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Best Rock Music Blog

It is almost impossible to imagine Western society without the influence of rock n roll; the artists that became renowned as (rock)gods, the aesthetic, the culture that so many live and breathe, and of course, the music that became the soundtrack to our lives. Many of the greatest artists of all time are of some rock inclination; whether that be Buddy Holly, Nirvana, or The Rolling Stones – the charts simply wouldn’t be the same without the unpredictable and volatile genre.

Rock started to emerge in the 1940s through the masterful rhythm of Chuck Berry and his contemporaries. Twenty years later, The Rolling Stones became the true face of rock n roll as they advocated for sex-positive youthful rebellion; this controversy became synonymous with rock which took the genre to brand-new cultural heights. By the 70s, artists started to push rock music into heavier, darker territories. At the same time, hard rock and metal were behind conceived; Pink Floyd gave rock trippier, more progressive tendencies with their seminal album, Dark Side of the Moon. Another major move in alternative music happened in the 70s as punk artists, such as The Clash and The Sex Pistols extrapolated rock elements and fused them into their punk sound.

The 80s was the era for sleaze rock, indie rock and college rock bands, while the 90s delivered the grunge movement with Nirvana, Hole, Soundgarden and Pearl Jam chomping at the aggressive discordant bit. Mainstream rock artists from across the globe became part and parcel of the music industry at the start of the 90s, but with the death of Kurt Cobain, the popularity of alternative music took a nosedive – despite the best efforts of Limp Bizkit, Staind, Puddle of Mudd and The Red Hot Chilli Peppers.

In any definitive guide of the best rock bands of all time, the rock artists that made their debut in the 21st-century are few and far between. But regardless of how much you want to pull the plug on the life support of rock, it isn’t quite dead – yet. For irrefutable proof, you only need to consider Black Midi, Yungblud, Greta Van Fleet, Highly Suspect, The Snuts, and Dirty Honey, who are all bringing in the new wave of classic rock – in their own way.

Contemporary rock may not sound like it used to, but that is one way in which rock has remained consistent over the past eight decades – it never has sounded like it used to. Each new generation of artists has found room for expressive and experimental manoeuvre.

Kentucky penned a patriotic rock-licked love letter with ‘America, The Beautiful’

Kentucky’s latest single, America, The Beautiful, is a soul-imbued tribute to the multifaceted allure of the United States, delivered with a rock ‘n’ roll heart that pulses with a distinct Americana twang.

The love letter captures the sweeping landscapes and rich cultural tapestry of the USA, offering listeners a sonic road trip across its vast expanse with pop culture pitstops along the way. With an approach that will resonate with fans of Bruce Springsteen and Guns n Roses alike, Kentucky weaves a narrative rich with patriotic pride, crafting a soundtrack that is both a celebration and a reflection.

The production melds classic rock influences with a nuanced Americana style, making it an essential addition for those who adorn their playlists with heartland rock. Despite the stripped and simplistic instrumental arrangement, there is no lack of depth. Each acoustic guitar-led progression strikes a resonant chord, echoing with rich, cathartic timbres under Kentucky’s gravelly vocal delivery that resonates with an aura of sincerity.

America, The Beautiful invites listeners to feel the pride and beauty of the American spirit. Its release, which stirred enough emotion to briefly face a ban on TikTok, underscores its impactful message and the poignant exploration of American identity that Kentucky so masterfully encapsulates in this acoustic rock anthem.

America, The Beautiful was officially released on April 1st; stream the single on SoundCloud.

Review by Amelia Vandergast

Eco-Rock Resurgence: The Lürxx’s ‘We Are the Weeds’ Unleashes a Green Rebellion

We Are the Weeds by the Lürxx doesn’t give you a love them or loathe them option; no rock fan could be impervious to the thunderous punch that melds the raucous energy of sleaze rock with a sharp environmental edge.

With their roots firmly planted in the Hollywood glam punk scene, this duo not only revitalises the rock and roll ethos by championing the protection of the natural world in addition to smashing the system. Their music bridges the raw vibe of the 1980s Sunset Strip, reminiscent of legends like Twisted Sister and Guns N’ Roses, with acoustic nuances that echo the Quireboys and Dogs D’Amour all the while being amplified by an energy that’s uniquely their own.

The intoxicating and impactfully dynamic nature warrior punk rock opera is evidence of the duo’s ability to stir the soul and do so without resorting to shaming the listener into action, the installations of zany punk vocals around the classic 80s rock tones ensures the vocal performance perfectly aligns with the spirit of the track which explores the relentless resilience of nature, symbolised by weeds—the unacknowledged heroes of the ecosystem. It’s a powerful metaphor for persistence and survival in a world quick to dismiss the underdog.

Stream the official music video for We Are the Weeds on YouTube.

Review by Amelia Vandergast

Deully – This Long Road: A Resilient Journey Through Rock and Recovery

Deully, the solo project of the independent Canadian rock virtuoso, Darren Sawrenko, has added to his accoladed discography by releasing his eagerly-awaited latest LP, This Long Road, and this time, his stellar songwriting stripes are bolstered by a lyrical intensity which provides a candour-fuelled exposition on his ongoing battle with mental health and recovery.

