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Soul

Shegogg & Mariah Jae blossomed in their serene odyssey of lush RnB, ‘Garden II’

Shegogg’s latest lush with serene soul single, ‘Flower II’, created in collaboration with Mariah Jae, is a revisitation of the 00s RnB era via an unchartered path paved with striking authenticity.

The track’s unique ability to rekindle the genre’s former glory is amplified through the vibrant infusion of contemporary RnB elements while Mariah Jae adds a profound dimension with her ethereal and diaphanously sweet vocals, creating hypnotic harmonies that drift above the solid, trap-infused beats.

At 33, Shegogg, originally from Little Rock, Arkansas and now based in Atlanta, Georgia, stands as a cultivated originator. His style—a skilful meld of RnB and Pop-Funk—brings to mind the smoothness of artists like Justin Timberlake and Usher, yet, rather than letting influence overshadow his sense-awakening sonic signature, he plays to his strengths by blending soulful rhythms and melodies with a warmth that resonates deeply, evoking feelings of comfort and connection.

Unlike his deadest on mimicking RnB icons contemporaries, Shegogg innovative spirit turns everything he touches to sonic gold, and Flower II was far from the exception. The release harnesses the power of metaphoric parables to encourage listeners to nurture their relationships as his and Mariah Jae’s synergy becomes undeniable. Their vocal interplay weaves through the hazy Latin guitar-flavoured backdrop and the intermittently dominant trap beats, efficaciously capturing the bliss of being locked in love.

Garden II was officially released on June 19th; stream the single on Spotify.

Review by Amelia Vandergast

Samana Rising is radiantly irreplicable in their summer soul-rock anthem, Sunshine

Samana Rising’s summer soul-rock anthem, Sunshine, is a radiant declaration of musical vitality and versatility. This first release since their debut album in 2020 confirms that the Norwegian band hasn’t just been biding time. Between life’s milestones and global upheavals, they’ve refined a sound that shines and erupts with irreplicable radiance.

Recorded at ArtBeat Studio in Bryne, with the adept Bjørn Erik Sørensen at the production helm, Sunshine marries an instantly memorable guitar intro with a reggae-inspired rhythm that’s irresistibly danceable. This track is engineered to lift spirits and coax listeners from the mundane to the magical. Mastered with precision in Nashville by Alex McCollough, every note is crafted to perfection, capturing the essence of pop rock while promising more than typical chart-toppers.

Hanne Sivertsen’s vocals could light up any room, soul or playlist; the immense power in the delivery, paired with the charismatically magnetic proclivity, ensures that this latest sonic triumph resounds with maximum euphoric impact.

Lyrically, Sunshine presents an opportunity to celebrate the people who light up your world as much as solar rays; wherever you play it, you won’t be able to resist its demand to be played LOUD.

Sunshine was officially released on June 21; stream the single on Spotify now.

Review by Amelia Vandergast

Jazz Meets Dreamy RnB in No False Ego’s Irridescent Debut, We are the Soul

No False Ego came to iridescent light with their sublime-on-the-senses debut single, We are the Soul. The devilishly clever arcane reprise of “here we are” is the epitome of a statement of intent from the LA-based unreckonable outfit who, true to their name, riff, harmonise, and groove straight from the heart.

The track is an intoxicating blend of free-form jazz expressionism and dreamy RnB vocals, creating a sublime contrast that is as unpredictable as it is cathartically consuming. The time signatures pulse with an unpredictable fervour, giving the track a lively, spontaneous feel while the hazy-with-soul RnB vocals and loungey keys act as a pure, diaphonic anchor, grounding the listener in the midst of intuitively impromptu drum fills, warm yet wild sax lines, and chameleonic guitars which switch from chopping funk through the progressions to injecting nuances of indie blues rock.

No False Ego’s ability to weave together these diverse elements with superlative ease showcases their impressive musicianship and commitment to authenticity. Each component contributes to a cohesively rich soundscape which triumphs on a technical level while connecting with the listener emotionally.

Now they’ve made their introduction on the airwaves, it is time for No False Ego to hold soulful dominion over them; we can’t wait to watch their ascent.

We are the Soul is now available to stream on Spotify.

