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Ride the waves of neo-soul transcendence in Livvy Clarke’s artfully arcane release, Love Letter

Livvy Clarke

What Radiohead is to art rock, Livvy Clarke is to neo-soul; the dreamy zeal within the artfully composed complex time signatures in her latest single, Love Letter, allows the release to defy gravity as it transcends through installations of endlessly ascending cultivation, guided by her arcane vocal range.

With this single, the singer-songwriter who has been likened to her heroines, Angie Stone, India Arie and Tracy Chapman, proved that the most powerful love letter you can ever write is a love letter to yourself after overcoming adversity with enough gratitude and tenacity that you can celebrate still being here.

Love Letter is by no means an affecting exception. Livvy Clarke’s evocative repertoire cages swathes of singles which evoke emotion and bare her soul. By always using personal events as thematic underpinnings in her releases, authenticity and sincerity are always guaranteed.

Her sophomore single, Enough, covered the tragedy of saying goodbye to her mother; watching her daughter become disabled to the point of nearly saying another heart-wrenching goodbye convinced Livvy Clarke of the necessity of writing for catharsis.

Her latest single, co-written with renowned songwriter, arranger and producer, Julian Hinton, (Stormzy, Seal, Rod Stewart) captures Clarke in her free spirit era, unshackled by the weight of monumental grief and strife; it is a testament to the fortitude of the human spirit which lies within us all.

Love Letter will be available to stream on all major platforms from May 16th.

Find your preferred way to listen on Livvy Clarke’s official website.

Review by Amelia Vandergast

Awakening to Bella Gate: ‘Sleepwalking’ Melds Classic and Contemporary with Masterful Artistry

If you’re still sleeping on the breakthrough UK singer-songwriter, Bella Gate, her revolutionary approach to power balladry exhibited in her latest single, Sleepwalking, will prise your heart and soul open to her immensely affecting artistry.

The classic songwriting style is enough to slip you back into the 70s before the Florence and the Machine artful touches pull you right back to modernity as Bella Gate’s vocals channel the spirituality of Stevie Nicks and the deep resonant timbre of Adele, with all the emotive authenticity to boot.

While looking back on chapters of teenage love and self-discovery, most will shudder at the naivety; Bella Gate is viscerally living through the torment within Sleepwalking; vicariously join her as the pop-rock piano keys dance beneath her endlessly ascending vocal register as they spill the agony in a retrospective call for clarity.

With plenty more singles in the pipeline for 2024, the 23-year-old Edinburgh/London residing artist is more than worth a spot on your radar. If she’s esteemed enough to have her debut LP mastered at Abbey Road Studios by Geoff Pesche, she, and her talent in bringing a fresh and innovative vibe to the industry, is one to watch.

Sleepwalking was officially released on April 26th; stream the single on Spotify now.

Review by Amelia Vandergast

Entwine with Alba James’s folk-pop reverie, You Belong to Me

In their latest single, You Belong to Me, singer-songwriter and multi-instrumentalist Alba James equally exhibited their profound connection to music and nature. Hitting play opens a doorway to a portal of fantasy, constructed by a mind attuned to folk-tale reverie; in the same vein as Cosmo Sheldrake, James rhythmically renders naturalism into her productions, which also tap into the enduring appeal of Dodie and Sufjan Stevens.

Though the title of the single implies possession, the free-spirited energy that breezes throughout the production with the retrospection of affection acts as an unexpected contradiction. James’ arcanely serene vocal lines drift through the organic layers of instrumentation attesting to how integral giving room to breathe is in a world full of confines.

Despite their relatively fresh innings in the music industry, the French Sweden-residing folk-pop troubadour allowed their aural talents to blossom from a young age before releasing their debut single, One in a Million, in 2020. Since then, they’ve shared 13 singles and their critically acclaimed EP, Bedroom Walls ahead of You Belong to Me. Even though nothing is off lyrical limits, themes of ancient mythology, queer love and nature are the cornerstone of the artist’s inspiration.

The next time you feel the need to touch grass, just tune into her discography instead.

Stream the official music video for You Belong to Me which premiered on May 7th via YouTube.

Review by Amelia Vandergast

Experience the intimate opulence of Jonathan Thomas Maiocco’s cinematic pop ‘Heaven’

Jonathan Thomas Maiocco’s latest single, Heaven, is a cinematic pop production far too arcane to dissect; each element converges and creates a divine intervention of vulnerability, exhibited with aching sincerity, thematic intensity, and profound artistry.

