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Il Nemico Dentro by Francesca Pichierri – A Cinematic Soul Serenade That Burns Through Avant-Garde Flame

In her standout single, Il Nemico Dentro, the alchemist of soulfully avant-garde alt-pop Francesca Pichierri fused Mediterranean warmth with avant-garde pop inclinations, creating a tonally spiritual multi-sensory experience that is as cinematic as it is visceral.

Born under the sun of Apulia, the singer-songwriter has unflinchingly dedicated herself to honing her talents as a sonic vignette painter, culminating in the masterful strokes in Il Nemico Dentro. The quiescent reverberance emanating from the first notes is enough to serenade your senses to stand to attention; the hairs on the back of your neck will prick up in synergy with your ears as Francesca Pichierri seraphically commands complete emotional immersion, and the filmic undertones tug at your emotions in waves.

As the score unravels, you’re seduced by the provocative originality, derived from the fusion of indie, blues, and jazz. Just when you think you’ve found your rhythm with the release, avant-garde samples cut through, pulling you deeper into the evocative chaos.

The catharsis hits hard, only to give way to an electrifying crescendo that pulses with the raw emotionality Francesca is known for. The song blazes its own trail, driven by the weight of Francesca’s lived experiences and her poetic knack for transforming personal grief into universal art.

Francesca is so much more than alt-pop royalty – in her niche, she stands as a goddess, creating borderlands between celestiality and material reality.

Stream Il Nemico Dentro on all major platforms, including SoundCloud from October 25.

Review by Amelia Vandergast

Resonant Quietus: BLVCK GARDEN expresses the inexpressible in his emo rap hit, ‘MY SILENCE’

BLVCK GARDEN’s single ‘MY SILENCE’ is an intricate exploration of how silence is the loudest scream. BLVCK GARDEN is just one of the guises of Carlos Fabre, an artist with roots deeply entrenched in electronic music and hip-hop. As BLVCK GARDEN, Fabre channels his versatility into an emo rap project that resonates with an irrefutable intensity.

The track initiates with a robust thrum of harsh, reverberant bass—a foreboding echo that sets the stage before the beat escalates beneath sharp-with-candour bars delivering the pinnacle of vulnerability.

Fabre constructed a soundscape where spatial effects and the dynamics of the instrumentation speak volumes. Each verse is delivered with a raw, freestyle energy yet carries the weight of a seasoned poet’s ink, unveiling a spectrum of emotions that connect through stark honesty.

Emerging from his diverse musical background—having honed his skills in production and instrumentation remotely via RRFC—Fabre’s latest endeavour in emo rap hints at a promising new direction. With aspirations to sign with a label and further his reach, ‘MY SILENCE’ is a sign of massive things to come from the emo rap luminary.

MY SILENCE hit the airwaves on October 6th; stream the track on SoundCloud now.

Review by Amelia Vandergast

MINERVA SYSTEM synthesised an installation of stylistic sublimity with their alt-rock/trip-hop hybrid, Undermind

MINERVA SYSTEM is a fractured yet symbiotically tight collective, threading their diverse life strands into the dense fabric of their latest single, ‘Undermind’. With members scattered from London to Devon, from St. Petersburg to the indeterminate coordinates of their drummer, the online outfit crafts sonic installations that are as expansive as their geographical spread.

‘Undermind’ is a descent into the ethereal, echoing the otherworldly aura of Bjork with an execution that plays havoc with rhythmic pulses. MINERVA SYSTEM manipulates time signatures with trip-hop precision while maintaining a mellifluous melodicism that binds the chaos into coherence. Discernibly, few artists know how to create equilibriums of sonic serenity and visceral intensity as adeptly as MINERVA SYSTEM with their skill in soaking sounds with raw emotion.

As the track progresses, it metamorphoses; midway, it shifts gears into a 90s-alt-rock-tinged crescendo that wouldn’t be amiss in a Garbage tracklist. This crescendo is a stark, gritty counterpoint to the track’s smoother beginnings, illustrating the band’s versatile command over their sound palette.

If they continue to produce hits in the same vein as Undermind, their rise from the underground is inevitable. They’ve clearly mastered the dark art of sonic scintilaltion; watch this space.

Stream Undermind on SoundCloud now.

