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In an act of divine imagination Jessamine Barham advocated for carnival performers in her anachronistic single, Freak Show

In an act of complete ingenuity driven by compassion and divine imagination, Jessamine Barham advocated for the rights of performers in carnivals in her aptly carnivalesque single, Freak Show.

While AHS Freak Show gave a view into the exploitation of performers when it aired on our screens in 2014, it didn’t even come close to cutting to the bone as sharply as the lacerating lyrical volition in Freak Show.

Sure, the waltzy, anachronistic cabaret instrumentals cushion the blow and add a jaunty air of playfulness to the release, but there is no escaping the revelation that everyone who has ever attended a show that parades deformity and disability participated in a sick and twisted session of voyeurism. If you love Amanda Palmer, you’re going to fall head over heels for Freak Show.

Roll up to the Freak Show by heading over to YouTube.

Review by Amelia Vandergast

Ted brewed the ultimate blend of jazzy indie-folk dream pop with ‘The Coffee Shop’

There was no forgetting Ted’s folk-meets-dream-pop hit, Revolution Then, which reminisced on the times when revolution action was a feasible act of retribution amongst the repressed masses.

In his latest single, the Australian singer-songwriter and multi-instrumentalist waltzed into The Coffee Shop to share a jazzy and intimate vignette of an unassuming female protagonist who inspired the laidback with luxe style from the fleeting observations made on her curious reticence.

With touches of the Beatles melding with a dreamy iteration of the 70s folk style, The Coffee Shop is far from short of beguile. Ted captured the coffee shop mood perfectly. The snug comforting atmosphere breathes right through the sax-infused kaleidoscopic melodies.

Visit The Coffee Shop for yourselves by heading over to Spotify first.

Review by Amelia Vandergast

Amy Corey instilled compassion into country pop with ‘If I Could’

When Amy Corey isn’t writing and recording radio-ready hit singles, she’s giving TEDx talks, being an Ambassador to the HCMC Peace and Development Foundation in Vietnam and being proactive in her role as a mental health motivational speaker.

The Vietnam-born artist, who was adopted to America at six months old, has melodically extended her mental health advocacy in her latest single If I Could, which soulfully shares some of the sonic proclivities with Taylor Swift’s country pop records as Corey strides into her own with her compassionately compelling vocal and lyrical lines, which allude to the immense crushing gravity of loss.

There’s just enough ambiguity in the lyrics to allow the listener to wrap their own meaning around the lyricism, which amasses an emboldening energy through the momentum of the classic pop crescendos. It’s a stunning release from an artist evidently intent in her mission to spread empathy and understanding in a world that can all too often feel devoid of it.

If I Could was officially released on August 8th; stream it on Spotify.

Review by Amelia Vandergast

The Boston bedroom pop trailblazer Eliora reached the epitome of bitter-sweet twee with ‘butterflies turn into stomach bugs’

The alt-indie-pop singer-songwriter Eliora ripped up trite romantic tropes and scattered them like melodic confetti in her latest lo-fi single, butterflies turn into stomach bugs.

Standing in her own league in a world of Phoebe Bridgers assimilators, the bedroom pop artist who never inhibits her hits always creates quirk-filled soundscapes that capture the messy and idiosyncratic nature of real life instead of normalising the lies that perpetuate through Hollywood and the Billboard charts. Her latest playfully twee single is no exception to her cardinal song crafting rule which was established when she made her debut from her Boston bedroom in March 2020.

butterflies turn into stomach bugs was officially released on August 8th; stream it on Spotify.

Review by Amelia Vandergast

Essilfie took gospel out of the church with her lush trap hit, Prayed Up

Since making her debut, the Ghanaian soul and R&B singer-songwriter, Essilfie, has established herself as one of the most dynamic artists in the game. With no genre off the table, anticipating her next move is impossible, but it is always effortless to get in the groove of her latest releases; take her latest trap and hip-hop-infused hit, Prayed Up as the perfect example.

The gritty conviction in her spoken-word rap bars is only matched by the lush sultry appeal of the reverb that spills from the instrumentals in the single that breaks the monocultural could for starters and obliterates genre and geographical boundaries for a triadic triumphant exhibition of authenticity.

As luxe as a Jay Z hip-hop production, as soulful as a Sade single, and as introspective as, well, she set her own bar here, the single that speaks through an alter-ego to traverse themes of resilience and faith is one to meditate on.

