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Blog Showcasing Singer Songwriter Talent

Through the Wire: The Poetic Resonance of Mike Maurice’s ‘Telephone’

Posted on 11 October 2024

Mike Maurice’s latest single, ‘Telephone‘ intercepted the static of formulaic melodies by belying the minimalist instrumentalism with the profound euphony in the production. Nestled within the contours of indie folk and brushed with Americana hues, telephone orchestrates an ambient symphony where the instrumentals speak as profoundly as the lyrics.

Maurice’s skill in merging soul-stirring acoustic layers with his poignant narrative stitches together a sonic space where the deeply, almost shamefully, personal transmutes into the universally relatable.

telephone intertwines the melancholy of isolation with a lyrical richness that peaks with the confession, “I want the truth so bad I’d even lie.” This line alone encapsulates the dual nature of truth and deception, weaving them into the fabric of the affecting release, which was born through a collaboration between Mike Maurice and Danny Black of Good Old War and a pedal steel player from Gregory Alan Isakov’s ensemble.

From the rustic town of Biddeford, Maine, Mike Maurice has made a name for himself, coming out of the shadows of the John Mayer and Bon Iver comparisons. Maurice, alongside his seven-piece ensemble, continues to foster a sense of community at each performance, their collective sound reverberating through venues renowned and intimate alike.

Telephone will be available to stream on all major platforms, including YouTube, from October 11th.

Review by Amelia Vandergast

Kickstart your rhythmic pulses with Scott Cook’s alt-rock kaleidoscope of poetic innovation, The Author

Posted on 7 October 2024
https://open.spotify.com/track/1wWp3rmKrYPtyce7XuVJaD?si=e18ff238d4904c6e

With ‘The Author’, Montreal’s Scott Cook served an electrifying synthesis of gritty guitar riffs reminiscent of the Manic Street Preachers and the ethereal synth overlays akin to Suicide’s ‘Dream Baby Dream’. In the cacophony of the saturated with banality modern music scene, the single is a rare slice of accordance.

Cook’s voice, an instrument in its own right, weaves through the tight instrumental arrangement, anchoring and elevating the melodies with his poetic lyricality which is just as sharp as his guitar hooks in the track which filters the colour of psych pop-rock harmonics into the alchemic cocktail which invites you to lose yourself in its euphonic bliss.

The arrangement’s dynamism is palpable, with ebbs and flows that create eager anticipation for the next burst of momentum and the catharsis it bestows.

Scott Cook proves with ‘The Author’ that his musical evolution is not just ongoing but accelerating. Drawing on an eclectic palette that spans genres and eras, he reflects on contemporary life with a candour that Morrissey would struggle to match. If he released this hit in the 90s, he’d be at the top of the charts.

The Author was officially released on September 23rd, stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

Al Coffey became sad boy synth-pop royalty with his latest single, I Get Sad

Posted on 4 October 2024

The UK’s most evocative icon of queer sad boy synth-pop, Al Coffey, overloaded the airwaves with mesmeric melancholy with his latest single, I Get Sad. Each vocal note reverberantly hums as it drips honey over the nostalgia-soaked synth hooks that take you back to the 80s via a route never taken.

Imagine the chord progressions of Nick Cave fused with a Chris Isaak-esque atmosphere lit up by the neon lights of The Midnight and The Weeknd, and you’ll be close to getting an idea of how much of a sanctuary I Get Sad delivers as it runs through the reprise, ‘I get sad and you’re the reason why”.

Just as sharp as Josh Savage’s hits, I Get Sad is the ultimate attestation to Al Coffey’s ability to paint striking vignettes with his synth strokes. With his mission to make 2024 his breakthrough year, now is the time to transplant the affecting ingenuity of Al Coffey on your radar. Following the release of I Get Sad, there are teasings of live performances and more hits in the pipeline.

Stream I Get Sad on Spotify now.

Review by Amelia Vandergast

Indie pop’s most endearingly ruthless renegade, Stella., struck again with his latest earworm, Friendly Reminder

Posted on 1 October 2024

Stella. reached his subversive zenith with his latest alt-indie pop earworm, Friendly Reminder, which is anything but what it says on the tin. The neon-lit synth lines may deliver nothing but pure euphoria, but the lyrics, as they pour from the singer-songwriter’s euphonic vocal register, reach the epitome of ruthlessness to remedy anyone who still carries contempt for their toxic exes.