Review by Amelia Vandergast

litesleeper unveiled a pulsating prism of euphonic euphoria in their organic electronica release, Hertz

Hertz by litesleeper surpassed sound to become a sophisticated statement that carries the evolution of electronica on its pulsating back. The Northampton-based collective’s objective to arrest rhythmic pulses while simultaneously stirring the soul was efficaciously achieved through their amalgamation of organic instrumentation and powerful basslines.

Vocalist Shannon Kait honed the release with a razor-sharp indietronica edge; her soulfully ethereal and emotionally charged harmonies floating above intricately layered production ensured that Hertz had all the potential to become the definitive sound of the summer.

With a production that’s as lush as it is meticulously arranged, the transcendent quality of the seminal single strikes a perfect balance between bass-fuelled momentum and hypnotic serenity. The seraphically utopic hues are enough to liberate you from the mundanity of material reality.

Keen to orchestrate tracks that resonate with seasoned clubbers and casual electronica fans alike, the only thing that is more monumental than the cross-over appeal of the single is the synaesthesia which will ensnare you from the first tonally rich progression.

Hertz will be available to stream and download on all major platforms from July 26th; stream the single on SoundCloud first.

Review by Amelia Vandergast

Bitvert – Deletist: A Techno-Punk Invocation of Resistance

Bitvert’s latest release, Deletist, is an off-kilter slice of pulse-pounding experimental electronica, crafted in the heart of East London’s artist quarter—where creativity thrives despite economic and political adversity.

The encapsulation of the struggle against a dysfunctional government and parasitic leaders embodies the spirit of liberation and defiance; the punk ethos charges the sequence of nocturnal electro, born through an amalgamation of spectral electronica, 4/4 techno beats and kinetic sub-bass frequencies.

The single’s release coincided with the new government’s election, yet it remains timely all the same, given the sense of nihilism and despair that remains pervasive in the UK’s collective psyche. Deletist serves as a bass-drenched techno resistance, a sonic uprising against the subjugation that has eroded hope and fuelled a belief in our epoch’s irreversible regression.

With punk’s spirit relegated to the shadows of the music industry, Bitvert ensures its essence endures through his frenetic rhythms that testify to the times, call for unity and vindicate through volition.

Deletist was released on the 4th of July via We Are Not Content; stream the single on SoundCloud now.

Review by Amelia Vandergast

Locian became the architect of art-rock therapy with his sophomore single, Power

Artistic intensity is tempered by the dialectical quiescence in the stormily tender confluence of art-rock and trip-hop in the sophomore single, Power, from Sydney’s most promising breakthrough artist, Locian.

Aching reverberations course through the lush architecture of the syncopated progressions, providing the ultimate juxtaposition of discomfort and ease to pay a fitting tribute to the complex interplay of ennui and self-imposed affliction. Locian’s vocals, caressing with each whispered breath, provide the ultimate permission to surrender to the therapeutic virtues of this flawlessly poignant release.

By building into a corrosive industrial electronica sequence towards the outro, which becomes a sonic visualisation of the disorientating soul-tearing nature of self-destructive internal narratives, Locian ensured that Power hit with maximum impact.

If your introspection is more torturous than waterboarding, break free from the poisoned rumination through the resounding philosophy within Power; it’s far cheaper than therapy.

Power will be available to stream on all major platforms, including SoundCloud from May 10th.

Review by Amelia Vandergast

Shadowed Heights: Ikechi Onyenaka Unpacks the Solitude of Success in his Neo-Trap Single, ‘Eclipse’

Ikechi Onyenaka’s latest single, ‘Eclipse,’ delivers an avant-garde blend of saxophone-laden jazz and sharp trap rhythms, underpinned by the emotional richness of neo-soul. This intrinsically authentic release evolves with each soulful progression, compelling listeners to groove along with Onyenaka’s reflective journey. Through ‘Eclipse,’ he explores the seldom-discussed loneliness accompanying success, challenging the enviable facade often associated with prosperity.

In ‘Eclipse,’ Onyenaka’s artistic versatility shines as he oscillates between rap verses and neo-soul vocal spills, each dripping with unfiltered emotion. The heavy bass and ambient synths create a nostalgic backdrop reminiscent of 90’s neo-soul, while the alto saxophone commands attention, weaving through the composition with soul-stirring authority.

