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Blog Showcasing Singer Songwriter Talent

Carey Clayton rebooted retrofuturism with the seraphic synths in his latest single, Future in a Past Life

Carey Clayton brought the sound, synths and soul of the 80s to their latest in a long line of seminal singles, Future in a Past Life, while etching into the nostalgic hallmarks with his indelibly scintillating sonic signature which scribes beyond contemporary trends.

The title alone is enough to spark a profound meditation on its poetic meaning; when you sink into the release, you’ll start to swim in the temperate, tonally seraphic spectres of reflection, artfully amalgamated by the LA songwriter, producer, composer and multi-instrumentalist, who has become revered for his stylistically expansive body of work.

Future in a Past Life, caged within his third LP, Headless, may be composed of different aural anatomy from his previous releases, but fans who came to adore Clayton for his past work will find their appreciation for the visionary renewed by the sense of spirituality which drifts between the instrumentals in the polished production.

Clearly still humble after his music being sought after by Netflix, NBC, ABC and the Tribeca Film Festival, Clayton synthesised straight from the soul with Future in a Past Life, which fuses the arcane emotive air of Cigarettes After Sex with the kicks and grooves of Django Django.

Future in a Past Life was officially released on July 19th; stream the single on Spotify now.

Review by Amelia Vandergast

Lara Eidi and Ed Blunt conjured the sweetest sound of the summer in the soul-folk single, Orange Sundress

For her latest single, Orange Sundress, the Grecian soul folk goddess, Lara Eidi, collaborated with the equally esteemed artist Ed Blunt to hold the magic of summer.

After a chance meeting at a songwriting retreat in Edinburgh, Orange Sundress was written as an impromptu act of sonic serendipity, and that’s so much more than the origin story behind the single. The naturalistically spontaneous synergy resounds through the weightlessly blissful single which is fraught with the imagery of a love story unfurling to an Athenian backdrop.

Slip into the single and live vicariously through the tenderly warm narrative which serves as yet another attestation to Lara Eidi’s ability to transcend sound with the soul she infuses into each of her sonic landscapes.

With acoustic instrumentation as seraphically sweet as the interplay between the harmonies of Eidi and Blunt, Orange Sundress immortalises the ephemeral utopia of sun-kissed days marked by the rapture of devotion.

Orange Sundress was officially released on August 2nd; stream the single on Spotify.

Review by Amelia Vandergast

Danielle Dennis glammed up blues rock with her latest hit, Fool’s Gold

With her latest single, Fool’s Gold, the rising-through-the-industry-ranks rock phenomenon, Danielle Dennis, proved that when it comes to emotional labour for those with an aversion to accountability, a woman’s work is never done.

If the indomitably raw edge of Hannah Wicklund met the creative conjurings of Stevie Nicks, the meeting point would be the affecting high-octane alchemy in Dennis’ scintillating sonic signature which ensures the singer-songwriter’s ink goes beyond skin deep and permeates the soul.

The San Francisco-born, New Orleans-based artist and producer unequivocally evinced that all of the best people would have been burnt at the stake for Witchcraft in the days of Salem; what she manifested in Fool’s Gold is almost beyond the realms of tangible comprehension.

If you can’t get enough of Fool’s Gold, pin her to your radar and await her forthcoming debut EP which will span all her influences through an amalgamation of gritty blues rock, synth-heavy pop, organic folk, and vibey trip-hop.

Fool’s Gold will be available to stream on all major platforms, including SoundCloud, on August 9th.

Review by Amelia Vandergast

Peace prevails in Steve Andrews’ latest folk tune, We Can Sing Together

Cardiff singer-songwriter, Steve Andrews, AKA the Bard of Ely, who has graced stages as Glasto and Green Man and TV screens via Britain’s Got Talent, can always be counted on to remedy what ails the world. His latest single, We Can Sing Together, narrowed the divides which distract from the fact that we’re all fundamentally the same and we’re stronger together than we are apart.

The orchestral crescendos in the context of the unifying underpinnings swell with evocative power, and when the choir backing vocalists project perspective-shifting harmonies, you’d be hard-pressed not to shed a tear to the tune of humanistic accordance which is becoming increasingly harder to find out in the wild and away from the airwaves.

Co-written with Stephen Friedland and contributed to by a choir of school children, We Can Sing Together is a ballad of prevailing peace, which goes a long way in rectifying the collective loss of faith in humanity.