The sticky-sweet synth-pop hooks and Stella.’s organically seraphic harmonies honey the cathartically cut-throat lyrics, making you almost second guess the reprises given the juxtaposition between the butter-wouldn’t-melt textures and the vindicating attestations to how healing doesn’t always need to lead to wishing the best for someone who deserves to discover that karma is an even bigger bitch than they are.

If you constantly find yourself tied to trauma bonds, follow Stella. like your life depends on it; he’s a rare artist that can cut through the static of superficial pop, hit close to the bone and deliver anthems that are as infectious as they are empowering.

As an ingenious way of supporting his new release, the NYC singer-songwriter developed his own dating app; swipe your way into your next clusterfuck situationship here.

Friendly Reminder was officially released on September 27; stream the single on all major platforms, including Spotify.

Follow Stella. on Instagram.

Review by Amelia Vandergast

Wading Through the In-Between: The Dilettante’s ‘Someone’ Bleeds Melancholy with Avant-Garde Soul

Posted on 30 September 2024
The Life and Times of.... by The Dilettante

The Dilettante, the enigmatic persona of David Hirst, has delivered a stunningly emotive sonic exploration with his debut LP, The Life and Times of….

The album’s standout single, Someone, traverses the turbulent undercurrent of indie folk melancholy, aching with the raw vulnerability that echoes the likes of Frightened Rabbit. The gentle intro sets a melancholic tone that bristles with candour before distorted and synthesised vocal harmonies flood in. This off-kilter twist weaves a sense of dissonance through the track, establishing The Dilettante as a veritable troubadour of avant-garde indie.

There’s immense comfort to be found in the chord progressions of Someone, which gives permission to embrace the full force of your emotions, if only for 4:55 minutes before you slip back under the ‘I’m fine’ façade.

With ‘Someone’, The Dilettante invites listeners into the most introspective corridors of his existential psyche, a space where anxiety, self-doubt, and the quiet battle for self-acceptance reign supreme.

The Life and Times of…. is not a record of extremes but of the struggle to navigate life’s liminal spaces where outliers emotionally linger. If you constantly find yourselves on the fringes, don’t hesitate to hit play.

Stream and download the debut LP from The Dilettante on Bandcamp now.

Review by Amelia Vandergast

Henry Bitzer’s ‘25th Hour’ Radiates Rapturous Soul and Swagger

Posted on 30 September 2024

Henry Bitzer’s standout single, 25th Hour, from his debut LP Skydive, delivers some of the swankiest sounds of 2024. The track is a testament to the solo artist’s knack for nostalgically leaning songwriting chops, which remain sharp even when held up against his musical heroes.

Any attempt to resist the euphoric energy of 25th Hour is futile; the rapturous euphony he coaxes from the keys showcases his comfort and charisma in crafting soulful soundscapes that simultaneously nod to the past and stride confidently into the future.

Blending blues, 70s pop rock, and a smattering of jazz, Bitzer conjures a unique sonic synthesis that defies easy categorisation. The seamless fusion of styles creates a distinctive sound that harks back to the golden era of rock without feeling stuck in the past. His ability to weave eclectic influences into a seamless tour de rapturous force ensures that his legacy is already carving itself a place in the annals of contemporary alternative music. It’s only a matter of time before major labels are vying for his signature.

At just 19, the Minnesota native has been compared to the likes of Elton John and Billy Joel for his magnetic stage presence and infectious melodies. Now a second-year student at Belmont University in Nashville, Bitzer has spent the last four years performing live across the U.S., honing his craft and building a loyal following.

Stream Henry Bitzer’s debut LP, Skydive, on Spotify now.

Review by Amelia Vandergast

Kaitlin Cassady unveiled a kaleidoscope of indie folk reverie with ‘Unconditionally’

Posted on 29 September 2024

Kaitlin Cassady’s seminal indie-folk single ‘Unconditionally’ from her debut LP, Home Away From Home strikes an intimate chord with its dreamy, lo-fi reverie.

Hit play and prepare to be swept up within the euphonic breeze of the mellifluous acoustic guitar strings, which seamlessly harmonise with vocals that echo the 90s indie pop ethos. The track reaches even further back in time by integrating 70s-esque pop-rock piano keys that lend endlessly ascending melodies to the all-encompassing production. It’s a sonic kryptonite for the diehard romantics who refuse to buy into the claims that romance is dead. Despite its bedroom pop aesthetic, this track could effortlessly soundtrack a Hollywood epic, showcasing Cassady’s humble yet world-class songwriting chops.