The distinction within his harmonic inflections, his ability to come across as the virtuoso next door and the progressive ingenuity of Heaven ensures the single reaches the epitome of striking an emotional chord.

Using the afterlife as a parable for the degree of separation following the dissolution of a relationship that leaves you feeling beneath your former significant other is a striking ode to the artist’s ability to tune into meta phenomena to bring profound meaning to the most tormenting aspects of our mortal coil.

Heaven is the ultimate paradox for the way Jonathan Thomas Maiocco fuses chamber pop opulence and drama with the intimacy of introspection with neither aspect diminished by the gravity of the other. The Atlanta-born singer, songwriter and producer’s strong foundation in music composition evidently culminated in this expansive tour de force.

He’s come a long way from his Christian music beginnings to producing for the Grammy-Award-winning artist for KING & COUNTRY to releasing his debut in 2019. After moving to LA in 2020, Jonathan Thomas Maiocco has written for hit Netflix and ABC shows, including Russian Doll and Carol and the End of the World. Yet, if you tune into his new album, Religious Trauma Syndrome, you’ll find that’s his biggest achievement so far. It’s stunning enough to simultaneously tear your soul apart and lead you to nirvana.

Heaven was officially released on the 29th of April; stream the single on Spotify.

Review by Amelia Vandergast

Resonating Reflections: Timothy Jaromir Echoed the Complexity of the Human Condition Through the Organically Intricate Single, ‘Rebound’

Swiss singer-songwriter, Timothy Jaromir, became the Paul Simon of his generation in the intimacy of his latest single, Rebound. The organic euphony of the intricately organic instrumental arrangement, tinged with sporadically nuanced modern aesthetics, speaks volumes of his command over orchestrating progressions which resound with as much heartfelt candour as the poetry in his lyrics.

Speaking on the complexities that construct the human condition, Rebound forces you to reflect on how everyone you meet is a walking embodiment of the light and dark of their histories before you contemplate the sanctity of finding a love that will fuel you in perpetuity.

After releasing two solo albums, four EPs and several singles in his decade-spanning career, Timothy Jamir has had plenty of time to hone his craft; judging by how deep Rebound nestles into the soul, it’s safe to assume that he hasn’t wasted a day.

His forthcoming Nick Drake-inspired EP, Man Atlas, promises to deliver his most introspective and powerful work to date by leaning into the subconscious rather than pandering to the superficiality that premeditates the success of many of this era’s most laudable artists. 2024 undoubtedly has the scope to be a career-defining year for Jaromir.

Rebound was officially released on April 26th; stream the single on Spotify.

Review by Amelia Vandergast

James Sebastian electrified rock n roll reverence in ‘Looking for a Sign’

James Sebastian

James Sebastian’s latest single, Looking for a Sign, erupts with the fervour of rock’s golden age, packing an electrifying punch that makes it clear he’s owning the proverbial stage. As a prodigal son of rock ‘n’ roll, Sebastian channels the spirit of iconic acts from The New York Dolls to The Strokes to The Beach Boys, yet his sound remains unapologetically rebellious and tantalisingly original.

Looking for a Sign insists you get swept up in its compelling hooks and Sebastian’s natural frontman charisma, reminiscent of a cult leader’s magnetism. This track roars through speakers with an energy so raw and a production so slick, that it’s akin to witnessing the exhilarating James Sebastian live experience.

Rather than attempting to reinvent the rock ‘n’ roll wheel, Sebastian tunes into a deep reverence for the genre, projecting it through a release that radiates defiance to its core. The track exemplifies liberation, embracing the craziest facets of one’s character and running wild with them. It’s a celebration of individuality, crafted with a keen awareness of rock’s historical context but driven by a modern, fierce pulse.

Looking for a Sign captures the essence of Sebastian’s growth as an artist—confident and poised to deliver high-energy performances that resonate across generations. His journey from vibrant live shows across the UK, including iconic venues like The Cavern and The Macbeth, to a burgeoning streaming presence, underscores a trajectory filled with promise and rock ‘n’ roll heart.

Looking for a Sign will be available to stream on all major platforms from May 10th via this link.

Review by Amelia Vandergast

Joanne Louise’ standout score, The Avenue, is a refreshing sojourn through jazz fusion

With her standout score, The Avenue, the rhythmically intuitive composer Joanne Louise captured a distinctive space within the jazz sphere, presenting an easy-listening single that smoulders with classical sensibility and innovative flourishes.

