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Nick Cody and the Heartache – Covering These Tracks Vol II: An Americana Tribute to the Art of Song Interpretation

Posted on 19 April 2024
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Nick Cody and the Heartache’s latest album, “Covering These Tracks Vol II,” is a masterful reinterpretation of eight beloved singles through an Americana folk rock lens. This Leeds-based artist, along with his band has created a collection that resonates with warmth and soul.

The album features a diverse range of covers, including Bruce Springsteen’s “Atlantic City,” Nick Cave’s “Nobody’s Baby Now,” and Ray Wylie Hubbard’s “Name Droppin’.” Each track is meticulously reworked, maintaining the original’s spirit while infusing it with a unique folk-rock essence. The result is a cohesive collection that showcases the band’s ability to blend different musical styles seamlessly.

What sets this album apart is the way Nick Cody and his band have deconstructed these classics, stripping them down to their core before rebuilding them with his band’s distinctive sound. The quivering violin strings, the acoustic guitar’s steady timbres, and the spells of vocal alchemy, especially Towse’s crystalline harmonies, create an enchanting experience.

“Covering These Tracks Vol II” is more than a cover album, it is a tribute to the art of song interpretation. This album is a testament to their musical prowess and a gift to fans of Americana folk. It’s a journey through familiar melodies, reborn and revitalised, proving that great music can always find new life in the hands of talented artists.

Stream Covering These Tracks Vol II on SoundCloud from April 19th.

Review by Amelia Vandergast

Seßler/Zeeb packed a lyrical plea for compassion in a pop-rock ballad with ‘If No One’

Posted on 18 April 2024

The superlatively soulful German pop duo, Seßler/Zeeb, sprinkled swathes of (Ziggy) stardust into the production of their 70s folk singer-songwriter-tinged rock-pop ballad, If No One, which implores the listener not to discard humanity and compassion in an era which is becoming increasingly hard to bear.

Over the gentle major piano keys, the lyrics find a way of directly engaging you, pulling you into the plea to bolster the strength of humanity by one act of kindness at a time. The reprise of “if no one really cares” affirms that feeling as though you’re all alone in your plights is one of the most devastating shots to the heart of the human condition. The duo’s handling of this tender subject matter stands as a testament to their ability to evoke emotion with their provokingly pure approach to classic pop songwriting.

Between the lyrical messaging, which will leave you questioning what you can do for someone else today, and the upbeat tones which carry the timbres of the gospel choir in the chorus until it’s time for the guitar solo to inject the release with euphonic zeal, If No One will stay with you, long after the final note has faded.

If No One was officially released on April 5th; stream the single on SoundCloud.

Review by Amelia Vandergast

Manchester soul sensation, Tsana lit the ignition of self-liberation with her single, All of Me

Posted on 16 April 2024

With her standout single, All of Me, Manchester’s Tsana, rewrote the time-old tale of giving your all in a relationship and receiving only regret in return and reached the epitome of class in the process. Even though emotions run red-hot in the deep groove pockets of the authentic RnB installation, there’s no room for self-pity in the ignition of self-liberation, which feeds into her signature ‘street-soul’ style.

Knowing it is all too easy to slip into a cascade of self-doubt when someone refuses to affirm your worth, Tsana became the ultimate role model for anyone who knows how bittersweet to come away from a relationship scathed by unappreciation.

The Manchester-based soulstress, riding high in her ‘grown woman era’ following a hiatus which saw her bring new life into the world, was a firebrand before her break from the studio and stages, with her latest EP, Lovehood, she’s not just in her element, she’s setting the UK soul scene alight with her cognizant cultivated aura. By finding the ultimate equilibrium between confident sophistication and hell-hath-no-fury unreckonable energy, she’s the best Manchester has to offer in 2024.

All of Me is available to stream on Spotify.

Review by Amelia Vandergast

Stephen Waterhouse brought Broadway to the Airwaves with ‘Feeling Inside’

Posted on 15 April 2024

With hints of Bo Burnham’s INSIDE LP and serendipitously infectious lyricism, the debut intrinsically self-aware single, Feeling Inside, from Stephen Waterhouse is a testament to his cultivated songwriting stripes.

The balance of Lo-Fi bedroom pop intimacy and ornate orchestral elements allows the piano-driven single to unravel as an intensely distinctive musical theatre-adjacent triumph. Vulnerable enough to read as a diary entry, and striking enough to bring a touch of Broadway flair to the airwaves, the single is a revelation that leads to rapture when the orchestral crescendos swell in the soundscape and spill over into your soul.