Review by Amelia Vandergast

King Brian versed the gospel of manifestation in his latest alt-RnB single, Gotta Make It

Gotta Make It by King Brian

King Brian (AKA Brian Christopher Brown) is a master of all creative trades, and jack of none; the Michigan-born, Nashville-based singer-songwriter, dancer, author, filmmaker and producer honed his talents at a young age, and at this stage of the game, he is nobodies’ pawn.

His latest single, Gotta Make It, is an extension of his impassioned aspiration to become a catalyst for positive transformation worldwide; also noted through his series of books which explore how to unlock enlightenment, fulfilment and self-actualisation. By fusing the soul of RnB and the conviction of rap verses within a melodically tight, and transcendentally iridescent all-consuming pop-hooked production, Gotta Make It is an unflinching statement of intent from an artist determined to bring his rapidly expanding audience to gaze through his illuminated and empowered world view.

Gotta Make It surpasses the tired hustler hip-hop tropes by delivering the gospel of manifestation to anyone ready to take control of their lives, instead of blindly wishing for kismet or karma to pay them their dues.

Gotta Make It is exclusively available on Bandcamp until the single reaches all major streaming platforms on July 7th. Find your preferred way to listen here.

Review by Amelia Vandergast

Interview with Keilene: Unveiling the Multitalented Artist Behind ‘Lips’

Keilene’s artistic journey is nothing short of extraordinary. From her roots in Rio Piedras, Puerto Rico, to her current status as a rising star, Keilene has continually pushed the envelope in music, dance, modelling, and acting. Her latest single ‘Lips’ is a culmination of her unique blend of cultural influences and creative passion. In this exclusive interview, she bares her inspirations, and exposes what ignites her unflinching passion for the arts. Prepare to explore the mind of a true creative powerhouse and discover what makes Keilene a force to be reckoned with in the industry.

Welcome to A&R Factory, Keilene! We are thrilled to have such a multifaceted and dynamic artist join us. With your latest single Lips freshly released, we can’t wait to dive into your creative universe.  First off, can you tell us about your early life in Rio Piedras, Puerto Rico, and how it has influenced your artistic journey?

Wow, where do I start?! Well, I was born at San Juan Municipal Hospital Rio Piedras, Puerto Rico. My mom is Taino-Puerto Rican and my biological father Afro-Puerto Rican, but my dad who raised me is Jamaican. I moved to Coral Springs, Florida when I was quite young, however, my culture is invariably embedded in me through family, food, and of course, music. Music has always been at the forefront of every moment in my life, whether it be on family holidays with us dancing bachata in the living room, or turning up the volume to Alicia Keys while we clean house on a Sunday morning. At every turn, I am fascinated by how music can put color in the air.

You’ve built a diverse career spanning music, dance, modelling, and acting. What motivated you to explore so many different creative fields?

To others, it might seem overwhelming, but I see them all having the same common denominator, creating through expression. My motivation stems from my experiences of anxiety and depression during my adolescence, but throughout the years, I’ve learned to transmute those heavy emotions into divine inspiration as a result of the arts. Creating became a space for devotion.

Which of your creative endeavours do you find the most gratifying, and why?

That’s an easy answer. It’d have to be singing. I find myself reaching into the deepest depths of my soul and giving my all when my voice fills the room. It’s such a powerful feeling.

What was the inspiration behind your new single, Lips, and what message do you hope it conveys to your listeners?

I love this question! At my core, I am sentimental. I become enchanted by tender emotions in matters of love. I wanted to write an ode for that special someone in their life and embrace what it means to feel that, given the soft jazz tones. This song I hold dearly to my heart.

Working with notable artists like Beth Cohen must be an incredible experience. How has her mentorship influenced your music career?

Great question! First off, Beth is a phenomenal coach! Her teachings have brought confidence and vigor to my vocals like no other. She is a distinct means that has honed my instrument as well as the guide for me to navigate the music industry.

You recently landed a role in the horror/thriller, Bloodline Killer; how does acting compare to your experiences in music and dance? 