Watch the official video for We Can Sing Together which premiered on August 1st via YouTube.

Review by Amelia Vandergast

Sam Caldwell – feeding the wound: An Indie Art Rock Ode to the Raw Edges of the Human Psyche

The intimacy of unfiltered vulnerability doesn’t just breathe through Sam Caldwell’s standout single, feeding the wound, it quiescently screams and resounds through the delirious-with-self-discontent production which embodies the stripped style of Elliott Smith, and the artfully cultivated expressionist air of Mitski and Neutral Milk Hotel.

Caging one of the most viscerally affecting crescendos that has ever torn its way into my soul, feeding the wound is so much more than a lyrically sharpened vignette of a masochistic mind. Each element serves to visualise a psyche marred with self-awareness and destruction; from the sonic pulls of ennui to how the mind cascades under the weight of affliction, each progression is a revelation of a raw, painfully relatable perception.

The LA singer-songwriter is quickly making a name for himself with his encapsulations of the pain of coming of age; with his debut LP, he’s rivalled the resonance of Brett Easton Ellis’ Less Than Zero. His ability to tune into universal themes of guilt and heartbreak while using heartstrings on his fretboard will undoubtedly see him go far in the industry which is crying out for veritable troubadours of candour.

feeding the wound is now available to stream on Spotify as part of Sam Caldwell’s debut album, wanderlust, which was officially released on July 25.

Review by Amelia Vandergast

Pure Notes & Deep Reflections: Ari Jacob Unfolds in ‘Feel It Coming’

Melbourne-based artist Ari Jacob, a singer, songwriter, pianist, and endlessly creative mind with a Bachelor’s in Music, has continued to explore and expand his artistic boundaries since his debut LP, Sink Without Drowning. After moving to Israel in 2017 to strengthen his spiritual ties and expand his creative horizons, Ari found his niche as the in-house composer for Israel Story, a role that took him across the US. His collaborations flourished, notably with Shay Parry in their band Shayari, leading to a rich period of artistic production, including over a hundred concerts and the album Economy of Heart.

His epoch of personal and creative growth has culminated in his sophomore LP, Son Called Moon, featuring the seminal single, Feel It Coming. The single serves as a narrative canvas, drawing parallels with The National’s I Am Easy to Find LP by filtering organic acoustic folk through an evocative indie lens. The tenderness within the lyrical, instrumental and vocal confluence echoes the reflectively profound nature of Glen Hansard as Ari taps into the essence of folk traditions, reinvigorating them for today’s audience.

His songwriting turns everyday details into affecting meditations, revealing the beauty others would be quick to disregard as immaterial matter. The minimalist instrumentals expand like a panorama, laying a foundation for vocals that nestle into the production with a delicate yet full-bodied serenity which attains a sublime lightness, embodying both vulnerability and polished artistry.

I couldn’t recommend a more apt record to discover the potential for depth and purity of modern folk through.

Stream Feel It Coming with Ari Jacob’s sophomore LP, Son Called Moon, on Spotify now.

Review by Amelia Vandergast

Gregory Lee Pickard’s ‘Home’ is a reverent nod to roots and rebellion

Gregory Lee Pickard

In his seminal, soon-to-be-released, solo single, ‘Home‘, the illustriously revered Gregory Lee Pickard, whose career has spanned three decades and spawned countless accolades, distilled a soundscape with the culmination of his extensive experience and his ability to conjure more than sound through his panoramic vignettes.

The single melds country rock rhythms with gruff vocals, which will undoubtedly appeal strongly to fans of Dogs D’amour and The Quireboys. This cultivated ode to the concept of “home”—whatever that may signify for the listener—allows Pickard’s authenticity to shine iridescently.

The country twangs within the proto-punk-esque production allows Gregory Lee Pickard to soar above the mediocrity of artists who debase their discographies with assimilation; this is authenticity at its core. Just one hit of the single will leave you desperate to explore the treasure chest of rough-cut gems which throwback to the 70s NYC punk scene but firmly roots itself in contemporary resonance.

Gregory Lee Pickard, a storied songwriter, singer, and performer continues to lead and shape the sound of his current band, Not Las Vegas, while his foundational work with The Revelons has seen him headline venues from CBGB to the Bowery Ballroom. His broad discography spans influential releases and collaborations that touch everything from indie films to major motion pictures, cementing his place in the annals of music history.

