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London Music Scene Blog

Along with Paris and New York, London consistently ranks as one of the best cities in the world for its rich and diverse culture. For decades, a massive part of that culture has revolved around music.

Barely a day goes by before a new metropolitan festival starts in the capital. With All Points East, Camden Rocks Festival, Meltdown and British Summer Time in Hyde Park and plenty more major festivals happening in London’s 32 boroughs, the city constantly attracts music fans from across the UK and beyond.

Pop, rock, classical, jazz, rap, folk and indie fans will never find a shortage of events at the music venues spread across the city. Unsurprisingly, the city has also generated a significant proportion of the UK’s most iconic acts from across all genres.

From Tottenham-born Adele to Amy Winehouse to the original UK rock icon Led Zeppelin to David Bowie, the iconic recording studios in London have never fallen short of talented artists already at their doorsteps. There is only a handful of recording studios in the world that have become a household name; London’s Abbey Road Studios is one of them. Within the walls of Abbey Road Studios, The White Album by The Beatles, Odessy and Oracle by the Zombies and Money by Pink Floyd are just some of the iconic albums that have the talent at Abbey Road Studios to thank.

The London Music Scene wouldn’t be the same without the grassroots venues. The Dublin Castle, the Lexington, Nambucca, The Fiddler’s Elbow, XOYO, The Macbeth and the Jazz Café have all played their part in getting artists discovered.

In the urban arena, the award-winning London-based rappers, Stormzy, Dave, AJ Tracey, Aitch, Skepta and Slowthai have completely redefined the UK hip hop scene in recent years. While exceptionally distinct acts, such as Wolf Alice, Django Django, Baby Queen, have made waves with their off-kilter infectious sound. Wolf Alice, who are thought of as London’s answer to Sonic Youth, won the Mercury Music prize in 2018. They also managed to reach number 2 in the album charts with two of their albums. Yet, most artists live in the ever-growing shadow of the two London heavyweights, Adele and Ed Sheeran. They may not be every musos cup of tea, but that didn’t get in the way of Ed Sheeran selling over 150 million albums worldwide and becoming recognised as one of the best-selling artists to have ever lived. Adele hasn’t done too badly for herself during her decade long career either. Her distinct vocal timbre has allowed her to pick up 15 Grammy awards and plenty of other awards along the way. Adele rocketed herself towards stardom with the release of her debut album, 19, while Ed Sheeran went on the arduous journey from busker to a best-selling artist and became the ultimate contemporary artist success story.

Sink into the solace of Nesta Stephan’s future-forward neo-soul single, (don’t) Call me

Gabon-born, London-based artist, Nesta Stephan, didn’t just reach the crowning point of her career (so far) with her latest single, (don’t) Call me; she set a new reflectively candid standard while constructing a new trajectory in the evolution of RnB.

The half-French, half-Gabonese artist’s journey from global traveller to singer-songwriter shines through her work; her latest single, which is no exception, initiates with arcane gospel choir-esque harmonies that set a reverent tone, which is quickly juxtaposed with the intimacy of a voicemail message playing in the celestial outro.

As the track progresses, minor key melodies emerge under Stephan’s meditatively ethereal vocals, which paint a vivid portrait of isolation and abandonment. Stephan’s lyrics are a raw exposition of her inner world, addressing the tough theme of finding faith after maternal abandonment. Rather than succumbing to despair, the track radiates hope and compassion through its future-forward blend of afrobeat and neo-soul RnB, signalling a journey of reaching the other side of pain.

(don’t) Call me is the ultimate attestation of how plausible it is to reinvent yourself, regardless of what you’ve been through if you look outwards with empathy and inwards with self-regard.

(don’t) Call me was officially released on July 19; stream the single on Spotify now.

Follow Nesta Stephan on Instagram and Facebook to stay up to date with her latest releases.

Review by Amelia Vandergast

London’s Maninder Murfin met the epitome of finesse in her pop ballad, Wonder How We Wandered

The classical pop ballad was refined to a rarified grace in the debut single, Wonder How We Wandered, by the singer-songwriter, Maninder Murfin. The elevated and gilded-with-ornate-motifs release follows the West-London-hailing artist’s collaborative partnership with merfy on the Teach Me the Song You Know EP which hit the airwaves in 2023.

Standing alone, she floods the production of her solo debut with her celestial vocal presence which organically resounds without limit; as diaphanous as the minor piano keys, yet powerful enough to permeate the soul with maximum conviction, her voice embodies the epitome of aesthetic grace while pulling you into the reverie of the lyrics which narrate an almost fantastical tale of affectionate intoxication.

The underpinning essence of yearning painfully attests to how some of the most beautiful facets of existence are ephemeral but there’s no room for melancholy in the dreamy euphonia of this flawless release which paints a promising future for Maninder Murfin who is known for her live performances in Soho and her ability to invigorate hits from Billie Eilish, Adele, Olivia Rodrigo, and Kelly Clarkson with her uniquely evocative sensibilities.