Being part of a great crew on set for Bloodline Killer allowed me the insight to see variations of me in the world of acting. It was such a fun experience diving into an all-ears and tenacious character like “Sergeant Keily”. Though acting is new territory for me, the opportunity to convey through diverse outlets has expanded the possibilities within my career.

What drives you to continually push the boundaries in your artistic career?

Interesting question! I’ve come to realize I’m not the same me I was five years ago, or three months ago. Sure, my values and soul are the drivers of this vehicle, but I continue to amaze myself with how I unravel greater versions of who I am meant to be. That will be the fuel to my success.

How do you want to make your mark on the music industry, and what legacy do you hope to leave behind?

This is beautiful. I’ve thought about this a lot. I aim to empower women to spark a flame within their spirits and realize the power they hold. Any opposition you face is a step towards your greatest achievements!

Stream Lips on Spotify now.

Discover more about Keilene via her official website.

Interview by Amelia Vandergast

Remilekun delivered another divine experience with the live recording of ‘Miracles, Signs and Wonders’

Remilekun’s live performance of her latest single, Miracles, Signs and Wonders, is nothing short of a transcendent experience; the studio recordings of her performances are impressive, but the live renditions elevate her music to a whole other sanctifying level.

Joined by a band whose talent knows no restraint that infuses 80s pop rock aesthetics into gospel, and supported by the uplifting Sound of Gospel Choir, the single reaches the epitome of an inspiring release. If you were waiting for a divine intervention, here it is.

Unlike your ordinary sonic deliverances of euphoria, Miracles, Signs and Wonders stand out by grounding its feel-good essence in its lyrics. Listen once, and you’ll find yourself basking in the power of gratitude and opening your mind to the possibility of miracles awaiting you. The pure, unbridled soul within the release serves as a reminder that embracing a rose-tinted view of the world can lead to personal reality blossoming.

Recorded live in the Netherlands, this single leaves you with soulful beats that evoke joy, hope, and love. The performance’s authenticity and arcanely unfiltered energy resonate profoundly, enabling listeners to forge a genuine connection to the music. Remilekun’s celestial timbres, cradled effortlessly by the choir, make this live version a must-listen for gospel fans or anyone who simply needs a reminder that the world is an illusion filtered through perception.

Watch the official music video for Miracles, Signs and Wonders, which was recorded live in the Netherlands on YouTube.

Review by Amelia Vandergast

Kelsey Blackstone is a stylistically expansive sensation in her latest single, Willow

Kelsey Blackstone’s latest stylistically expansive single, Willow, proves there is no definitive sound of the summer. Away from the plastic pop fray, Blackstone submerged the sonic palette of this imagination-sparking release into the ephemeral bliss of the sun-soaked season which quickly passes, long before the memories we cling to, and keep ourselves warm with in the colder months

With a jazzy pop chorus, filled with smooth horn stabs and mellifluous grooves, and an electro-folk middle eight nestled into the synthesis of pop, rock, soul, and award-winning songwriting that puts Kelsey Blackstone up there with the greats, Willow brims with incomparable quintessence.

It’s impossible not to get swept up in the dreamy reverie of her transcendent vocal lines as they bring swathes of colour and soul to the lyrics which yearn for consistency in an ever-changing world and nestle into the single that delivers a quintessentially old-school live sound.

Whenever you feel the need to touch grass, tune into this single instead; your connection to nature will be far greater. Better yet, never miss a chance to witness the Boston-born artist’s live performances; whether she’s playing solo or with her six-piece band, she’s renowned for raising the roof and allowing her audience to taste tonal utopia.

Willow was officially released on June 14; stream the single on Spotify now.

Review by Amelia Vandergast

Todd Hearon echoed arcane serenity through his folk-pop-meets-alt-country-reverie, Looking Glass

The warmth of 70s folk-pop radiates through the arcane aura of Todd Hearon’s latest alt-country serenade, Looking Glass, taken from his eagerly-anticipated forthcoming album, IMPOSSIBLE MAN. The rendered with holistic resolve release almost seems out of place in the modern era of music; rarely do new singles so organically pure in their sense-awakening and placating catharsis surface, making Hearon a diamond in the digitised rough.