Hailing from Minneapolis, indie-folk-rock artist Kaitlin Cassady draws from a kaleidoscope of influences such as Aimee Mann, Carole King, and Elliott Smith, to contemporary icons like Billie Eilish and Coldplay. Cassady’s music—rich with introspective lyrics, lush harmonies, and intricate arrangements—captures themes of love, loss, and resilience.

Her latest self-recorded project, Home Away From Home, marks a major stride in her burgeoning career. We can’t wait to see what follows.

Stream Kaitlin Cassady’s debut album in full via Spotify.

Review by Amelia Vandergast

Remilekun liberated her following from trepidation with her contemporary gospel single, Don’t Be Afraid

Posted on 28 September 2024

Acknowledging that fear is one of the biggest and insurmountable inhibitors in life, Remilekun, in her latest single, Don’t Be Afraid, liberated her following from anxiety and trepidation.

With choral harmonies which sweep with the orchestral crescendos, Don’t Be Afraid reaches the epitome of empowerment. The melodious waves of celestial grace deliver the quintessential strength and sanctity of gospel as Remilekun modernises worship music with the rock guitar riffs and the lush 80s pop aesthetic which spills from the keys.

Experiencing Don’t Be Afraid isn’t the first time that Remilekun has driven us to the brink of elated tears, and we don’t doubt it will be the last. Her presence, fortified by The Netherlands’ Dream Team and Sound of Gospel Choir, is something everyone should endeavour to experience.

After the live performance, filmed in the Netherlands, premiered on YouTube on September 20th, almost 40k listeners have seen the light through the assuring serenity of the illuminating release which takes the singer-songwriter and worship leader one step further to her deserved status as a globally renowned icon.

Stream the live performance of Don’t Be Afraid on YouTube now.

Review by Amelia Vandergast

Emerge from your naval daze with Phantom Electric’s acoustic rock symphony, ‘Hope So’

Posted on 27 September 2024

The quasi-psychedelic indie singer-songwriter Phantom Electric may have innovation running deep in the veins that connect to the heart he wears on his guitar strings, but his latest single, Hope So, revisits classic song crafting, allowing the thematic underpinnings of the release to draw you into the artful gravity of the single.

Hope So is a haunting intersection between the atmospherically nostalgic air of Chris Isaak and the soul of Bryan Adams; the Adams influence tempers the dark melancholic chill of the lyrics which are slick with existential yearning.

Hope So unfurls as an artful reflection on how easy it is to succumb to navel-gazing and forget to care about anything but yourself—a theme all too relevant in our era of rampant individualism. With spectrally arcane melodies that tear through the soul, Phantom Electric produced one of his most affecting singles to date by looking to the darkest side of the human condition and showing a better way to be.

Hope So will be available to stream on all major platforms from September 27; stream the single on SoundCloud first and head over to Phantom Electric’s official website for more ways to listen.

Review by Amelia Vandergast

Confront the introspective abyss with Locian’s kinetic darkwave art-rock release, Shadow on the Wall

Posted on 25 September 2024

Dance with the darkness within to the tempo of Locian’s most affectingly kinetic electronic art-rock release yet, Shadow on the Wall. The rhythmically augmented earworm from Australia’s most introspective solo artist is so much more than just a sonic drop into the oversaturated airwaves. It intensifies the anticipation for Locian’s forthcoming LP, Fears, Reflections & Shades of Time, as the solo artist continues to define his distinctive electronic rock style, weaving his signature synthesis into the rhythmically charged compositions of philosophical reckoning.

Emotionally charged revelations about facing the hidden aspects of one’s identity diaphanously drift through the installation of dark etherealism as the track’s pulsating synths and sharply defined guitar lines inject a vibrant, high-energy feel into the release which offers a scintillating study in contrasts. It juxtaposes the vulnerability inherent in introspection with the robust instrumental forces that symbolise the tumultuous battle against inner demons.

Originally envisioned as two separate pieces, Shadow on the Wall evolved into a unified narrative that advocates the importance of acknowledging and embracing one’s darker sides. After winning audiences across Sydney and Melbourne over with the single, the core message is set to enlighten the darkwave domain while setting a high bar for cerebral lyricism.

Shadow on the Wall was officially released on September 13; stream the single on all major platforms, including SoundCloud.

Review by Amelia Vandergast