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Blog Showcasing Singer Songwriter Talent

Emerge from your naval daze with Phantom Electric’s acoustic rock symphony, ‘Hope So’

The quasi-psychedelic indie singer-songwriter Phantom Electric may have innovation running deep in the veins that connect to the heart he wears on his guitar strings, but his latest single, Hope So, revisits classic song crafting, allowing the thematic underpinnings of the release to draw you into the artful gravity of the single.

Hope So is a haunting intersection between the atmospherically nostalgic air of Chris Isaak and the soul of Bryan Adams; the Adams influence tempers the dark melancholic chill of the lyrics which are slick with existential yearning.

Hope So unfurls as an artful reflection on how easy it is to succumb to navel-gazing and forget to care about anything but yourself—a theme all too relevant in our era of rampant individualism. With spectrally arcane melodies that tear through the soul, Phantom Electric produced one of his most affecting singles to date by looking to the darkest side of the human condition and showing a better way to be.

Hope So will be available to stream on all major platforms from September 27; stream the single on SoundCloud first and head over to Phantom Electric’s official website for more ways to listen.

Review by Amelia Vandergast

Confront the introspective abyss with Locian’s kinetic darkwave art-rock release, Shadow on the Wall

Dance with the darkness within to the tempo of Locian’s most affectingly kinetic electronic art-rock release yet, Shadow on the Wall. The rhythmically augmented earworm from Australia’s most introspective solo artist is so much more than just a sonic drop into the oversaturated airwaves. It intensifies the anticipation for Locian’s forthcoming LP, Fears, Reflections & Shades of Time, as the solo artist continues to define his distinctive electronic rock style, weaving his signature synthesis into the rhythmically charged compositions of philosophical reckoning.

Emotionally charged revelations about facing the hidden aspects of one’s identity diaphanously drift through the installation of dark etherealism as the track’s pulsating synths and sharply defined guitar lines inject a vibrant, high-energy feel into the release which offers a scintillating study in contrasts. It juxtaposes the vulnerability inherent in introspection with the robust instrumental forces that symbolise the tumultuous battle against inner demons.

Originally envisioned as two separate pieces, Shadow on the Wall evolved into a unified narrative that advocates the importance of acknowledging and embracing one’s darker sides. After winning audiences across Sydney and Melbourne over with the single, the core message is set to enlighten the darkwave domain while setting a high bar for cerebral lyricism.

Shadow on the Wall was officially released on September 13; stream the single on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Sleeping Through Breakfast brought comfort to the void in their alt-indie release, Black Hole

Rarely do indie folk and pop punk melodically intersect, but as proven by Sleeping Through Breakfast’s single ‘Black Hole’, which brings comfort to the void, soul-teasing sublimity transpires.

You’ll come for the convention-defying instrumentals, but you will stay for the stunningly distinct vocals, which use unique inflections to exhibit just how authentic this outfit is. With guitars that spill sepia tones in the same vein as Muzz, paired with sincerity-soaked vocals and artful embellishments, the duo make a mockery of middle-of-the-road artists with their semi-lucid, endlessly ascending motifs. It’s not just the uniqueness of the soundprint that will leave you aching for more; it’s how intensely the cosmic-hued melodies grip the heartstrings.

Founded in 2021, the alternative/art rock duo Zander Prokop and Joshua Kleiman has been orchestrating for the introspective dreamers with their already expansive discography. With their earlier releases, such as Pillowcase Studies and The A Hopeful Note EP, they set the bar high, but they always find new plateaus to aurally visit. Their latest endeavour, the People Without Faces EP, released on September 22nd, explores themes of death and the inevitable decay of the world while unravelling as a testament to the necessity of finding solace in the love that remains.

Safe to say, Sleeping Through Breakfast has carved out their own space in the alternative scene, and with ‘Black Hole,’ they attest they are here to stay. If they aren’t topping the charts with their Nada Surf-esque tenderness in a few years, we riot.

Black Hole was officially released on September 14; stream the single on Spotify.

Review by Amelia Vandergast

Syd Taylor became the new iconic alt-pop siren with her debut single, Love of Your Life

After breaking away from the twin duo, Stereo Jane, the indie alt-pop siren, Syd Taylor, came into her own with her paradox of a self-produced debut single, Love of Your Life, which haunts with its vintage tones as much as it uplifts and empowers through euphoric pop hooks.