Stephen Waterhouse’s vocals open a mesmerising juxtaposition within the production; rather than attempting to assimilate, he runs through with his earnestly sincere quasi-spoken word delivery which harmonises as the release builds in momentum.

The Royal Northern College of Music graduate, accomplished pianist and accompanist, and musical director may bring a classic touch to his work, but it doesn’t diminish the commercial cross-over appeal in Feeling Inside, which was released ahead of his 2024 EP which is being primed for a Spring/Summer release.

Feeling Inside was officially released on March 11th; stream the single on Spotify.

Review by Amelia Vandergast

‘Drift’ into euphony with Drew Dean’s Latest RnB Soul Serenade

Posted on 14 April 2024

Drew Dean’s latest single ‘Drift‘ tranquilly unravels as a celestial blend of soulful rhythms and ethereal melodies which pays homage to the 90s R&B aesthetic while boldly stepping into the future of the genre. Hailing from the vibrant shores of St. Kitts & Nevis, Dean’s journey in music, marked by a nomadic childhood and a rich West Indian heritage, culminates in this mesmerising track, which invites you to get lost in a lush tapestry of innovation.

Dean’s voice presents a paradox through the light luminescence of the register and the profound emotional depth it carries through the layers of R&B, Neo-Soul, Pop, and a hint of trappy hip-hop beats. Hit play and float in a dream-like state, unbound by the gravity of mundane reality.

The single’s cinematic quality makes it worthy of any Hollywood love story soundtrack, yet it retains an intimacy that feels like a love letter that anyone would want to muse. The testament to love’s divine nature and Dean’s execution is nothing short of angelic.

Dean’s influences, ranging from The Fugees to D’Angelo, resonate in his eclectic style, aptly termed ‘Eclectic Soul’. His background in church choirs and various international influences have clearly shaped his ability to create music that not only entertains but also touches the soul.

With ‘Drift’, Drew Dean solidifies his place in the evolving world of R&B, not just as a singer but as a visionary.

Stream the official music video for Drift, which premiered on March 22, on YouTube.

Review by Amelia Vandergast

An aura of introspection resounds through Alexander Grenville’s neo-classic piano score, Fragile

Posted on 10 April 2024

Alexander Grenville echoed the beauty of fragility through his standout neo-classical composition, Fragile, which carries a touch of the introspective flair of Nils Frahm and the cinematic scope of Ramin Djawdi’s Westworld scores.

Known for the contemplative character of his evocative work, the English musician excels in allowing technically explorative pieces to resound as fragments of deeply personal reflections. In Fragile, the open space between the piano keys becomes an ethereal terrain as the brief quiescent interludes become as integral to the piece as the piano keys he strikes with gentle intuitive tenacity.

The synthesis of mournful repose and lively exploration culminates in a deeply profound aural experience which speaks of the composer’s close relationship with his muse. Drawing inspiration from Ludovico Einaudi, Ola Gjeilo, Erik Satie, and folk artists in the vein of Karine Polwart, Alexander Grenville’s sonic signature is more akin to an eloquent calligraphy; one that distinctively scribes through the mind delivering cathartic solace and inviting you to look at the world through a more introspective lens.

Fragile is available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Reverberations of Longing Linger in the Affecting Agony of Pinwheel Valley’s Single Reverie

Posted on 10 April 2024

Pinwheel Valley’s latest eclectically alt-indie single, Reverie, echoes a poignant symphony of emotional turmoil and tender confession. The bittersweet draught of love is the lead single from their eagerly anticipated Reverie EP, which heralds a significant evolution for the Canadian artist, steering the ship of Pinwheel Valley through the waters of the indie music scene from their Mediterranean home base.

The melancholic mosaic of poetry, agony and rhythmic intuition is the first signal to be distributed via Levantine Music, it stands as a testament to how honed the artist’s sound has become in the absence of lyrical inhibition. Qais Khoury’s vocal delivery and melodic structuring evoke the spectrally affecting beauty of Jeff Buckley as Reverie traverses the complex emotional landscape with soul-stirring urgency and timeless poignancy.

The guitars, warm and overdriven, act as the perfect counterpoint to the raw lyrics, as the progressions journey through the valleys of longing and the peaks of despair. Pinwheel Valley masterfully conjures a world where every note and every word is steeped in emotional significance. The result is a track that does more than just resonate with the listener; it pierces the soul, leaving an indelible mark.

