty permeably interplay in djamesk13’s alt-rock single, Through All the Beautiful Storms

djamesk13 consistently finds new alt-rock intersections to explore, the latest emotionally-weighted release from the London-hailing solo artist, Through All the Beautiful Storms, is no exception.

The release finds myriads of ways to allude to how thin and permeable the line between pain and beauty is; without one, there is no other. Just as you can find harmony in the distorted, grungy discordance, djamesk13 ensures you find the blessing in grief, it’s the primal price we pay for love, and that bitter-sweet exchange is laid out right across the affecting no-wave-adjacent chords in Through All the Beautiful Storms, which stands as the artist’s most heart-wrenchingly relatable release to date.

Anyone who has ever loved and lost will know how much the single rings true as it reflects how emotions conflictingly conflate, turning the sweetest memories into haunting reminders.

The intimate, instrumentally visualised, vignette penned in the wake of his mum’s passing couldn’t have unfolded as a more heart-wrenching ode to the soul the world is clearly darker without.

Through All the Beautiful Storms was officially released on July 27th; stream it on SoundCloud now.

Review by Amelia Vandergast

A&R Factory Interview: Unveiling the Soul of Lori & the Darlings

Lori & the Darlings

Lori & the Darlings have etched their legacy into the annals of Michigan’s music scene, setting their own standards of artistic authenticity. As we await the release of their EP ‘Side Streets’, the ensemble continues to sketch new musical contours distinct from their previous works. In this exclusive A&R Factory interview, we join them on their explorative journey, where creativity springs from the familiar locales of Main Street. As revealed, the band’s lyrical and melodic evolution resonates through this project, offering a reflective glimpse into their dynamic craft. With a blend of Americana roots and bold experimentation, Lori & the Darlings stand poised at an intersection of past influences and forward-thinking musicality

Lori & the Darlings, welcome to A&R Factory! It’s a pleasure to sit down with you as you gear up for the release of your upcoming EP, Side Streets. Can you walk us through your creative process and how the B-side project thematically connects with and diverges from your last project, Main Street? 

We are just starting to work on this new project: Side Streets and I am excited to get back into the studio soon!   So far we have had a very successful process when it comes to crafting songs…I write the songs and put them on a scratch track, usually just me and a guitar, and then let the band take some time seperately to get used to the melody and changes and if there is a feel or I have any specific ideas I let them know right away although usually I hand the song right over to them and trust them to find their parts… and they always do! I have a huge collection of songs I have been writing for years…and I still write so there is a never-ending supply to pass on to them.

Our last album Main Street (released in Jan) contains a song Main Street 54.  That song got its name because I usually use my voice memo on my phone to record the scratch tracks on…and my phone labels recordings by location so that song was the 54th recording on Main Street (my address at the time) and we ended up liking that title and kept it.. actually all but 1 song on that EP were written in about 2 months on Main Street which is why I decided to name the album such…side streets is a collection of songs that were written around the same time but not at home. And I like the idea of tying them both together like I did with our first two EPs Gratitude side A and side B.

Are there any new sounds or techniques you’re experimenting with this time around?

This last time in the studio we played around with background vocals and added a lot more keys and even had a wonderful violinist come in and play.. and I would definitely like to build on that and keep making our music bigger.

How have your Michigan roots influenced the sound and storytelling of Lori & the Darlings? 

I consider myself so very lucky to have been raised by a father who found music to be of upmost importance…he too was a writer and musician…and I grew up watching him write so many songs…good songs…and record them using this four track he had bought.  He was so very picky about lyrics…he didn’t like easy or lazy lyrics. And he beat that into me.  Because of his love of music, he seemed to have hundreds of records I was allowed to listen to – artists like Jim Croce, Bob Dylan, and Donovan; artists who had mastered telling stories thru music…I think that had a lot to do with how I write.  He was in bands starting in the 60’s in Detroit..doesn’t get a lot cooler than that…he was an amazing influence and reference for me growing up.

How do these elements resonate within your latest tracks?

So that being said, I always am very careful with the words…I might revise a song 20 times until the lyrics are just right…after that though, I rely heavily on the band to mold the song into whatever it feels it should become.  There is this very cool organic thing that happens once we sit down and start playing a song for the first time….after a couple of run-throughs…things just crazy fall into place…and we all come from such different music backgrounds that there is a little bit of everything coming into each song…I love that…we are generally considered Americana but we have songs that are way more blues and songs that sound almost jazzy…I like not being able to be nailed down tight to one genre

What has your experience of the Michigan music scene been? 