Wonder How We Wandered is now available to stream on Spotify.

Review by Amelia Vandergast

 

Pain and beauty permeably interplay in djamesk13’s alt-rock single, Through All the Beautiful Storms

djamesk13 consistently finds new alt-rock intersections to explore, the latest emotionally-weighted release from the London-hailing solo artist, Through All the Beautiful Storms, is no exception.

The release finds myriads of ways to allude to how thin and permeable the line between pain and beauty is; without one, there is no other. Just as you can find harmony in the distorted, grungy discordance, djamesk13 ensures you find the blessing in grief, it’s the primal price we pay for love, and that bitter-sweet exchange is laid out right across the affecting no-wave-adjacent chords in Through All the Beautiful Storms, which stands as the artist’s most heart-wrenchingly relatable release to date.

Anyone who has ever loved and lost will know how much the single rings true as it reflects how emotions conflictingly conflate, turning the sweetest memories into haunting reminders.

The intimate, instrumentally visualised, vignette penned in the wake of his mum’s passing couldn’t have unfolded as a more heart-wrenching ode to the soul the world is clearly darker without.

Through All the Beautiful Storms was officially released on July 27th; stream it on SoundCloud now.

Review by Amelia Vandergast

GeeMarr became the sound of summer with his afrobeat scorcher, Sosa

The Jamaica-born, South London-raised artist and producer, GeeMarr, continued his ascent from the underground with his latest single, Sosa. The irresistibly rich synthesis of rhythm, obsession and soul is poised to become any discerning afrobeat fan’s quintessential summer anthem.

Sosa fuses his foundational influence of afrobeat rhythms with the verve of hip-hop and the intricacy of Latin-infused melodies to weave sensuous intimacy throughout the production; each beat becomes a seductive pulse which seizes the warmth of summer.

The instrumental complexity surpasses typical chart-topping hits, showcasing a depth that hints at GeeMarr’s potential to redefine genre boundaries. Each layer of sound is meticulously crafted, from the soulful synths to the bouncy Afrobeat drums, culminating in a hook that lingers long after the final note.

The artfully crafted experience designed to pull listeners into a vivid atmosphere of rhythmic celebration is accompanied by a high-production music video that mirrors the song’s dynamic energy. Through visuals that are as vibrant as the track itself, the video highlights the dancy, energetic nature of Sosa, further cementing GeeMarr’s footprint in the Afrobeat domain.

Written, produced, and performed by GeeMarr, ‘Sosa’ stands as a testament to his artistry and vision. With its intricate instrumentals and thematic richness, the track is set to leave a lasting impression. As Sosa gains traction, it’s clear that GeeMarr is crafting a legacy that will soon beckon a mainstream awakening to his sound.

The official music video for Sosa, which has already racked up over 25k reviews, premiered on July 18; be a part of the hype and stream the video on YouTube or check out the track on all major streaming platforms via this link.

Review by Amelia Vandergast

DemiMa challenged extroverts and vindicated introverts in her transcendently dynamic slice of soul, Be Alone

DemiMa’s latest seminal single, Be Alone is the ultimate sonic paradox; it chills as it soothes as the dark, glitchy and syncopated beats carve a curve-surpassing edge into the production and cast a shadow over the serotonin-infused warmth of the South West London-based South African artist’s euphonic with enlightenment harmonies.

Knowing there’s a pervasive aversion to solitude, which consequently inhibits us from the growth only self-awareness can nurture, DemiMa became a transcendently dynamic voice of reason as she challenged extroverts and vindicated introverts in the single which progressively builds towards a climax of sheer illumination.

Be Alone, taken from her latest album, Duality Pt 1 Chaos, is the perfect introduction to her unique sonic identity, constructed through a synthesis of electronic soul and an experimental take on her aural ancestral roots. Her ethereal alternative sound has resonated with fans across the globe, as evidenced by her traction on platforms like BBC Radio 1, MTV Africa, and Teen Vogue USA.

The song’s measured pace and layered electronic textures invite listeners to explore the quieter corners of their minds while affirming that there are few voices as essential in the music industry as DemiMa’s.

The official music video for Be Alone premiered on July 26; stream the video on YouTube now.

Review by Amelia Vandergast

80s euphoria grooved back around through Electraverb’s debut LP, NEON

In their debut LP, NEON, the synthpop duo, Electraverb, crafted a euphoric gateway to the 80s dancefloors. I Feel the Music, the standout single, ensnares through delicious grooves, neon-dripping chords, and sensuously magnetic vocal lines; each element ties together not just to revisit an aural era but to fuel it with contemporary fervour.

From the ashes of their previous project, Stoneblue, the founding members, Chris and Mazdak, seamlessly transitioned their synergy, catchy melodies and intricate guitar work which resounded through London’s synthpop scene in the 90s into their new project which marks their maturity as earworm architects.

The addition of esteemed backing vocalists Jo Garland and Shirley Lewis, known for their work with icons like George Michael and Elton John, is a testament to Electraverb’s determination to push their sound to the heights celebrated by their influences.