Very few artists can match the rugged-with-emotion soul-exhilarating appeal of Cat Stevens, but the way the melodies in Looking Glass ascend until they touch nirvana gave the Texas-born, North Carolina-raised and New Hampshire-based singer-songwriter almost exclusive access to that affectingly sincere pantheon.

The lush-with-reverie production, with trippy psychedelic aesthetics in all the right places, pairs shimmering organs with evocative piano pop rock progressions, vintage-hued guitar chords and a vocal register so euphonic you can’t help but melt into it.

With the imminence of his third LP, IMPOSSIBLE MAN, due for release in August, you won’t want to tear your attention away from Todd Hearon for too long. Get a taste of what is to come by streaming Looking Glass on Spotify now.

Review by Amelia Vandergast

Interview with ARCTISKY: Exploring Love, Sound Evolution, and Musical Heritage

This week, ARCTISKY sat down with A&R Factory to discuss his latest single, “Unreal Love,” a narrative about the complexity of chemical romance and the importance of self-awareness in relationships. In this interview, ARCTISKY delves into his creative process, the instrumental choices that evoke euphoria, and the evolution of his music since his debut. He also shares insights into his journey from the Maldives to Melbourne, the influences behind his genre-fluid sound, and his ultimate artistic goals.

ARCTISKY, welcome to A&R Factory! Thanks for sitting down with us to discuss your latest single, Unreal Love. What does the single, which narrates a tale of chemical romance, mean to you personally?

Thank you for having me! ‘Unreal Love’ happens to be a confusing tale about an intense romance being ignited while two people find love in a super-charged ‘situationship’. The message is like, “Make sure you both know there could be other factors driving the whole interaction.” It’s about being aware of yourself and taking time away from other influences before wasting anyone’s time.

How did you manage to capture the euphoria of love in the instrumentals and production? 

This track is one of those tracks that stayed in the cocoon stage until I was ready skill-wise to bring it up to speed. Ever since my last release, I really took the time to come up with a sound that truly captures all of my core musical influences. With this one, I believe the live upright piano sounds did the final bit of work in bringing this song to the finish line. Initially, I had a very thin-sounding piano sound, which was fine when I was just writing other instrumentation around it, but it still didn’t give that fuller feel I was looking for. So, later on, I decided to record an upright piano with a pair of AKG c414s, with the help of a couple of my peers. That was the final ingredient to this sound I’d say.

I had written the synth parts years ago, in the early stages of the song, so those spacey-arpeggiator sounds at the back were another factor in capturing that euphoric feeling. I tried to stay true to the sounds that evoked euphoria in me as well. It’s still got that core element of rock & roll, but then those influences from other areas weave through. So this song evolved through quite a few stages to achieve the sounds I was after. I’d say it also had a lot to do with being surrounded by the right people who helped nurture my craft.

How do you want your fans to feel when they hear the single and what do you want them to take away from the lyrics? 

Well, the song is kind of like an unspoken conversation between you and that person you found some sort of crazy love with in the heat of a moment. It doesn’t have to be anyone specific either. It’s just one of those tracks that will help people come to terms with the fact that it’s better to let go by connecting to a song, rather than trying to reach out to an old flame. Never a good idea!

It’s been a while since you made your debut with Losing My Control in 2022; how has the break influenced your music? 

I think I realised I had a bit of work to do to bring my writing to something I was happy with. So, for me, it was more about going back to the sounds that felt most natural to me. That’s actually the main reason why I named this album ‘Roots Vol. 1’ – due to it paying homage to my musical heritage, being the classic rock & roll I grew up with. Unreal Love is the first track from this album and showcases this new sound I’ve been working with the best.

All the songs that will be on this album are what I call “journal songs” – they’re songs that hold more to the lyrical content, and have something listeners can take away and project onto their own experiences. It’s nothing more than a bit of art you may or may not be able to relate to. This stuff is written for the introverted side of people. I know I’ve heard those songs, where I listened to it and the music just helped me come to terms with things I had no idea was bugging me in the first place. Music does such a good job of healing people. I wanted to write some music that could help my audience shed light on some of the things they may be dealing with.