I wouldn’t want to be in any other state doing this right now!  Michigan is amazing for music – whether you love listening to it or playing it!  Lori & the Darlings began a little over three years ago getting our first gig in Saginaw Michigan at this great little venue White’s Bar – they are a real deal venue that has a long legacy, history and a reputation for being huge music supporters and have had nothing but the most positive interactions on every level ever since. The other bands (Amazing bands!) we have networked with doing the same thing, the venues we have played at…and the many radio stations that make a place for indie music on their programs…so much love and support for the music community here! We love it!

Over the course of your musical career, how have you seen your artistic identity evolve? 

I can’t speak for the band but personally I would have to say that I have finally grown into a comfortable place where I am not worried so much about performing or even putting songs I’ve written out there for anyone to listen to as I used to be.  There was a time when I was so worried they weren’t good enough or didn’t say the right things the right way.  These days I write how I feel or what I know with a new confidence. It’s refreshing to not worry about that.

What has been the most significant turning point for the band?

 The band has done a lot of growth since it’s birth. If you listen to our first two albums and then Main Street you will notice a significant change in the production of the album. I think letting someone else in to help with that moved mountains when it came to a final product. I wish that would have been the case with the first two, but it’s a lesson learned. I was very stubborn and protective of the first two albums…I was worried about outside influences changing the songs too much…I’ve come to realize having help in that area is priceless and has taken our music to a new level.

How does the upcoming music video for I Want It So Bad bring the single to life?

Oh man!! I love this video so much!  We hope to wrap up editing this week and have a final product in mid-August. This will be my very first attempt at video work!  I was the director, videographer and editor all in one!  Of course, our lead guitar player Roger Marchbanks is the star of the show.  I took him all over Detroit and filmed him playing the song in front of historic and iconic locations. It’s turning out great so far and matches the song which is a playful fun fast rock n roll song! I can’t wait to release it!

Beyond the release of Side Streets, what are your future plans and ambitions? 

We have some amazing festivals lined up at the end of this year and next year as well!  A couple more music videos coming out from Main Street to wrap up that project and talk about adding a new member or two to the band…

Stream Lori & the Darlings on Spotify now.

Follow the band on Facebook to stay up to date with news of future releases & tours.

Interview by Amelia Vandergast

Gregory Lee Pickard’s ‘Home’ is a reverent nod to roots and rebellion

Gregory Lee Pickard

In his seminal, soon-to-be-released, solo single, ‘Home‘, the illustriously revered Gregory Lee Pickard, whose career has spanned three decades and spawned countless accolades, distilled a soundscape with the culmination of his extensive experience and his ability to conjure more than sound through his panoramic vignettes.

The single melds country rock rhythms with gruff vocals, which will undoubtedly appeal strongly to fans of Dogs D’amour and The Quireboys. This cultivated ode to the concept of “home”—whatever that may signify for the listener—allows Pickard’s authenticity to shine iridescently.

The country twangs within the proto-punk-esque production allows Gregory Lee Pickard to soar above the mediocrity of artists who debase their discographies with assimilation; this is authenticity at its core. Just one hit of the single will leave you desperate to explore the treasure chest of rough-cut gems which throwback to the 70s NYC punk scene but firmly roots itself in contemporary resonance.

Gregory Lee Pickard, a storied songwriter, singer, and performer continues to lead and shape the sound of his current band, Not Las Vegas, while his foundational work with The Revelons has seen him headline venues from CBGB to the Bowery Ballroom. His broad discography spans influential releases and collaborations that touch everything from indie films to major motion pictures, cementing his place in the annals of music history.

For those who cherish musical integrity and the resonant tales of life’s wanderings, ‘Home’ by Gregory Lee Pickard offers more than just a listening experience—it invites a profound connection to the very essence of personal and musical exploration.

For more information about Gregory Lee Pickard, head to his official website.

Review by Amelia Vandergast

Goatzilla – Secret Agent Man: a gargantuan monster of a punk rock anthem

The Gold Coast’s prodigal sons of Atomic Mutant Goatpunk, Goatzilla, initiated their latest single, Secret Agent Man, with a barrage of beats before the guitars lend their overdriven furore to the teeth of this gargantuan monster of a punk rock anthem.

If you like your rock with all the hinges blown off and all sense of sensibility tied to a funeral pyre, Secret Agent Man is a balls-to-the-wall explosion of sheer insanity. Clearly, it’s true what they say: madness is catching. You’ll feel your own sense of self-restraint slip away as the tumultuous, rip-roaring hit proves there’s no room for pretension in rebellion.

With their following only getting stauncher, it is time to kneel to our new overlords of snarled, gnarled, and electrifying punk rock, charged with all the technical ability and songwriting chops of Megadeth and Motörhead, and all the escapism of rock that parades under a gimmick to thematically manifest mind-melting mayhem – someone might want to tell Lordi and Gwar that THIS is how it is really done.

