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Blog Showcasing Singer Songwriter Talent

Mars Playground carried an arsenal of earworm potential in his alt-pop hit, ‘S.O.S.’

Mars Playground, helmed by Chris Dixon, embarked on a bitter-sweet alt-pop exploration of angst and existential rumination with his latest track, “S.O.S.” The South Florida native melded the nostalgic beats of mid-2000s hip-hop with the crisp innovation of modern bedroom pop, set to the pace of hyper-pop while touching the raw nerve of pop-punk to craft a boldly original sonic profile worthy of drawing comparisons to the likes of Dominic Fike and Post Malone.

The icon of genre fusion synthesised trap’s rhythmic dynamism and indie’s subtle introspection to create a masterpiece of modern sound which oozes commercial potential. After initiating with percussive breaks that nod to the likes of Alexisonfire, the song subverts expectations with its euphonic pop aesthetics which envelop an emotional upheaval wrapped in a veneer of sticky-sweet melodies that cling relentlessly to memory.

As Mars Playground continues to chart a course towards critical acclaim, S.O.S. is yet another testament to the resonance of his boldly candid sound. The universal plea for solace amidst chaos sends a lifeline, woven with the threads of his vibrant, varied influences and the unvarnished truths of his journey.

S.O.S. hit the airwaves on August 28th; stream the single on Spotify now.

Review by Amelia Vandergast

Ami Leigh salved the souls of the romantically jaded with her pop-rock anthem, You’ll Find the One 

‘You’ll Find the One’ is undoubtedly an expression everyone has heard in their darkest hours of romantic despair; yet, with her latest single which carries that mantra, the chameleonic singer-songwriter Ami Leigh augmented the consolation with soul-infused, rock-licked conviction.

By carrying the same artful visceralism as The Last Dinner Party in the pop-rock crescendos which drench the anthem in 80s nostalgia and entwining the high-octane elements with tender echoes of introspective 90s indie pop, You’ll Find the One will leave your heartstrings in knots while liberating you from anxiety and assumption you will die alone without another soul to call home.

You’ll Find the One may be a sonic departure from the artist’s previous hits, but with the same sense of affecting soul running through the veins of the single, it is yet another attestation to Ami Leigh’s ability to unify and heal through sound.

You’ll Find the One hit the airwaves on August 23rd; stream the single on Spotify and YouTube now.

Review by Amelia Vandergast

Revel in the artfully crafted resonance of J.MYSTERY’s indie pop exploration of heartbreak, Reverie

The ethereal indie pop enigma, J.MYSTERY, struck again with the sublimity in his latest single, Reverie, which launched on August 9th and sonically delivered exactly what it says on the titular tin.

Diaphanous notes of the finger-picked guitars lead you into a séance of melancholic reflection which builds into a soundscape that crescendos through swells of reverb-drenched synths, enveloping the evocative Elbow-esque timbre of J.MYSTERY’s weighted with aching emotion harmonies.

The meditation on the heartache which follows a connection fraying at the seams epitomises hopeless romanticism while revolutionising the heartfelt indie ballad with a depiction of how yearning often entwines with fantasy as you attempt to reconcile with the isolation.

The Portuguese singer-songwriter’s cultivated approach to synthesising alt-rock, electronica and atmospheric pop has culminated in a loyal army of fans who revel in the artfully crafted resonance. In an oversaturated scene, he’s reigning supreme by weaving his heartstrings through his melodies. Even more reverence undoubtedly awaits the alt-indie pioneer as he charts a path through innovative, authentic expression.

Stream Reverie on Spotify now and follow J.MYSTERY on Facebook and Instagram.

Review by Amelia Vandergast

Trevon Lorenz – 7 Cities: A New Vanguard in RnB

Trevon Lorenz

Trevon Lorenz’s latest single, 7 Cities, revolutionises the RnB and hip-hop intersection with its sophisticated synthesis of soulful melodies and sharp hip-hop beats.

As the track unfolds, Lorenz lays down a dreamy, reverb-heavy soundscape that swells with lush, airy harmonies, showcasing his capability to blend genres with authority. It’s more than a stellar track, it’s a sign we’re arriving at a new epoch of genre fusion where the intensity of hip-hop can live harmoniously with the smooth soul of modern RnB.

