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Through the Wire: The Poetic Resonance of Mike Maurice’s ‘Telephone’

Mike Maurice’s latest single, ‘Telephone‘ intercepted the static of formulaic melodies by belying the minimalist instrumentalism with the profound euphony in the production. Nestled within the contours of indie folk and brushed with Americana hues, telephone orchestrates an ambient symphony where the instrumentals speak as profoundly as the lyrics.

Maurice’s skill in merging soul-stirring acoustic layers with his poignant narrative stitches together a sonic space where the deeply, almost shamefully, personal transmutes into the universally relatable.

telephone intertwines the melancholy of isolation with a lyrical richness that peaks with the confession, “I want the truth so bad I’d even lie.” This line alone encapsulates the dual nature of truth and deception, weaving them into the fabric of the affecting release, which was born through a collaboration between Mike Maurice and Danny Black of Good Old War and a pedal steel player from Gregory Alan Isakov’s ensemble.

From the rustic town of Biddeford, Maine, Mike Maurice has made a name for himself, coming out of the shadows of the John Mayer and Bon Iver comparisons. Maurice, alongside his seven-piece ensemble, continues to foster a sense of community at each performance, their collective sound reverberating through venues renowned and intimate alike.

Telephone will be available to stream on all major platforms, including YouTube, from October 11th.

Review by Amelia Vandergast

Red Lips and Chanel Armour: Ches Barrow’s “Parisian Chic” Unveils the Femme Fatale Mystique

Ches Barrow

More Parisian than wearing a red lip and Chanel No. 5, Ches Barrow’s latest single, Parisian Chic, reaches the pinnacle of suave sophistication. With lively piano melodies bubbling beneath Barrow’s demure harmonies, the cabaret pop hit encapsulates a femme fatale’s power and mystique with a striking style befitting the track title.

This single, which sees Barrow return with the Schimmel piano she has composed on since she was 8, exhibits her as an artist who is as style-conscious in fashion as she is in music. Known for her success in the fashion world, collaborating with the likes of Dior and Manolo Blahnik, Barrow fuses her aesthetic with her sonic identity; the results are nothing short of alchemic.

The melody, which remains poised before descending into chaotic beauty in the second verse, mirrors the emotional depth of her lyrics – where glamour masks a world of internal turmoil. Much like her previous hit, Wild, this single is a reflection of Barrow’s talent for capturing complex emotions and translating them into art that scratches far beyond the surface.

With her love of dark, introspective themes clashing against a backdrop of superficial perfection, Parisian Chic sees Barrow at her most raw and empowered. If any single can elevate her status in the alt-pop world, it’s this.

Parisian Chic was officially released on October 9th; stream the single on all major platforms, including SoundCloud.

Review by Amelia Vandergast

A Crystalline Cathedral of Sound: The Sleepless Elite’s ‘Glass’ Reimagines Heartbreak

From humble beginnings in Boston to renown as indie pop royalty, The Sleepless Elite has carved out a niche where sincerity and ethereal soundscapes coexist in haunting harmony.

Listening to the arcane harmonies in their latest single, Glass, glide against the intricately evocative melodies, it is easy to understand their rapid ascent. The euphonically crystalline production wraps an arcane aura around powerhouse vocal lines, which bleed unadulterated emotion into a release that deftly weaves together the most affecting elements of Fleetwood Mac, Kate Bush, London Grammar, and Enya.

It’s a phenomenal score that will linger long after the final artfully poised note and practically a spiritual awakening in sound form. Forget art pop; this is haute couture heartbreak.

The project originated when Carolina Kehoe met Baylor Carter at Berklee and found its feet when, via a Craigslist ad, the duo ended up living with Ben Deily of the Lemonheads, which set their creative spark alight. Encouraged to pursue their own style, Carolina and Baylor honed their unique sound, inspired by Paramore, Blondie, and Sia, and drawing from their collective love of Blink-182, The Strokes, and No Doubt.

With Carolina’s theatrical roots and Baylor’s indie-punk edge, they created a distinct sonic palette, first heard under the name Carolina’s War. Now, as The Sleepless Elite, they’ve found their stride, producing two albums and opening for Thunderpussy. Glass epitomises their evolution, offering an otherworldly catharsis that showcases their innovative, emotional storytelling. For fans of alternative music, this is a siren song worth answering.

Check out the official music video for Glass, which has already racked up 15k streams, on YouTube.

Review by Amelia Vandergast

Henry Bitzer’s ‘25th Hour’ Radiates Rapturous Soul and Swagger

Henry Bitzer’s standout single, 25th Hour, from his debut LP Skydive, delivers some of the swankiest sounds of 2024. The track is a testament to the solo artist’s knack for nostalgically leaning songwriting chops, which remain sharp even when held up against his musical heroes.

Any attempt to resist the euphoric energy of 25th Hour is futile; the rapturous euphony he coaxes from the keys showcases his comfort and charisma in crafting soulful soundscapes that simultaneously nod to the past and stride confidently into the future.