For those who cherish musical integrity and the resonant tales of life’s wanderings, ‘Home’ by Gregory Lee Pickard offers more than just a listening experience—it invites a profound connection to the very essence of personal and musical exploration.

For more information about Gregory Lee Pickard, head to his official website.

Review by Amelia Vandergast

DemiMa challenged extroverts and vindicated introverts in her transcendently dynamic slice of soul, Be Alone

DemiMa’s latest seminal single, Be Alone is the ultimate sonic paradox; it chills as it soothes as the dark, glitchy and syncopated beats carve a curve-surpassing edge into the production and cast a shadow over the serotonin-infused warmth of the South West London-based South African artist’s euphonic with enlightenment harmonies.

Knowing there’s a pervasive aversion to solitude, which consequently inhibits us from the growth only self-awareness can nurture, DemiMa became a transcendently dynamic voice of reason as she challenged extroverts and vindicated introverts in the single which progressively builds towards a climax of sheer illumination.

Be Alone, taken from her latest album, Duality Pt 1 Chaos, is the perfect introduction to her unique sonic identity, constructed through a synthesis of electronic soul and an experimental take on her aural ancestral roots. Her ethereal alternative sound has resonated with fans across the globe, as evidenced by her traction on platforms like BBC Radio 1, MTV Africa, and Teen Vogue USA.

The song’s measured pace and layered electronic textures invite listeners to explore the quieter corners of their minds while affirming that there are few voices as essential in the music industry as DemiMa’s.

The official music video for Be Alone premiered on July 26; stream the video on YouTube now.

Review by Amelia Vandergast

Surrender your senses to the spiritual sanctity within Catherine Grace & Mark Dwane’s electronic folk single, Broken Wide Open

Broken Wide Open by Mark Dwane / Catherine Grace

In the spirited soundscape of her childhood home, reverberating with the likes of Johnny Mathis, Fleetwood Mac and Barbra Streisand, Catherine Grace found her calling, which would eventually lead her to her collaborative partner, Mark Dwane. Their relationship, marked by seamless creativity and a deep mutual understanding, has culminated in scores of cultivated-with-soul releases, including their latest titularly poetic single, Broken Wide Open.

The track unfolds at a cathartically measured pace, not rushing to reveal its depths but rather allowing listeners to immerse themselves in its spiritual and soulful melodies. Catherine’s ethereal harmonies, when coupled with Dwane’s electronic folk underpinnings, create a profound sonic synergy that transcends mere musical collaboration. The duo has mastered the art of building a track that ebbs and flows with rhythmic magnetism, weaving together notes that resonate with an arresting affirmation of their unique artistic alchemy.

Amidst personal challenges and life’s unpredictable turns, music has been Catherine’s sanctuary, a theme that resonates powerfully throughout their latest offering. With Broken Wide Open” Catherine Grace and Mark Dwane invite the listener into a shared experience of renewal and revelation. Their collaborative spirit evokes comparisons to the iconic Enya, yet with a distinct identity that firmly roots them in the contemporary indie scene.

As you surrender to the lush, layered textures of Broken Wide Open, you’ll revel in the power of sound to soothe, inspire, and awaken.

Broken Wide Open is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Chris Bannister unleashed the black dog of depression in his latest Americana folk vignette, William, You Lied

The roots-reverent folk singer-songwriter, Chris Bannister, broke the radio silence which followed the successful release of his 2020 album, Truth, with his latest lyrically panoramic single, William, You Lied.

Taken from the UK-residing professional musician’s upcoming sophomore album, The Calling Course, which is due for release in August, William, You Lied is a sonically stripped, tonally paralysing, emotionally charged vignette of how heavy depression weighs on the soul and how it clouds vision with confusion and loss of direction.

The single, which follows the release of seven critically acclaimed LPs, aches with authenticity as Chris Bannister takes influence from folk greats in the vein of Cohen, Nick Drake, and Steve Earl while using his distinctive Americana-tinged acoustic folk signature to scribe a striking account of the all-consuming afflictions imposed by a melancholy mind.

William, You Lied was officially released on July 26th; stream the single on Spotify and discover more about Chris Bannister via his official website.

Review by Amelia Vandergast