7 Cities defies expectations within its brief runtime, especially with a middle eight that introduces an innovative twist, demonstrating Lorenz’s creative acumen. The track concludes with a flair of semi-lucid innovation, reminiscent of a distorted tape winding down, leaving listeners in a reflective trance.

Inspired by a diverse range of icons, from the fashion genius of Virgil Abloh and Yohji Yamamoto to musical pioneers like Kanye West and Pharrell Williams, Lorenz’s music is a testament to his dedication to pushing sonic boundaries.

7 Cities will hit the airwaves on September 27; pre-save the single on Spotify & Apple Music via this link.

Follow Trevon Lorenz on Instagram to stay up to date with future releases.

Review by Amelia Vandergast

Timothy Jaromir tuned into transience in his art-folk installation, Liminal

Timothy Jaromir

Tuning into his latest artfully melodic musing, Liminal, isn’t the first time we’ve been hypnotised by the Zurich singer-songwriter Timothy Jaromir and his command as a conjurer of caressive sonic consolation, and we’re sure it won’t be the last.

Liminal spaces often possess atmospheres of eerie abandonment, but subversively, Jamir filled the threshold of the soul with a tenderly heartfelt touch. In Liminal, the listener is suspended in time to contemplate the beauty of connection and how ‘shadows feed the light’. The sanctity of true love resounds throughout the kaleidoscopic panorama which envelops the underpinned vulnerability of a diehard romantic, unarmed and unfeigned.

When the jazzy crescendo breezes into the organically spaced production which unfolds around you when you lock into the diaphanous rhythms, a rush of seraphic intensity takes hold of the release which will feature on the artist’s highly anticipated album, Man Atlas.

Liminal will be available to stream on all major platforms from September 6th. Discover ways to listen and connect with Timothy Jamir via his official website.

Review by Amelia Vandergast

Preston Scott Straus became a member of queer pop royalty with ‘For Love’

Infinitely more affirming, affecting and empowering than anything RuPaul has produced in their 15 studio album span, the latest single, For Love, from Preston Scott Straus will hit you in places you never knew music could touch.

To bridge the gap between the ballad and the dance-pop anthem, the Cleveland Ohio-originating singer-songwriter delivered an evocatively-charged synthesis of sincerity and vulnerability into a kinetically euphoric production which doesn’t just carry his lyrics, they amplify the verses which become mantras, ensuring they will stick with you for long after the outdo

After his humble upbringing where escaping into fantasy was the only way to feel free, Straus found music at the age of 12 when he played in the Cleveland Youth Wind Symphony and cut his vocal teeth by singing in the Cleveland Orchestra Youth Chorus.

At 18, Straus honed his songwriting and production talents which eventually helped him to overcome a challenging and homophobic childhood as he pursued love, freedom and creativity away from the church community.

Today, the artist is still endlessly devoted to making the world better for people who are just trying to be themselves, which shines through luminously in For Love which may be a feel-good track, but you’ll have to choke back the tears while embracing the soul of the single.

For Love dropped on the 30th of August; stream the single on Spotify.

Review by Amelia Vandergast

From Tragedy to Sonic Triumph: A&R Factory Interview with Emilia Christine Russo

Emilia Christine Russo has instantly established herself as an artist who isn’t afraid to express her deepest emotions through her music. In this exclusive interview, she opens up about the personal experiences that have shaped her debut single, “Ghostly,” a track born from the raw pain of losing her older sister. Emilia’s openness in her art invites listeners to connect with her on a profound level, offering a rare glimpse into the healing process that music can foster. As we explore her creative process and the inspiration behind her work, it becomes clear that her authenticity is at the core of her craft. Her debut single will make you shed a tear; this interview will make you fall in love with her soul.

Emilia Christine Russo, welcome to A&R Factory. We’d love to discuss your debut single, Ghostly, what’s the story behind the single? 

Thank you so much for having me! “Ghostly” came to me after a therapy session, as most of my songs did, actually. For years, I have written on my notes app words that I think would make great song titles. “Ghostly” was one word that I thought was cool, and originally, I thought the song would be a break-up song. Like, the idea of someone being left numb and ghost-like after a break-up. I don’t really write love songs, though. Well, at least not until recently.