Blending blues, 70s pop rock, and a smattering of jazz, Bitzer conjures a unique sonic synthesis that defies easy categorisation. The seamless fusion of styles creates a distinctive sound that harks back to the golden era of rock without feeling stuck in the past. His ability to weave eclectic influences into a seamless tour de rapturous force ensures that his legacy is already carving itself a place in the annals of contemporary alternative music. It’s only a matter of time before major labels are vying for his signature.

At just 19, the Minnesota native has been compared to the likes of Elton John and Billy Joel for his magnetic stage presence and infectious melodies. Now a second-year student at Belmont University in Nashville, Bitzer has spent the last four years performing live across the U.S., honing his craft and building a loyal following.

Stream Henry Bitzer’s debut LP, Skydive, on Spotify now.

Review by Amelia Vandergast

PASHA is en-route to RnB royalty with her latest single, Paper Route

‘Paper Route’ by PASHA reaches the epitome of RnB sublimity, marking her as a distinct force in the genre. Far from being a mere fusionist, PASHA is an alchemist of sensual soul, using hypnotic house beats as the conduit for her seraphic sonic sensuality.

The smooth production of the track is as timeless as it is tantalising, with its syncopated trip-hop-esque beats blending seamlessly with evocative piano keys, creating one of the most comforting and mesmerising dynamics in contemporary RnB.

As her vocals transcend traditional harmonics, they venture into a plateau of soulfully arcane reverie, showcasing an ethereal and evocatively resonant vocal range. It’s this rare combination of elements that positions PASHA as a potential new icon in the music industry. If there’s any artist powerful enough to rival the originality of The Weeknd, it’s her.

PASHA’s journey began in Queens, though her sound is a testament to her upbringing between East Atlanta and Haiti. Her musical roots were nurtured by the diverse artistic influences around her, leading her to pick up the classical guitar at just ten years old. Since her debut in January 2024, she has ensnared audiences with a string of bittersweet singles that explore the nuances of young womanhood, love, and self-reflection.

Paper Route was officially released on September 27; stream the single on YouTube and Spotify now.

Review by Amelia Vandergast

Karyn Ann became a conduit of justice in her soul-swathed, vintage-hued hit, Big Money, Deep Pockets

Karyn Ann’s latest single, Big Money, Deep Pockets, charts a new path in protest music, one that is paved with honeyed harmonic soul. In an era screaming for transformation, the Portland-based singer-songwriter found herself at the frontline of the resistance against exploitation.

Known for her distinctive cocktail of soulful Americana and perception-shifting lyricism, Karyn Ann set the bar high with her former releases but by channelling the spirit of vintage grooves into Big Money, Deep Pockets, she delivered the revolution we never knew we needed. Ann’s voice, rich with Patty Griffin’s earthiness and the haunting elegance reminiscent of Amy Winehouse, cut through the noise of today’s tumultuous climate.

Since her debut, she has become a notable figure in the Pacific Northwest, gracing stages at prominent venues like McMenamins Crystal Ballroom and festivals from the Rocky Mountain Folks Festival to Portland’s own annual Folk Festival.

In her own words, Ann describes that Big Money, Deep Pockets is as much a modern-day anthem as it is a scathing critique of our times, addressing the pressing issues of climate change, social inequality, and a cry for justice. Transcending the echoes of the frustrations of a polarised society; it seeks to be a catalyst for change.

In a world of fleeting trends and ephemeral interests, Karyn Ann is a timeless icon in the rough.

Big Money, Deep Pockets was officially released on September 9th and is now available to stream on Spotify.

Review by Amelia Vandergast

Kimi Nickerson – Boundaries: The Ultimate Dark-Pop Anthem for Self-Reclamation

Kimi Nickerson

For anyone who has felt the desperation to shed the facades worn to appease others and unapologetically don their own unfeigned guise, Kimi Nickerson’s latest alt-pop tour de force is the ultimate anthem for self-reclamation.

Boundaries is an artfully moody electronic pop ballad that quickly breaks away from convention with its dark reverberant synth-driven melodies and bass-punched syncopated beats. As Nickerson layers her vocals to create a one-woman choir, the track takes on an arcane atmosphere that is guaranteed to spill from the soundwaves into your soul.

The production paints a scene of gritty defiance with its cinematic instrumentation and delicate high-end frequencies that purposefully carry the vocal narration. It is a haunting exploration of reclaiming personal power, and if you’ve ever shrunk into yourself to please someone else, Boundaries will scratch far beyond the surface.

Drawing inspiration from NF, Jon Bellion, and BANKS, Kimi fused electronic synths with modern trap and drill drums to create a genre-defying synthesis to platform her raw, thought-provoking lyrics and memorable alternative melodies.

The track is a paradoxical cocktail of soulful spirituality and dark, domineering aesthetics. It’s a juxtaposition that not only underscores the thematic power of the track but also elevates it as a defining moment in Nickerson’s discography.

