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90s Nostalgia meets the future of house in the Freshcobar & Golden Girl Remix of ‘Missing’.

Freshcobar & Golden Girl gave the iconic 1994 hit, Missing by Everything But the Girl the house treatment in their entrancing new remix that is set to drop on all major platforms on April 28th. The indie guitars have been stripped-back to make room for the big beats, even bigger drops, and the colossal atmosphere that cloaks the remix drenches you in nostalgia while allowing you to simultaneously sample the future of house music.

The Missing Remix is the third single from the producer Freshcobar and the San Diego vocalist Golden Girl. Together, they reincarnated the 90s classic hit with far more intensity and fervour than the original contained, but the vocal mystique is right on brand. The deserts may have missed the rain, but my God, the dancefloors will have also missed this hit. Not all heroes wear capes, sometimes they’re reimagining and enlivening the soundtracks to our youth.

The remix will launch via NOS Recordings; check it out on SoundCloud.

Review by Amelia Vandergast

Supa G Swift has launched his dark, dirty, and droning techno debut, Take You to Attica

Take You to Attica is the debut dark, dirty and droning tech house hit from the up-and-coming artist Supa G Swift. Taking their listeners far beyond earth’s banal and predictable atmosphere, this helter-skelter ride through the cosmos treats you to funked-up surging electro-electricity by the smorgasbord.

The Cork, Ireland-based artist, DJ, and producer initially set out to take over the hip-hop scene in Cork before entering DJ battles in Ireland and relocating to Canada, where he became one of the most notorious and revered DJs in Vancouver.

For the past seven years, his upcoming debut album, Enter Infinity, has been his labour of love; it promises to be a psychologically expansive high-energy ride. On the basis of Take You to Attica, we don’t doubt his ability to deliver exhilaratingly trippy hits that could lead to a dancefloor frenzy.

Take You to Attica released on April 3rd; entrance yourselves via SoundCloud.

Review by Amelia Vandergast

Dehko – Slide ft. Snap Dogg: EDM Rap Has Never Hit Harder

The Detroit EDM duo, Dehko, is an unreckonable force after the drop of their anthemically arresting album, Tektroit. Dehko isn’t just hot on the heels of Tiesto, Skrillex, Garrix, Kygo, and Don Diablo, the brother duo has scorched right past them with his galvanisngly ground-razing epic of an LP.

The standout single, Slide, featuring the rap legend in his own right, Snap Dogg, is the sonic equivalent of an adrenalin shot to the heart. After a steady and almost sultry build, the bass-drenched beats catapult you through the hard and heavy progressions while Snap Dogg lends his dominantly gruff vocal energy to create a juggernaut of an EDM Rap hit.

From the absorbingly tensile breaks and builds to the crystal-clear cut of the production to the emotion the hit compels you to feel, Dehko & Snap Dogg reached the definitive pinnacle of EDM Rap. It would be idiotic to try and top it.

Slide dropped on March 10th; you can jump on the hype by heading over to SoundCloud.

Review by Amelia Vandergast

 

Get your body beat to the blistering hot deep house drop from Freshcobar & Lavelle Dupree, ‘Story of My Life’.

https://soundcloud.com/nosrecordings/sets/freshcobar-lavelle-dupree-story-of-my-life-for-pr-use-only/s-0L2rxpLPmKA?si=a84680ea36c34967aa2c4e9dedb02172&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

It may be too early to call the deep house drop of the year, but Freschobar & Lavell Dupree set the bar euphorically high with their body rocker of a bass-drenched earworm, Story of My Life.

Deep House hits that allow the lyrics to bite as hard as the beats are few and far between; clearly, the San Diego DJs and producers Freschobar and Lavelle Dupree sharpened their lyrical teeth before making a meal out of the radio-ready edit and the extended mix.

Prior to producing the cuttingly contemporary track, the two artists who have become staples in the San Diego scene have toured the world, tearing up stages between stamping their passports. We can’t wait to see where they take their dynamic collaboration next.

Story of My Life will officially release via the San Diego label, No Ones Safe (NOS), on March 3rd; check it out here.

Review by Amelia Vandergast

Daniel Aether poured soul into the fourth deadly sin with his afrobeat electro earworm, Envious

With his latest single, Envious, the Nigerian-Italian singer Daniel Aether raised the roof on Afrohouse while exploring the fourth deadly sin with flavourful soul.

There are few things in this world as disheartening as unveiling jealousy from someone that pretended to be a friend; we’ve all been there, and now we have the ultimate soundtrack for euphonic redemption. If success brings bitterness to your inner circle, you can bet your bottom dollar that they will be hoping for your downfall.

The 21-year-old Scotland-residing artist takes influence for his afrobeat electro earworms from a wide array of genres, resulting in a melodious sound that he can definitively call his own. While the Kaytranda-ESQUE beats bring the energy and colour, Aether’s opulently rich vocal lines spill the harmonised ad-libs that will undoubtedly become what he’s revered for in his promising career.

Envious will be available to stream from February 24th. Hear it on Spotify.