The symbiosis between the brashy, saturated-in-delay lo-fi intimacy and the sleeker aesthetics in the single enabled Taylor to cut away from the monotonous fray of polished with superficiality pop and establish herself as a singer-songwriter and producer in the same league as Angel Olsen and Adrianne Lenker. If you’ve ever known the red flag fear of being the subject of obsessive attraction, Love of Your Life is the ultimate reparation.

As a signifier of how much of a phenomenon Syd Taylor is destined to become, the launch party for Love of Your Life happened between the unhallowed walls of the Viper Room on September 20th. With her debut LP in the pipeline, she’s the definition of one to watch as she works her way into the alt-pop pantheon.

Stream the single on all major platforms via this link.

Review by Amelia Vandergast

Bask in the ‘Alpenglow’ of Lounna’s latest alt-indie folk rock rendering of poetic yearning

Louanna

Lounna’s latest single, Alpenglow, panoramically expanded indie-folk with a sound infused with the ruggedness of Big Thief and the euphonic beauty akin to the works of Gregory Alan Isakov and Boygenius.

The song unfurls with swathes of soul that seep through every note, achieving a séance of seraphic serenity with its Grammy-worthy craftsmanship. Louanna doesn’t just sing; she commands a profound respect that transcends typical genre confines, pulling listeners into a bask-able warmth.

The traditional folk instrumentation intertwines with ornate crescendos, crafting one of the most stirring aural experiences of 2024. The composition breathes the very essence of wonder, reminiscent of breathtaking landscapes, stunning beyond compare. Each note and lyric in the track feels like a brushstroke on a vast sonic canvas, portraying mental health struggles, difficult life circumstances, and the enduring human spirit.

Brenna Slate, under the moniker Lounna, is not new to the music scene. With fifteen years of songwriting, performances at notable festivals, and opening for nationally touring artists, Slate’s voice has matured into a poignant echo of indie folk innovation, which is exemplified in Alpenglow, which will leave you thematically alongside her, yearning for the nostalgia of lost love.

Alpenglow is being primed to debut on September 20th; purchase the single on Bandcamp; for more ways to listen, visit Lounna’s official website.

Review by Amelia Vandergast

Locked and Loaded: The Country Icon, Chris Erasmus, Fires Off with ‘Shotgun

Chris Erasmus’ latest single, Shotgun, finds its mark with a fusion of deep, resonant vocals and a dynamic full-band sound that finds new country roads to rhythmically explore. Opening with a voice that carries the haunting depth of Nick Cave, Erasmus sets a reflective tone with acoustic strings that soon give way to the invigorating swell of gospel-like backing vocals. The augmented choruses, brimming with vibrant energy, draw listeners into a rhythmic trance, emblematic of the single’s narrative of liberation and emotional revival.

Crafted as a sonic journey through the highs and lows of personal growth, Shotgun artfully captures the essence of moving beyond a toxic dynamic with the instrumentals mirroring the ebb and flow of introspection and realisation. It’s a narrative of empowerment, underscored by the thematic and literal movement the title suggests—moving forward, unburdened and unchained.

With a diverse background that spans continents—from Zimbabwe to London—and a rich litany of musical experiences, from classical training to theatrical performances, Erasmus brings a unique, cultured perspective to his work. This eclectic background shines through in Shotgun, which marries Americana sensibilities with a palpable emotional depth and expert craftsmanship.

Shotgun first blasted onto the airwaves on September 6th; stream the single on Spotify.

Review by Amelia Vandergast

Bella Gate usurped Lorde in her introspectively arcane piano-driven indie ballad, The Death of an Icon

Bella Gate has ushered in her debut album ‘Gateway‘; a sonic anthology that promises an introspective journey mirrored in its poignant title. At 23, the London-based evocateur has evolved from a child prodigy to an artist with a mature, resonant voice, chronicling her odyssey from adolescence to adulthood with lyrical sincerity and a rich sonic palette.

‘The Death of an Icon’, an iridescent highlight from the album, offers a narrative steeped in personal revelation and artistic struggle. This single, draped in folk nuances and anchored by an ornate piano arrangement, gazes into the torment of an agoraphobic, creatively stifled protagonist. Whether reflecting Bella’s past selves or purely fictive, the track’s emotional gravity is undeniable.

Produced remotely by Jordan Round and polished by Geoff Pesche at Abbey Road, ‘Gateway’ spans a spectrum from balladic solemnity to buoyant folk, all the while maintaining an emotive coherence which eschews conventional hooks for lyrical imagery which pierces the soul and haunts long after the last note fades.