Boundaries will be available to stream on all major platforms, including Spotify, from September 26th.

Review by Amelia Vandergast

Confront the introspective abyss with Locian’s kinetic darkwave art-rock release, Shadow on the Wall

Dance with the darkness within to the tempo of Locian’s most affectingly kinetic electronic art-rock release yet, Shadow on the Wall. The rhythmically augmented earworm from Australia’s most introspective solo artist is so much more than just a sonic drop into the oversaturated airwaves. It intensifies the anticipation for Locian’s forthcoming LP, Fears, Reflections & Shades of Time, as the solo artist continues to define his distinctive electronic rock style, weaving his signature synthesis into the rhythmically charged compositions of philosophical reckoning.

Emotionally charged revelations about facing the hidden aspects of one’s identity diaphanously drift through the installation of dark etherealism as the track’s pulsating synths and sharply defined guitar lines inject a vibrant, high-energy feel into the release which offers a scintillating study in contrasts. It juxtaposes the vulnerability inherent in introspection with the robust instrumental forces that symbolise the tumultuous battle against inner demons.

Originally envisioned as two separate pieces, Shadow on the Wall evolved into a unified narrative that advocates the importance of acknowledging and embracing one’s darker sides. After winning audiences across Sydney and Melbourne over with the single, the core message is set to enlighten the darkwave domain while setting a high bar for cerebral lyricism.

Shadow on the Wall was officially released on September 13; stream the single on all major platforms, including SoundCloud.

Review by Amelia Vandergast

JANAYAH balanced power and vulnerability in her neo-classic pop ballad, Back to You

After JANAYAH stormed our radar with her single, ‘Can’t Get Enough,’ we knew she had her forte in high-octane pop earworms. With her latest release, ‘Back to You,’ she defied all expectations while straying from the trend of breathy, emotionally void pop ballads. This stripped-back outpour of candour sees JANAYAH laying her soul bare over near-frantic, intricately sharp neo-classical piano keys that skilfully underscore her powerhouse vocals.

The achingly sublime track explores the turmoil of trying to emotionally disconnect from a relationship once it has ended, while the mind, in its relentless tenacity, continues to chart paths back ‘home’, even when the door is firmly closed.

With roots in Auckland, New Zealand, and a growing career in London, JANAYAH has shown her versatility across multiple genres, from pop and rock to dance and DnB. Her latest single is a stark departure from her previous work, such as the EDM-infused ‘Remedy’ and the dancefloor-driven ‘Nothing To Lose’. ‘Back to You’ serves as a testament to her vocal power and ability to channel raw emotion into her music.

Currently working on her debut EP, JANAYAH is undoubtedly on a trajectory to becoming a household name. Her powerful live performances and ability to connect with audiences have already earned her significant acclaim, including features on the iconic Piccadilly Lights and a recent set at Trafalgar Square. If ‘Back to You’ is anything to go by, we can expect her forthcoming releases to be just as phenomenal.

Back to You was officially released on August 30th; stream the single on Spotify.

Review by Amelia Vandergast

Caught in the Sonic Undertow of  Dan Morgan’s Post-Rock Riptide, ‘Brace Yourself’

In The Wake Of A Dying Sun by Dan Morgan

After intense anticipation, Dan Morgan’s debut LP, In the Wake of a Dying Sun, released by Throwing Shapes, is finally upon us. After the opening salvo, the first of the seminal singles, Brace Yourself, offers listeners a potent foretaste of the album’s virtuosic versatility. Brace Yourself is not only a harbinger of Morgan’s diverse exploration but a forceful narrative in its own right, positioning itself steadfastly within the post-rock genre.

In this track, traditional rock instrumentation grooves against cutting-edge and vintage analogue synths, lending an air of retro-futurism to the production which allows the poetic whispers of lyricality to resonate beyond the confines of the release as the verses work their way into the reverberations of your mind.

The complex time signatures woven throughout Brace Yourself are the ultimate attestations of Morgan’s ability to melodically manipulate controlled chaos. This rhythmic complexity adds a palpable intensity to the track which delivers post-rock as you’ve never heard it before.

You’ll be caught between adoration of how cohesively all the elements of the track pulled together and the intensity of emotions evoked by the sonic escapade. Because once you hit play, you’re powerless to resist the momentum. Like getting caught up in a riptide at sea, all you can do is succumb to the higher power as it carries you.

As the first glimpse of what ‘In the Wake of a Dying Sun’ promises, ‘Brace Yourself’ sets a high bar. It is an earnest reflection of Morgan’s last few years of dedication in the studio, wrestling with a spectrum of sounds and influences that culminate in a collection of tracks that are set to seal his fate as one of the most promising UK alt-rock artists of 2024.

In the Wake of a Dying Sun was released on September 12 stream the LP in full on Bandcamp.

Review by Amelia Vandergast