From the depths of the Gold Coast underground punk scene in 2015, Goatzilla has built a strong local following through relentless gigging and festival appearances around South East Queensland. Their debut album, Muthafukasaurus, dropped in 2019, featuring the off-the-wall video for DROPBear, which earned the #1 spot on 4ZZZ FM’s Hot 100.

Goatzilla boasts two shredding guitarists, a freight-train drummer, and a gravel-throated bass player who brings the fire—literally. With new material crafted during COVID-19 in the pipeline, Goatzilla is set to keep their fans thrashing for a long time.

Secret Agent Man was officially released on July 26 and is now available to stream via all major platforms via this link.

Stay tuned to Goatzilla’s TikTok for updates on new releases.

Review by Amelia Vandergast

Make Groovy Shirt Club’s ‘Ultra Violet’ the soft rock soundtrack to your emotional liberation

Groovy Shirt Club’s latest single, Ultra Violet, proves there’s more to their artistic identity than their audacious fashion choices. With echoes of Pixies drifting between the guitars and basslines in the mellowly iridescent progressions, which are heightened by inventive synth touches, the Deep Blue Something-reminiscent vocals have the perfect platform to soar from.

It’s almost impossible to allude to what this emotionally liberated single does to the soul when the emotion-driven earworm is bedding in and making itself home. The sublime melodies are enough to make even the most steadfast sway, attesting to the capacity of sound to transform your entire sensibility.

If you can’t remember the last time you didn’t feel weighed down, make today the day and immerse yourself in Ultra Violet, which pushes a panoramic vision of sun rays hitting ebbing waves. For any discerning rock fan, the first proverbial spin won’t be the last.

The self-professed ‘Champions of the Yacht Rock Revolution’, are quickly making a name for themselves with their ethos to embed real people, real instruments, real music and real lyrics about life into their infectiously cultivated soft rock staples. Ultra Violet captures this quintessence perfectly, blending their signature style with a fresh, emotionally resonant sound.

Ultra Violet is now available to stream on Spotify.

Review by Amelia Vandergast

Lori & the Darlings reached nirvana with the alt-90s nostalgia in their Americana rock single, high

Lori & the Darlings’ standout single, High, taken from their 2024 LP, Main Street, is a richly rendered addition to the Americana rock canon. Lori, whose voice is naturally poised for creating instant classics, shines iridescently bright in this emotion-driven vignette, exposing the capacity of connection to lead to transcendence. The instrumentals efficaciously visualise the inexplicably sweet sensation, with shimmering organ tones stretching to nirvana, giving High oceanic depth for listeners to plunge into and swim with the rhythmically resolving tides.

Lori’s vocals deliver the grit of Courtney Love, infused with the soul of Leigh Nash and Meredith Brooks, nestling into the scarcely-occupied middle ground where artists swathe their harmonies with seraphic sentimentality and project potency to amplify evocative intensity.

No review of High would be complete without pouring plaudits on the guitars that make the track such a sense-gratifying listen. The steady ring of the chords pulls you through the euphonically stripped production until they burst in momentum in the middle eight, proving that Lori & the Darlings have earned their place among their Americana rock icons.

With more releases in the pipeline from the Detroit-based four-piece which captures the highs and lows of big-city dreamers in small-town America, do we really need to tell you to give them a follow?

Stream the Main Street LP from Lori & the Darlings on Spotify now.

Review by Amelia Vandergast

Unwelcome Soul embraced the shadow self in the abyss of the black metal hit, Time, Don’t Save Me

With the release of ‘Time, Don’t Save Me’, Unwelcome Soul—a one-man black metal behemoth from Tennessee—ushered in a devastatingly potent chapter of his debut album, ‘Dried Petals’.

The track initiates with a barrage of thrashy blast beats that lay the groundwork for a seismic uproar, providing a perfect stage for the vocals to manifest. The guttural proclamations that gnarl and echo across the tumultuously unhallowed ground of the track embody the track’s achingly articulated Nietzsche-esque underpinnings of despair and disillusion.

The lyrics scathe at the naive hope that time might heal or save, hitting raw nerves and exposing a darker acceptance that for some, damnation is a sweeter resolve than salvation.

Instrumentally, ‘Time, Don’t Save Me’ mirrors the lyrical descent into macabre fatalism, gaining relentless momentum with each passing beat until the track wraps the listener in a spectral, gothic atmosphere, reaching a climactic fervour in a melodic outro that mourns the forsaken.

Time, Don’t Save Me was officially released on July 5th; stream the single on YouTube now.

Review by Amelia Vandergast