Check out Prayed Up on all major streaming platforms via this link.

Review by Amelia Vandergast

Wong Diane – Now Only Me: A Tenderly Triumphant Tour De Force

Wong Diane brought style to solemnity with her melodically eloquent composition, Now Only Me, taken from her 1st One Done EP.

With whispers of organ keys in the ethereal background to her minimalist piano-led score to create a luminous atmosphere for her lyrical melancholia to drift into, beguiling barely scratches the surface of this intimately raw exposition of loneliness.

Now Only Me could easily be classified as a tenderly triumphant Tour De Force from an artist who knows exactly how to lock horns with your emotional impulses with her Nils Frahm-esque piano melodies and delicate vocal lines.

As a music producer and composer, the Berklee College of Music and Hunter College graduate has contributed to a series of high-profile projects, including the Daily Podcast, Verizon Rewards and the Samsung Galaxy Watch Experience. She’s also garnered over a million Spotify streams on her most popular piece and performed at some of the most prestigious venues on the globe, but something tells us the best is yet to come from the only true emissary of soulfully diaphanous pop.

Now Only Me is now available to stream on Spotify.

Review by Amelia Vandergast

Lara Eidi crafted a jazz-folk remedy for modern malady in her latest single, Breathe Love

Semblances of hope, empowerment, and freedom may be scant in our malady-rich modern era, but the jazz-folk soulstress Lara Eidi more than made up for the shortfall in her latest single, Breathe Love.

By complementing her profoundly powerful with ethereal soul vocals, which become a guiding light towards self-actualisation and acceptance, with orchestrally-layered vibrant jazz-folk motifs, the record comes to life under the duress of her accessibly inviting stylings. At the centre of this sonic universe lies the message that when you embrace your entire being, idiosyncrasies and all, you can freely breathe love into the universe and receive it back tenfold.

Breathe Love is the first single to be released from Lara Eidi’s debut LP, Sun, which will be released via Pastiche Records on the 4th of September. If you found yourself emboldened by the artfully sun-bleached gravitas in Breathe Love, stay tuned for it.

Stream the official music video for Breathe Love by heading over to YouTube.

Review by Amelia Vandergast

Move Over Eilish, Rallen is Reigning Supreme as the Ultimate Bad Guy in His New RnB Hit, Berserk

Winnipeg-born, Toronto-based singer-songwriter Rallen caressed the roots of RnB with the dreamily nostalgic melodicism in his latest single, Berserk.

Much like the rest of his discography, the short and salaciously sweet release gives an intimate view into his psyche around the soaring sax notes and 80s-esque synth lines. The contrast between his candour and honeyed harmonies gives the release an oceanic depth as he attests to choosing pleasure over peace and professes to be anything but the perfect romantic protagonist.

If any single proves that we’re all just tormented people trying to get by, using sexual currency to find our worth, it is Berserk. Rallen’s commitment to sonically visualising his experience of adversity and affliction has established him as one of the most authentic acts on the RnB scene. It is only a matter of time before he reigns as supreme as the Weeknd.

Berserk was officially released on July 14th; stream it on Spotify.

Review by Amelia Vandergast

Kailey Tenn constructed euphonic comfort with the introspective gold in her latest single, Happier

People who thoughtlessly bound around the word forever may want to think twice about their choice of verbiage after exposing themselves to the glistening-with-introspective-gold debut EP, Forever is Finite, from the Long Island singer-songwriter and producer Kailey Tenn.

The standout single, Happier, takes classic piano pop ballad stylings and reinvents them through intimately subversive poetic lyricality, which bolsters in poignancy to the tune of the rock-infused crescendos and orchestral motifs that elevate the soundscape to the celestial nth degree.

The 23-year-old artist hasn’t failed to establish herself as one to watch by being one of the rare songwriters with the capacity to create resonance through her soul-stirring melodies and narratively beguiling lyrics that construct mirrors for her audience to see themselves within.

Happier is the ultimate testament to her talents for the way it reminds you that the dream of reaching an idealised state of happiness will only set you up for failure; strive to be happier than you were yesterday instead.

Check out Kailey Tenn’s debut EP, Forever is Finite, on all major platforms via this link.

 

Review by Amelia Vandergast