Review by Amelia Vandergast

Growing Boi made a malady of sentimentality in his psychedelically experimental single, Overflow

After years of success as a touring artist, session musician, songwriter and producer, Chris Matthews obliterated the notion of genre with his exploratively alternative single, Overflow, under the moniker Growing Boi. The artfully melancholic track makes a malady out of sentimentality while exhibiting the same instrumental alchemy and ingenuity as the Legendary Pink Dots and the vocal gravitas of Leonard Cohen.

The spacey amalgam of psych, folk, electronica, trip-hop and 70s pop is devilishly clever, but never to the detriment of the accessibility of the intimately bold score that will stay with you for long after the complex chords have faded into silent obscurity. From honkytonk piano keys to motifs you’d expect to hear in a Tame Impala production, Overflow is a treasure trove of artful beguile that allows you to drift to a higher plateau.

Overflow will drop on February 24th; hear it on SoundCloud.

Review by Amelia Vandergast

Boston Meets Britpop in djamesk13’s Alt-90s International Convergence, You Said.

https://soundcloud.com/djkemp13/you-said

London’s David Kemp has slid back under his djamesk13 moniker once again to release yet another feat of evocative lo-fi alternative alchemy by the grace of his 8-track recorder. You Said carries the raw lyricality of Disco 2000 while the instrumentals look far beyond 90s Britpop for their grit and sludge.

With no-wave-y motifs and crunchy guitars that bite in the same vein as Pixies, You Said is a riotous smorgasbord of Alt-90s nostalgia. Judging by the streaming stats on this release shortly after it grunged up the airwaves, clearly, plenty have an appetite for djamesk13’s seemingly effortless ingenuity.

You Said is now available to Stream on SoundCloud.

Review by Amelia Vandergast

B!TEZ advocates uninhibited authenticity in her alt-pop hit, Be Like You

https://soundcloud.com/bitezhearts/be-like-you/s-x2BfzMy4Je3?si=5ef857d702054d8abca2db5663d4b746&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

It’s time to let the dust settle on the archaic records from New Order and The Stone Roses and lock into the viscerally fresh talent from Manchester-based artist and poet B!TEZ, who has been taking the rainy city by storm.

For her latest single, Be Like You, B!TEZ (Princess Arinola Adegbite) reinvented the 80s pop wheel with her afro-futuristic edge that is sharper than any papercut. The infectiously melodic earworm is a stellar hit based on the instrumentals alone. When the socially conscious lyrics are thrown onto the stabbing synth lines, it is impossible not to get wrapped up in the vindicating euphoria.

“The first single on Vintage Destiny is ‘Be Like You’. A self-love disco pop anthem integrating rock, and funk elements encouraging listeners to be their authentic “exceptional” selves despite living in a comparison-driven world.”

After finding influence from a broad range of artists, including Nina Simone, Mazzy Star, FKA Twigs and Bjork, the songstress carved out her niche and thrived in every arena she threw her multi-faceted talent into.

The multi-award-winning poet, filmmaker and BBC Words First artist has won Manchester Young Creative of the Year and been commissioned by Selfridges, the BBC and the University of Cambridge. In addition to performing in  Manchester’s most iconic venues, including Blues Kitchen, Soup and Band on the Wall. She’s definitely one to watch.

Honestly, I’m inspired by her after just one hit on Be Like You. Eat your heart out John Cooper Clarke.

Be Like You will officially release on February 17th. Hear it on SoundCloud.

Review by Amelia Vandergast

Leave your inhibitions at the door for Loren’s latest EDM anthem, The Feeling ft. Jessi McDonald

The up-and-coming artist Loren’s sophomore electro-pop hit, The Feeling, featuring Jessi McDonald, is making light work of catching up to the hype of their 2022 debut single, I Want All Your Love.

Uninhibited affectionate ecstasy surges through the sensuously demure deep house instrumentals that effortlessly coalesce with the honeyed vocal lines that are tinged with tropic tranquillity.

If any new independent EDM hit can make you lose your head and heart on the dancefloor, it is The Feeling, with its addictively liberating rhythms and lyrics which prove that giving yourself completely is the only way to truly feel free. The infectiously euphoric backbeats are the only upper you will need to leave you riding on a high.

The Feeling officially released on February 3rd; check it out on SoundCloud and Spotify.

Review by Amelia Vandergast

Oxfordshire sound designer Mosa has unveiled his poetically postmodernist score, helicopter

https://soundcloud.com/soundofmosa/helicopter/s-SzrHmsEv6VP?si=900e2a959dbd4e68829de9048b7cfe3f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Game composer by day and sound designer by night, the Oxfordshire-based artist Mosa evidently has a talent for creating immersive worlds. If anyone can exhibit the intrinsic beauty in melancholy, it is Mosa; his latest single, helicopter, is the ultimate testament to his ability to build poetry and a bitter-sweet neo-classic electronica score from scorned emotion.

Juxtaposingly creating an even balance between etherealism and visceralism, helicopter is an achingly artful aural memoir of ennui. The postmodernist reflective piece enmeshes you within the lyrical and vocal vulnerability, while the intricately weaved cinematic layers conceptually depict curtains closing. It is the ultimate consolation for outliers through the sonic resonance and affirmation that whatever you’re sinking into has sunk many of the beautiful minds that came before you.

Helicopter will land on February 3rd. Get onboard via SoundCloud.

Review by Amelia Vandergast