Khoury’s influences, ranging from Thom Yorke to Ben Howard, shimmer through in the song’s intricate fabric, but Reverie is unmistakably Pinwheel Valley’s own. As the band starts this new chapter, writing through their inexplicably alchemic signature, it is clear they have the potential to write the future of alt-indie.

Reverie is now available to stream on all major platforms, including Spotify.

Follow Pinwheel Valley on Facebook.

Review by Amelia Vandergast

Lie awake in YDV’s hypnotic dream pop vignette of affection, OBSESSED

Posted on 10 April 2024

YDV’s latest single, “OBSESSED,” transcends trends, offering listeners a glimpse into a utopic future for RnB. By seamlessly blending dream pop, 8-bit aesthetics, and the soul of RnB, YDV crafted a hazy vignette that immerses listeners in the intoxicating allure of obsession.

With lyrics that resonate universally and melodies that stir the soul, “OBSESSED” is an otherworldly experience that showcases YDV’s mastery of using soundscapes as a canvas for vulnerable expression. As the beats pop and groove, the vocal lines swirl and vortex into the mesmerising melodies, leaving listeners with an elixir they’ll crave pouring endlessly.

“OBSESSED” serves as the first chapter of YDV’s ambitious project, “DON’T LET THIS END,” a highly personal exploration of love, toxicity, trust, self-love, projection, and self-discovery. The accompanying music video delves into the complexities of relationships, revealing the truths often veiled behind the illusion of love.

YDV, a Bay Area artist now based in New York City, defies traditional genre boundaries, blending elements of Hip-Hop, Pop, Rap, and EDM to create a cinematic journey for his audience. Through his music and visuals, he invites listeners to explore the duality of existence and discover their own truths within his artistry.

With “OBSESSED,” YDV invites listeners to fall into the hypnotic embrace of his sound, where the lines between reality and fantasy blur, and the journey of self-discovery unfolds. As the first taste of “DON’T LET THIS END,” this single promises an exhilarating odyssey that fans of RnB won’t want to miss.

The official music video for OBSESSED is now available to stream on YouTube.

Review by Amelia Vandergast

M31 injected catharsis into loss with his soul and rhythm-driven ambient electronica debut Gone

Posted on 9 April 2024

M31, the new electronic project by Melbourne-based artist and producer Jake Debono, made a captivating entry into the leftfield chill electronica scene with the debut single ‘Gone’. The soul-driven staple for any vibe-out playlist pours aching emotion into a lo-fi production which grooves through the warm reverberations of major key chord progressions, creating an intimate soundscape which speaks volumes of M31’s songwriting stripes.

The track explores the impact of loss while agonising over hauntingly sweet memories and the anxiety of moving on. M31’s mastery in confessional lyricism is evident, offering a narrative that will resonate with anyone who has faced the struggle of starting a new chapter with someone they never wanted to leave behind. Despite its strong emotional themes, ‘Gone’ is a sonic lesson in catharsis. As passion reverberates through the single, it becomes a space for reflection and emotional release.

The production of ‘Gone’ is a testament to Jake Debono’s versatility. Transitioning from a rock-licked sonic edge, influenced by bands like Red Hot Chili Peppers and R.E.M, to a chilled-out electronic ambience, M31 showcases a profound adaptability.

Gone was officially released on March 29; stream the single on SoundCloud.

Review by Amelia Vandergast

Get in harmony with your soul through Skydivers’ indie pop kaleidoscope of 60s hues, Maybe I Can

Posted on 8 April 2024

Slip into the cradle of nostalgia with the latest single, Maybe I Can, from the Boone, NC-based studio project, Skydivers. The tenderly melodic kaleidoscope of 60s hues embody the colour and soul of the Beatles and the Kinks, filtered through a nuancedly modernised indie pop lens.

Hit play and cruise with the shimmering guitars, groove with the intuitively clever percussion, and find nirvana with the ascending keys which defy gravity as they sway through the production beneath the honey-timbered vocal lines as they exude a blissful state of care-free indecision.

In the frantic pace of our era, singles in the vein of Maybe I Can, which give permission to get in harmony with your own soul and slow down should be on everyone’s playlists. The sublime ease of the progressions is an efficacious sonic visualisation of the emotional themes which underpin this superlative release.

Maybe I Can was officially released on March 29; stream the single on Spotify.

Review by Amelia Vandergast