Anyway, the topic for “Ghostly” came when I was finally opening up to my therapist about the trauma of the death of my older sister. I was literally the last person to find out about her death. We had a good session, and later that night, I wrote “Ghostly” all in one go. I changed the idea of what “Ghostly” would be like to something that was very healing for me personally. Someone should write a break-up song about how the split left a person wandering around all ghost-like. *laughs*

There’s an incredible equilibrium of artfulness and authenticity in Ghostly; could you walk us through how this manifested?

I don’t know, it kind of came out like a stream of consciousness. I’ve heard my lyrics be described like that before–a stream of consciousness. Just thoughts onto paper. Pair that with a piano, and I got a song out of it.

Did you know you always wanted to debut with Ghostly? 

No, definitely not. This was such a personal song. At the time, I had a music therapist who was more like a songwriting teacher, as she reviewed with me the basics of how to write songs–you know, verse, pre-chours, chorus, yadda yadda–and encouraged me to put into words my feelings about my traumas.

My problem is that I tend to put my feelings into boxes–like, “I don’t have the time to deal with that, to feel those feelings, because I have this deadline or whatever, so I’m going to trap them in this little box and put it on a shelf to deal with later.” Pushing through things is how I was raised. But then that mythical “later” never comes, and the feelings manifest in somatic symptoms. That’s why I was going to her, along with my psychologist. I could state the facts of things that happened to me, but I wasn’t facing my feelings about them.

But back to the song. I wrote “Ghostly” and showed it to my music therapist at our next session. She was like, “I wouldn’t change a thing.” I was really proud of it, so I wanted to show it to people first.

Would you say Ghostly exhibits your signature songwriting style or is it always in flux?

I think it would be accurate to say that “Ghostly” exhibits my signature songwriting style. I don’t like my lyrics to be too predictable in the sense that it has a lot of rhyming. In fact, rhyming kind of grinds my gears and was something I had to slowly be more okay with doing for my songs.

I also like to keep my lyrics kind of vague–general enough for people to not know exactly who or what I’m singing about, which people can then take and personalize for themselves, but specific enough for me to get healing out of it.

What can your fans expect from your forthcoming ‘Two Rights Don’t Make a Wrong EP’? 

More songs about real things that happened to me. Well, except for one song that’s a cover. I heard it when I was a kid and loved it. It’s kind of an old song, and I want more people to know it exists. But yeah, more songs that came from therapy sessions, so they’ll have a kind of emo vibe to them. *laughs*

When did your songwriting skills first start to become apparent? 

For songwriting, I guess it was the first time I showed my lyrics to my music therapist/songwriting teacher. It wasn’t “Ghostly”, it was another song that I don’t think will ever see the light of day, because I’d like to think I’m better at songwriting now. But she really liked it. I had written lyrics before, all the way back to middle school, but they were more like poems. They had the structure of a song, but I don’t think they would’ve worked paired to music.

I was a poet first before I turned to songwriting, and I have been writing poems since elementary school. So, if we’re talking about when I noticed I had writing skills, those go back to when I was a child. Side note, one song off my EP is taken mostly from a poem/”lyrics” I wrote many years ago. I could actually pair those lyrics to an instrumental. I hope that makes my younger self happy.

Who do you draw the most inspiration from lyrically and sonically?

For this song, I drew most of my inspiration from Evanescence but circa 1998 to 2017. I also draw from Paramore and The Holy Trinity of Emo Music–Fall Out Boy, Panic! At the Disco, and My Chemical Romance. You’ll hear that more in my future releases.

What’s your main ambition as a singer-songwriter? 

I just want to see how far I can take this. It’s like one big experiment. Would I like to play a live show someday? Yeah. Would I like my song to get some airplay? Also yes. But really, I’m exploring this one area of writing that I haven’t really delved into and seeing what I can get out of this experience.

One thing I’d really like, though, is to find other female or non-binary musicians in the Seattle area and form a band. I’m an extroverted person and want to make more friends, so I don’t want to go solo with this. *laughs* I have so many songs I could share.