This new sound, with the foundation of rock & roll and the blend of fresh sub-genres, is what I got out of my creative break. This project just feels very fun for me! I’m not taking myself too seriously I’d say. I put a lot of trust into giving this another go, knowing I’m writing and releasing music that I loved writing and enjoy listening to.

You gained a fair amount of notoriety in the Maldives, has establishing yourself in Melbourne been a daunting experience?

I’ve been very lucky to learn and work with some extremely cool people since moving to Melbourne in 2019. I got here and realised I had neglected a lot of important theory, growing up as a drummer, so I had a lot to catch up on. I wanted to make sure I understood music to a certain level before trying to enter the live scene here. I’ve certainly had a bit of work to do to polish my craft before starting live gigs. Melbourne’s already got such a vibrant live music scene, so I want to make sure that what I’m bringing to the table here is going to be something a bit different and adds value. I needed to know that if I were to do live gigs, there were no loose ends in the songs. I want my live performances to bring a high level of energy to the venues here, and I needed time to develop my live-act. Live gigs are something I’ve really had to physically and mentally prepare myself for.

How did your genre-fluid sonic signature come about? 

I grew up with brothers who loved rock music, so it was playing around the house most of the time as a kid. I always heard a lot of Bob Dylan, Santana, Bon Jovi, Bob Marley and all that. Then I discovered Pink Floyd around the age of 18. They have the kind of music that helps you open doors in the back of your mind. Around the time I started this project, I was listening to a lot of Bob Dylan and the ‘Exodus’ record by Bob Marley & the Wailers. They inspired me to get my own messages of love, peace and freedom out with my music – to the individual and to societies. Especially ever since the wars have become a lot more frequent on the news, I wanted to get my message out with these songs. It turned out that when I was writing these “journal songs”, I always wrote music that I felt reflected love, peace and togetherness – “Lead with love and respect,” being the core message. It’s come with trying to strike that chord which resonates with our innate instinct to come together, and to work together and learn from each other.

What is your ultimate goal as an artist? 

My ultimate goal as an artist is to bring my work and artistry to a stage where I can start collaborating with more artists, and to just keep writing and recording music I’m proud of. I want to have songs that my audience can listen to and connect deeply to. I feel like a lot of what I’m hoping to get out of this ‘Roots Vol. 1’ record is to find a true audience that I can take on a new musical journey away from my current sonic blend. Music is such a subjective experience just like any art form. I feel like creating the best art you can do with your abilities and putting it out there is necessary if you have a message that’s greater than what you want to achieve sound-wise. I feel like I’ve been fiddling around with this sound for a while now, but I’m happy knowing this blend was authentic to who I was throughout the writing and recording process. My goal is to story-tell and share some of my crazy experiences with my listeners so that they too can feel and experience those moments. I feel like all my music will have that unique element of ‘me’ in it.

My message is to stay true to yourself no matter what kind of inner demons you may be battling. If you’re still in the thick of that period of your life, I hope some of these tracks I’m putting out can lend a hand.

Listen to Unreal Love now on SoundCloud; find more ways to connect with ARCTISKY via his official website.

Interview by Amelia Vandergast

Allen Green’s ‘P’s Up’ Is A Soulful Synthwave Journey Through Hip-Hop Nostalgia

Curating only the smoothest samples for his aural doorways into the exultation of hip-hop nostalgia, Allen Green’s harmony-driven approach to sample-based production has proven irresistible throughout his career which kicked off in 2023 with the mixtape 808 Soul, Vol. 1.

His latest lush with soul release, P’s Up, is an invitation to lose yourself in the tonal transcendence of his ingenuity. It’s a neon-lit euphoric hybrid of synthwave, soul, and hip-hop that temporally drifts through eras and styles, evoking sentimentality for each epoch while standing as a testament to Green’s ability to modernise retro rhythms while staying true to his LA roots.

With everyone from the Alchemist to DJ Jazzy Jeff to Barry White influencing his sonic signature which scribes through hazy synth hues and solid backbeats, you’d be more than hard-pressed to find an artist and producer more resolute in staying true to orchestrating originated syntheses that first and foremost strikes a chord within him and inevitably resonate with his ever-growing fanbase.

P’s Up was officially released on May 16; stream the single on Spotify.

Review by Amelia Vandergast