If you envisioned an aural love child of The Human League, Kraftwerk and George Michael, you’d conjure a reflection of the scintillating soul which oscillates through I Feel the Music which delivers hypnotic rhythms as the harsh snares pierce the lush reverb under the harmonised to the nines vocals.

NEON was officially released on June 14th; stream the LP in full via Spotify.

Review by Amelia Vandergast

Flames of funk and soul lick JANAYAH’s latest indie rock earworm, Can’t Get Enough

Janayah’s latest rhythmic revelation, Can’t Get Enough, mainlines funk-licked soul into indie rock euphoria through a filter of ’60s and ’70s nostalgia to breathe life into timeless tonality.

Born and raised in Auckland and now based in London, Janayah has graced stages from a tender age and has left lasting impressions with her dynamic live performances. Her sophomore single, imbued with the raw vocal power of Christina Aguilera with moments that oscillate back to old-school soul around rhythmically magnetic melodies is an embodiment of her soul-rock fortitude.

The single, which testifies to the insatiability of desire, showcases her signature style that crosses boundaries from pop to rock and dance, with each genre succumbing to the weight of her powerful vocals. Her previous works, including collaborations with EDM artists and features in prominent music venues, have all paved the way for this riveting return to her roots.

Ironically, every note in Can’t Get Enough promises to leave Janayah’s audience wanting more from the one-woman powerhouse.

Can’t Get Enough was officially released on July 12; stream the single on Spotify now.

Review by Amelia Vandergast

Don’t Light Rock’s Funeral Pyre Yet, Everafter Instigated the Ultimate Resurrection in ‘Born to Rock’

Everafter, stalwarts on the UK rock scene since their formation in East London in 2010, have consistently evolved and sharpened their sonic arsenal. The band, initiated by the Daperis brothers, Alexis and Stefan, alongside Tim Wiltshire, rose from the remnants of a previous endeavour to forge a premier hell-bent-for-distortion outfit which has blazed across many of London’s iconic stages.

Their Born to Rock EP, recorded at Soundlab Studios with Matt Williams, is the ultimate attestation to their dedication to standing at the vanguard of the hard rock revolution. The title single is a monumental anthem that celebrates the intensity of rock through explosive energy, intricate guitar riffs, and relentless rhythms that demonstrate the technical talent and passion of Everafter. Unlike Tenacious D, there are no tributes here, anyone born to rock can gaze into a sonic mirror when they hit play.

With razor-sharp melodic hooks implanted in the high-octane currents of the single, the only way this track wouldn’t go down well live is if the entire crowd was lobotomised.

Stream the official lyric video for Born to Rock on YouTube now.

Review by Amelia Vandergast

London’s introspective indie pop icon, Gemma Felicity, struck again in ‘10 Million Dates’

Our adoration for Gemma Felicity remains unflinching after the release of her intimate indie pop single, 10 Million Dates. With her latest right-on-the-euphonic money release, the London-hailing singer-songwriter captured the collective frustration within the modern dating scene, detrimented by the illusion of endless choice.

The sense of disillusion in the lack of real, raw, and pure connection resounds throughout the artistically profound, poetically bitter-sweet lament which acts as the ultimate consolation to anyone who is losing the motivation to keep searching.

By delicately touching on themes of people pleasing, loneliness, fear of the future, emotional baggage, and the ennui which follows pinning hopes on a transient character in our lives before they disappear within the folky dream pop reverie of the polished production, Gemma Felicity delivered one of the most affecting singles of 2024.

As the introspectively candid icon gears towards the release of her 5-track EP, Baggage, there’s no doubt that she’s inching towards the zenith of her career.

10 Million Dates was officially released on July 5th; stream the single on Spotify now.

Review by Amelia Vandergas

London’s fret prodigy BlueMelt twined tribute with originality in ‘Running with the Fool’

BlueMelt’s latest single, Running with the Fool, showcases the criminally underrated guitar savant Vito Tardia at his finest. In the smooth tempo of the hard rock track, hard-hitting percussion and solid rhythm guitars elevate an intense melody that testifies to the permeability of the soul; the solos sink right in and kindle a searing white-hot fire.

Tardia may have unashamedly worn his influences (Eric Johnson, John Petrucci, Marty Friedman) on his strings in Running with the Fool, yet the single stands as a testament to the artist’s ability to blend tribute with originality. His impassioned and flawless style, marked by technical precision is a sonic spit in the face to anyone who declares they don’t make them like they used to. Vito Tardia’s timelessly expressive guitar style stands as the ultimate attestation to the enduring power of guitar music.

Many would think it hyperbolic to say an independent artist can rival the work of legends like Steve Vai and Joe Satriani, yet the simple act of hitting play on Running with the Fool proves otherwise. The pantheon of the guitar gods will undoubtedly be waiting to open its gates to BlueMelt.

Running with the Fool was officially released on June 28th and is now available to stream on all major platforms via this link.

Review by Amelia Vandergast