This piece is a testament to the breadth of the Pittsburgh-born artist’s musical education and the depth of her creativity; Louise’s training at The Pittsburgh High School for the Creative and Performing Arts and the University of the Arts in Philadelphia evidently informs the sophisticated orchestration of the track. Her ability to weave hip-hop nuances into the fabric of world music, without overshadowing the jazz foundation, speaks to a refined compositional skill.

The Avenue” itself is an engaging paradox. It is rooted in tradition yet feels entirely contemporary, thanks to Louise’s daring genre amalgamative style. The result is a simmering blend that respects its jazz heritage while introducing an eclectic mix of sounds that serenade the ear and envelop the soul in a lush auditory reprieve.

Stream The Avenue on YouTube now.

Review by Amelia Vandergast

Mia Laren navigates passion and fatal dysfunction in her Latin Dance Pop track, My Heart

Since 2019, the Baltimore-born, Cali-based singer-songwriter, dancer and producer, Mia Laren, has rhythmically and emotionally moved her international fanbase; her latest Latin Dance Pop track, My Heart (can’t live or live or without you), captures Laren at her most infectious, intimate and powerful.

After an intro which nods to Gaga’s Alejandro, Laren opens her single up to a sensually electrifying, moodily hypnotic groove which constructs an exotically rich platform for her arcane harmonies to ascend from. The monocultural mould disintegrates around her infusion of folky Eastern mysticism and Latin guitars in the electro-pop mix which explores the tormenting nature of your heart beating for someone that will ultimately be the death of you if you keep clinging to the dysfunction in the name of passion.

It’s a rare feat to discover a release that is organically rooted in the heritage of Latin and folk yet transcends contemporary pop trends with a stylish flair that embodies couture pop, yet, five years after learning how to produce music on her laptop, Mia Laren achieved it with plenty of sincerity and authenticity to spare.

My Heart was officially released on April 24; stream the official music video on YouTube now.

Review by Amelia Vandergast

Etherdene delivered a tenderly interstellar reminder of our place in the universe with ‘We Are in Space’

We’ve made our adoration of Etherdene’s illuminatively authentic dreamy synth-pop signature and her evocatively ethereal vocals no secret. After the release of her latest single, We Are in Space, which serves as a groundingly interstellar reminder of our place in the universe, she’s affirmed her position as one of the most promising artists of her generation.

Following an open sequence of glassy synths that resound as though they could have been conjured by the Weeknd, Etherdene drifts her latest tender tour de force into a shoegazey installation that cuts as deep as Slowdive’s discography. As the instrumentals glide and glisten throughout the impeccably crafted progressions, We Are in Space tears at the heartstrings with a reprise of, “We are in space, I don’t know what’s going on, but I love you, I love you”.

Even though it is all too easy to feel minuscule and inferior when contemplating the vastness of the universe, Etherdene ensured that there was no danger of that through the soulful juxtaposition of her refrain which testifies to the true meaning of life in the chaos of our mostly understood universe. The sticky sweet and synthy brand of romanticism is enough to drive you to the brink of tears before replenishing your soul with euphoria. Someone give the girl a Grammy.

We Are in Space moved into Earth’s orbit on April 24; stream the single on Spotify.

Review by Amelia Vandergast

Meg Scane broke free from the shackles of throwaway culture in her folk pop single, Bottoms Up

Meg Scane’s latest single, Bottoms Up, is a striking testament to her unique ability to intertwine confessional candour with melodic ingenuity, ensuring that the rawness of heartache is as palatable as it is poignant. Wrapped in the artful echoes of chamber pop and infused with the intimacy of folk elements, Scane’s sound bears a thematic intensity reminiscent of Florence and the Machine, yet it thrives on a more personal scale.

This track breaks free from the shackles of today’s throwaway culture, challenging the transient nature of contemporary hits and relationships with its enduring message about the sweetness of lasting love. The fervent declaration that deep, abiding affections still hold a revered place in both music and life couldn’t be more convincing.

Scane’s journey from her debut album, Blind Trial, at just sixteen to her performances from The Midlands to Puglia, Italy, paints her as a dedicated artist fuelled by passion—a passion that also sustains her through the arduous hours spent mucking out horses to fund her studio time. Between her determination and her talent, she has everything it takes to become one of the most seminal indie pop artists of her generation.

Better Sides of You was officially released on March 8th; stream the single on Spotify now.

Review by Amelia Vandergast