Each of the singles on the LP is a reflection of his psyche at the time of writing. The title single is entrenched in the agony and the glimpses of hope of acknowledging that the road to recovery necessitates fortitude and endurance. You can hear every ounce of the resilience mustered to stay on the long road, which is reflected as much through the fiery vocal performance as the visceral rock instrumentals.

The guitars don’t play; they battle cry through the monolithic hard rock production, giving everyone else walking the same, often lonely, road a sense of kinship and determination to keep moving towards the destination of redemption.

With This Long Road LP, Deully isn’t solely battling his own demons, he’s rebelling against the expectations and rock n roll cliches that lead so many down a toxically glamourised self-destructive path. In our book, he couldn’t be more of a rock icon.

This Long Road was officially released on April 12th; stream the single on Spotify.

Review by Amelia Vandergast

Seßler/Zeeb packed a lyrical plea for compassion in a pop-rock ballad with ‘If No One’

The superlatively soulful German pop duo, Seßler/Zeeb, sprinkled swathes of (Ziggy) stardust into the production of their 70s folk singer-songwriter-tinged rock-pop ballad, If No One, which implores the listener not to discard humanity and compassion in an era which is becoming increasingly hard to bear.

Over the gentle major piano keys, the lyrics find a way of directly engaging you, pulling you into the plea to bolster the strength of humanity by one act of kindness at a time. The reprise of “if no one really cares” affirms that feeling as though you’re all alone in your plights is one of the most devastating shots to the heart of the human condition. The duo’s handling of this tender subject matter stands as a testament to their ability to evoke emotion with their provokingly pure approach to classic pop songwriting.

Between the lyrical messaging, which will leave you questioning what you can do for someone else today, and the upbeat tones which carry the timbres of the gospel choir in the chorus until it’s time for the guitar solo to inject the release with euphonic zeal, If No One will stay with you, long after the final note has faded.

If No One was officially released on April 5th; stream the single on SoundCloud.

Review by Amelia Vandergast

Emotional Chaos Unravels in the Melancholy of Magenta Wave’s Indie Rock Allegory, Why Am I In Love With You

Magenta Wave’s latest single, “Why Am I In Love With You,” vocally tears at the heartstrings with a fervency akin to Thom Yorke and Frightened Rabbit’s Scott Hutchinson. This track is an atom bomb of melancholy that flips the usual narrative of romanticism upside down. It melodically implores listeners to explore the agony of falling in love when your relationship with yourself is on unsteady ground.

With the guitars sonically visualising the disorientation of losing control under another’s influence, and the rhythm section driving this tormented vignette forward, the vocals find an achingly affecting hallowed ground to project their agony over. The soaring, vintage-toned guitar solos resonate like a battle cry from a scarred soul, marking Magenta Wave’s unparalleled ability to shake up the indie rock scene with their ingenuity and sincerity.

This piece is the second single from their upcoming EP, “Sold My Soul,” mastered by Ed Brooks, known for his work with Pearl Jam and Death Cab for Cutie. It is an essential listen for anyone who still finds sanctuary in the candour and inhibition of indie rock.

Magenta Wave, having become legends in Bellingham, WA, before moving to Seattle, continues to blend alternative, indie, and psychedelic rock in their unique sound, making “Why Am I In Love With You” a poignant reflection on love and self-discovery

Why Am I In Love With You was officially released on April 12th; stream the single on Spotify.

Review by Amelia Vandergast

Brikcs shattered boundaries and entered innovation’s nirvana with ‘King’

Brikcs, a visionary from the ethereal edges of music’s evolving landscape, delivered a profound auditory experience in his latest single, King. With a foundation laid by a Mogwai-meets-Portishead neo-classic intro of eloquent keys and phantasmically distorted vocal notes, the track boldly transitions into the dark territories of trap. If you went down the rabbit hole and instead of finding wonderland you entered innovation’s nirvana and met your demons, your trip would come a close visceral second to hitting play on King.

The artistic juxtaposition in King — between harsh, ensnaring bars and the enduring non-lexical harmonies that echo the transcendent terrain of Sigur Rós — crafts a captivating portal to an aural realm defined by authenticity. The single thrives on a blend of ornate classical notes and reverberating electronic effects, creating an installation of unparalleled emotional intensity.

The lyrical assertion of autonomy challenges listeners to disintegrate preconceived labels with every bar dropped. Acting as a nod to how the world attempts to shape us into archetypes, Brikcs resists them all, violently shaking them into the ether of this masterpiece.

Brikcs, an Icelandic multi-instrumentalist now based in Copenhagen, eschews easy classification, melding the raw energy of underground clubs with the refined grandeur of opera houses. King encapsulates his complex musical journey through haunting pianos, ethereal vocals, cerebral rap, and an electro-orchestral crescendo.

Accompanied by an experimental short film, directed by Vasco Alexandre and shot at ARKEN Museum of Modern Art, the track is not only a music release but a cinematic event, currently making waves in film festivals worldwide.