By portraying the stark reality of success through the upbeat, genre-melding soundscape of neo-trap, Onyenaka not only rips up the clichéd narrative of an effortless life at the top but also emphasises the fundamental human need for connection.

Eclipse hit the airwaves on May 3rd, stream the single here now.

Review by Amelia Vandergast

Drum n Bass entered into a new evocative era with Joy Doc’s All of Me

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Joy Doc’s latest single, ‘All of Me‘, is a compelling showcase of her multifaceted talent as a drum and bass producer, vocalist, songwriter, DJ, and pianist. Hailing from London, Joy Doc has been carving a niche in the UK’s electronica scene, and this track is an undeniable testament to her superlative prowess.

The track commences with an ornate orchestral introduction, setting an evocative stage for what’s to come. As Joy Doc’s vocals enter, “Oh Lorde,” will be the first thing on your mind due to the striking resemblance and depth in her voice. These vocals, layered over the sound of hammered piano keys, create a hauntingly beautiful atmosphere, where you can contemplate the self-sacrifice of giving someone your whole essence only to transform into a shell of who you were before you surrendered yourself completely and knelt at the feet of romantic mercy.  The lyrics poignantly explore the transformation of self when consumed by love, painting a vivid picture of becoming a secondary character in one’s own love story.

The production, handled by Joy Doc herself, is flawlessly and meticulously crafted, ensuring that the listener is drawn in and remains captivated until the outro and then some; the crescendos of drum & bass momentum are tensile, perfectly timed to elevate the track’s emotional intensity.

Mixed and mastered by Jose De Mara, ‘All of Me’ is a declaration of Joy Doc’s potential to dominate the electronica landscape. Her previous accolades, including her debut E.P ‘Sunshine‘ and the recognition of her track ‘Been Here Before‘, are just the beginning.

All of Me will hit the airwaves on April 19th; stream the single on SoundCloud.

Review by Amelia Vandergast

Synthetix – Ominous Data: Meet the Master of Electronica Futurology

Synthetix looked far beyond the binary with the cybernetically harbingering title single from his latest bass-heavy electro LP, Ominous Data. The San Francisco-residing breakbeat producer and live artist Shea Steinbacher founded Synthetix and started cutting his teeth in the rave and nightclub scene in 1999, the same year The Matrix hit the big screen, which may or may not be coincidental, but one thing is for sure, Synthetix has become a moniker synonymous with the futurology of electronica.

As dark, heavy, and brooding as Ominous Data may be, nothing about the polished mix feels oppressive. The reverberating glitchy waves wash over you, allowing your rhythmic pulses to ebb and flow with the syncopated momentum that speaks volumes of the producer’s experience and expertise which has lent itself to 13 LPs and EPs on labels including Anti-Matter Records and Black Magic Records.

Currently operating under his own independent label, ZerosAndOnes Records, the innovative originator is ensuring that if we do have a future to look forward to where our autonomy doesn’t atrophy, he’s going to hold dominion over the breakbeat scene with his kinetic rhythms and synths that carve through the atmosphere with the reverberations of a full-scale invasion.

Ominous Data was inputted into the airwaves on April 5th; stream the track on SoundCloud.

Review by Amelia Vandergast

One Tree – Beaming Up: A Cosmic Sojourn Through Time and Sound

One Tree’s latest single, “Beaming Up,” invites listeners on a cosmic journey that intertwines the mindfulness of the present moment with the futuristic exploration of the cosmos and a nod to the nostalgia of the happy hardcore era. Hailing from Lakewood, CO, One Tree delivered an interstellar production that transcends mere magnitude, forming a constellation of sound that captivates with each progressive sonic orbit.

In this hypersonic mix, One Tree deftly incorporates intuitively electrifying effects, creating a sonic landscape that resonates with both the exhilaration of the present and the boundless possibilities of the future. The track’s outro leaves listeners with a palpable sense of rejuvenation and a renewed zest for life, a testament to its ability to connect on a profound level.

In essence, “Beaming Up” is an invitation to embrace the now, to let go of the constraints of time and to immerse oneself in the pulsating rhythms of the present. With its fusion of cosmic themes and infectious energy, this single serves as a reminder that the only moment that truly matters is the one we’re living in.

Beaming Up was officially released on March 18; stream the single on SoundCloud.

Review by Amelia Vandergast