Stream Ghostly on Spotify and connect with Emilia Christine Russo on Instagram.

Interview by Amelia Vandergast

Somewhere In Between – Mr & Mrs: An Orchestral Indie Folk Tale of Amour for the Ages

Somewhere In Between, the soul-embracing union of Deena Robertson and Austin Bisnow is so much more than a new alt-indie folk act on the scene; the duo is a profound testament to love’s resilience.

Their debut single Mr & Mrs, taken from their double A-Side which also includes the single Wildflower, unfurls as an artfully orchestral folk narrative, resonating with emotional depths through dual-layered harmonies. The intimate glimpse into a romance that has battled odds as daunting as cancer and triumphed with a story sung through their very being reaches the epitome of heart-rending.

The single channels the delicate nuances of Thom Yorke’s artful signatures, the diaphanous echoes of Tom Odell, and the undeniable chemistry reminiscent of Glen Hansard and Marketa Irglova. It’s an ornately ethereal vignette of romanticism so vivid, it might just redefine your understanding of love, illustrating that true affection demands patience, compassion, and understanding.

Their journey began when Austin first heard Deena singing in Sanskrit during a hot yoga class in LA, leading to an inseparable bond forged at a retreat in Utah. Challenges soon followed, notably Deena’s cancer battle, compelling them to immortalise their vows in song with the aid of Grammy Award-winning artist Ry-X. Today, their Quebec barn-turned-studio is not just a place of creation but a sanctuary where their lives and art intertwine.

For those jaded by Hollywood’s glossy depictions of love, Mr & Mrs offers a real, raw, and profoundly authentic alternative. Hit play, and let the seraphic sentimentality carry you to where love reigns supreme, unscripted and unequivocally honest.

Mr & Mrs is now available to stream on Spotify.

Review by Amelia Vandergast

The Every Glazer has unveiled a piercing post-rock depiction of the tragedy of losing autonomy with ‘Running Downhill’

As a drastic departure from his previous releases, The Every Glazer has unveiled a brand-new sonic guise with his latest single. Running Downhill, fuses synth-pop and Slowdive-reminiscent guitars into a downtempo electronic score, underpinned by post-rock aesthetics and a sense of lament which tenderly encapsulates the tragedy of falling away from autonomy.

In a similar vein to Blue October, The Every Glazer pulls you into the emotional nucleus of the single with the emotionally weighted magnetism in his vocal delivery. When the track shifts pace and picks up momentum resulting in a frenetic depiction of the frustration and fear felt when you’re painfully aware of the path of descent you’re taking, the true ingenuity of this release starts to manifest.

Every new release from The Every Glazer is a fresh attestation of his talent in visualising phenomena through melody, yet Running Downhill may be one of the most striking testaments to his songwriting chops to date. It’s a release that consumes you within its compassionate handling of the raw and relatable thematics.

Running Downhill will be available to stream on all major platforms from September 1st; watch the official music video on YouTube.

Review by Amelia Vandergast

Unleash your demons and dance on the edge of madness with Patrice AorMelodicRock’s future-forward dance rock anthem, Crazy Night

Patrice AorMelodicRock’s new dance-rock anthem, Crazy Night, is an electrifying testament to the enduring power of rock, infused with a futuristic edge that makes every modern rock outfit sound positively antiquated.

With a pop-hooked production so slick it’s hypersonic, the track propels you into a sonic universe where the expansive presence of the vocals, which could lead a rock opera, meets the cutting-edge innovation of bands like Bring Me The Horizon.

The vocals soar just as high as the guitars which blaze through the synthetics of the track, embodying the futurism of a rock scene reimagined a century from now. Imagine what Shinedown would sound like 100 years from now, and you’ll get an idea of what the solo artist achieved with this hit which electrifies the mind, body and soul.

You’ll want to relive Crazy Night time and time again with its intoxicating synthesis of raw energy and sleek production which invites you to dance on the edge of madness and unleash your demons.

How Patrice AorMelodicRock, who started earning his rock stripes in the 80s, isn’t already at the top of the rock charts is one of the great injustices of our era.

Stream Crazy Night on YouTube now.

Review by Amelia Vandergast