King was officially released on March 22nd; stream the single on Spotify.

Review by Amelia Vandergast

Jon Fritz – Cold Hard Rain: A Soulful Storm of Genre-Defying Rock Reverie

When it rains, it pours, and in Cold Hard Rain, the latest single from the singer-songwriter and touring troubadour Jon Fritz, the soulful rock reverie pours deliciously.

After an intro of layered gospel-esque harmonies, Cold Hard Rain sells vintage indie rock sanctuary; the bluesy guitar bends carve chemistry across the upbeat rhythm section as Jon Fritz vocalises in the middle ground beyond college radio rock and grunge. Vedder himself couldn’t have performed this release better.

There are expansive releases; then there are singles that refuse to inhibit themselves by following genre constraints and register as pure unbridled communications from the soul; Cold Hard Rain cascades into the latter camp with the blissfully constructed melodies that turn on a dime between 90s nostalgia, 80s soaring solos and 70s rock n roll stripes. It is within these cohesive confluences that John Fritz truly shines; try as you might, there’s no resisting being injected by the rugged euphoria which resounds in the rhythmic downpour of Cold Hard Rain.

Cold Hard Rain was officially released on April 4th; stream the single on SoundCloud.

Review by Amelia Vandergast

Brian Berggoetz gave hopeless romantics hope in his pop-rock serenade, More Than You’ll Ever Know

Sweet enough to give hopeless romantics hope, the standout single, More Than You’ll Ever Know, from singer-songwriter Brian Berggoetz is a melodious ode to a true love that can be alluded to in words but never fully captured.

Springsteen may have been born to run, but Berggoetz was born to bring warmth and depth to the pop-rock scene; More Than You’ll Ever Know is the ultimate attestation to his legacy. With vocals that caress as tenderly as the simple yet profoundly affecting instrumental arrangement, the single unravels as the dreamiest earworm you’ll hear this year.

With the stunning serenade, Brian Berggoetz emanated the aura that resounds through the soul in inexplicable throws of unflinching affection and passion. Lock into the blissful-bordering-on-arcane melodies, and tune into the affirmation that Berggoetz is a superlatively eloquent conduit of soul.

Between the folk strings, the twang of alt-country, the rugged roots of rock and the hallmarks of singer-songwriter pop lies a synergy which has become synonymous with the Tuscon, Arizona-hailing artist who finds influence in a diverse confluence of styles and genres.

More Than You’ll Ever Know is available to stream on Spotify with the latest LP from Brian Berggoetz, Magical Times.

Review by Amelia Vandergast

Alley of the Dolls earned a place in the pantheon of post-grunge with ‘Broken Skies’

Alley of the Dolls, Yorkshire’s alt-rock revelation, delivered a thunderous wake-up call with their single ‘Broken Skies’. The standout from their EP ‘Urethane‘, is a movement scribed through Jacob Stephenson’s and Adam Pickering’s shared passion for the gritty, grungy, and raw energy of 90s rock.

‘Broken Skies’ lyrically tackles a subject as delicate as it is devastating – the rising phenomenon of school shootings. Few artists have dared to go beyond lyrically mourning the tragedy, but Alley of the Dolls does so with a boldness that is both haunting and necessary. Their words don’t just skim the surface; they eviscerate the protagonists of these tragedies, demanding accountability for the senseless destruction born from unprocessed emotions.

The duo’s fearless approach to songwriting is matched by the sonic ingenuity within the bruising riffs and intense instrumental thematic textures in ‘Broken Skies’. Their determination to become architects of a new sound influenced by iconic Seattle post-grunge bands and legends like Guns ‘N’ Roses and the Foo Fighters is palpable in every viscerally affecting note of ‘Broken Skies’.

By using their music to punch upward against tyranny and stand for those struggling to survive and thrive, Alley of the Dolls’ discography is as essential as it is vindicating.

Broken Skies will drop on April 12th; stream the single on SoundCloud.

Review by Amelia Vandergast

Be a (Bar)Fly on the Wall with Jude & The Strangers’ Standout Single Beggar’s Tavern

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Some tracks ensnare you with hooks, others dig to the depths of your soul; Beggar’s Tavern by Jude & The Strangers dug into the trenches of the latter camp.

Imagine sinking beers with Bukowski, drinking in the sanctifying feeling of listening to Journey, experiencing the panoramically artistic gravitas of Father John Misty, and getting your blues rock licks as a courtesy of the Black Keys simultaneously, then you’ll get an idea of what this era-spanning Tour De Force delivers.

With all the infectious charisma of Jim Jones himself, singer-songwriter Aiden Jude doesn’t just command attention, he drenches his work in kinetic emotion. With a sonic iteration of a borstal breakout to conclude the single, it’s safe to say we’re beyond desperate to hear the rest of the Beggar’s Tavern LP which will arrive in May 2023. The New Jersey music scene won’t know what has hit it after the launch.

Beggar’s Tavern is now available to stream on YouTube.

Review by Amelia Vandergast