Forget Lorde, Bella Gate is reigning supreme in the sphere of introspectively stylised indie ballads.

Stream Bella Gate’s debut LP, Gateway, on Spotify.

Review by Amelia Vandergast

Wagner Gracciano became the definition of emotional depth in ‘I’m Here’

Wagner Gracciano’s single, I’m Here, from his sophomore album, The History of Mark Beck, is a veritable smorgasbord of stylistic influence and innovative substance which will transport rock fans back to an era when Chris Isaak dominated the airwaves.

With soul-drenched production, sensual RnB touches weave through a tight mesh of rock guitar lines, classic pop harmonies, and the shimmer of organ keys, creating a unique gospel of pop rock. As diverse as the track is, the seamless cohesion pulls everything together in a sublime display of genre fluidity.

‘I’m Here’ makes a bold statement of passion and dedication, showing that romance isn’t as dead as we perceive it to be as Gracciano exhibits his forte in transcending the confines of genre labels and creating utopias of euphonia with his songwriting. With each listen, there’s a deepened appreciation for the superlative arrangement and emotive depth that defines the track.

As a multi-talented guitarist, composer, and producer, Wagner Gracciano has spent over 25 years mastering his craft across genres such as progressive rock, blues rock, jazz, fusion, RnB, and heavy metal. The History of Mark Beck (2024) showcases his affectingly immersive lyricism and Grammy-worthy compositions, with guest appearances from Cleveland P. Jones, Carlos Zema, and Rachael Da Silva. Supported by world-class musicians such as Charles Judge, Michael Webb, and Adair Daufembach’s pristine production, Wagner’s vision is undeniably realised.

I’m Here is now available to stream with Wagner Gracciano’s sophomore LP, The History of Mark Beck on Spotify and all major platforms.

Review by Amelia Vandergast

Robin Shaw borrowed from Bright Eyes in his acoustic indie single, Bus 2 Nowhere

From the first effervescent notes of the acoustic guitar chord progressions in Robin Shaw’s latest single ‘Bus 2 Nowhere (Acoustic Version)’, your soul sets alight and your senses scintillate to the timbre of the euphonically rugged rhythms. Equally sweet are Shaw’s folk-leaning indie pop vocals, which synergise with the summery melodies.

As a true troubadour to the diehard romantics, Shaw knows exactly how to pull you into his panoramic narrative of infatuation that rings with hints of 00s indie pop nostalgia. If you’re a big fan of bands in the vein of Bright Eyes and The Shins, you’ll be downright sycophantic for ‘Bus 2 Nowhere’.

Before making waves in the music industry, Robin started off as a street dancer at age 16, which included appearances on Britain’s Got Talent. He established himself as a singer-songwriter after an audition in Soho, and began his career with Regent Street Artists, eventually moving to work independently. Now, he records across a variety of studios in West/Central London with his producer, Chris Hall.

Robin Shaw has been a hit with music lovers and critics alike after his tracks have been transmitted on BBC Introducing Norfolk and Suffolk, South Devon Sounds, Islington Radio, Watford VIBE FM as well as reaching Global stations in Ireland, Ohio, Toronto, Helsinki, Canberra, Los Angeles and many more.

With his new release, he’s one step closer to sealing his fate as one of the most accoladed singer-songwriters of his generation.

Stream the Acoustic Version of Bus 2 Nowhere on Spotify now.

Review by Amelia Vandergast

Goodfellow delivered the antidote for obsessive rumination with his alt-pop hit, Think 2 Much

Goodfellow, accompanied by the honeyed harmonies of female vocalist seleen, dropped a genre-defying single that seizes the RnB Trap Pop scene with an undeniable groove. ‘Think 2 Much‘ hit the epicentre of the contemporary genre-fluid zeitgeist by weaving pop elements reminiscent of Maroon 5’s chart-dominating era with ‘Payphone’ into a foundation of trappy beats.

In ‘Think 2 Much’, the lyrics paint a chaotic whirlwind of thoughts induced by an overwhelming crush, offering listeners a sticky-sweet vignette of emotional turmoil. This perennial earworm doesn’t just narrate; it plunges you into the heart of melodious obsession where there’s no escaping the razor-sharp hooks which are embedded within the quintessential soul of RnB.

The slick production ensures that the beat remains too addictive for just one listen, and the same goes for Goodfellow’s cheeky, hedonistic charm that permeates the track, resonating through augmented summer-vibe melodies that promise to outlive the season.

For those entangled in the messy throes of romance, here’s your anthem.

Think 2 Much is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast