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New RnB Music Blog

The RnB duo onemind ‘meditate’ on romanticism in their slick indie hit.

After finding success as a touring musician, Dario Mihic set out to swathe the airwaves with his devilishly slick soul as one-half of the brother duo onemind. With the indie RnB single meditation, he and his brother Martin discernibly succeeded.

As the celestial vocal timbre wraps itself around the romanticism in the lyrics, the gentle mellifluous guitar notes that ethereally reminisce on the instrumental hooks in Justin Timberlake’s Cry Me a River amplify the accordance even further. The downtempo hit spills alchemic chemistry as it works through the poised progressions, setting ample anticipation over what fresh soulful innovation will pour from onemind in the future. Save a place on your radar.

Meditation was officially released on January 31st. Hear it on Spotify.

Review by Amelia Vandergast

Gonçalo Santana penned a reflectively compelling RnB memorandum with ‘Note to Self’

Swiss RnB visionary, Gonçalo Santana, has spent the last two years spilling soul onto the airwaves with his distinctively potent approach to the genre. At the start of 2023, he released his debut EP, Brainless, which concludes with the reflective philosophy in Note to Self.

Note to Self keeps 90s RnB at its core while elevating the multi-sensory experience with elements of gospel, which will easily leave you pious to the singer-songwriter’s poetic graceful beguile. The neo-classic-ESQUE piano melodies also go a long way in implanting gravitas within the soul-stirring intimate memorandum.

Like the best things in life, there’s a bitter-sweet emotionally complex sentimentality to the quiescent RnB ballad, delivering the definitive proof that Gonçalo Santana is the real sincere deal.

Note to Self was officially released on January 27th; hear it on SoundCloud.

Review by Amelia Vandergast

Daniel Aether – Bet & Gamble

Daniel Aether brings a global perspective to RnB/Hip Hop with his Nigerian and Italian heritage, by way of Scotland, with his new track “Bet & Gamble.” The song, on its face, is a pretty straight-up-sexy-slow-jam song with a beat that features Spanish style guitars and light analogue style synths. Aether’s voice is what really drives the number home – he’s got high-notes for days and easily displays a vocal sensitivity often lacking in those singers/rappers who rely all too much on autotune. Additionally charming is a very non-placeable accent in his singing; it’s like you know there’s some cultural inflection.

Currently Aether’s SoundCloud page has only three songs currently (I’m hoping that will change as he is writing and producing more) and they all seem to centre on a lo-fi attitude – his style is very identifiable in that he’s clearly an individual in a world of clones (dare I hope that originality is making a comeback?). If you’re a visual person, then I would recommend a hop over to his Instagram account where you can see him in striking fashion and pictures around various cities.

Superlative RnB Soulstress Jaai. Emanated Sensuously Celestial Grace in her Sophomore Single, God is Real

Jaai.

After the RnB soulstress Jaai. left us spellbound with her dreamily festive debut single, Christmas Mornin, and rendered our souls as her own; she’s back on sensuously pure form with her sophomore Christian & Gospel single, God is Real.

The Charlotte, NC-hailing artist delivered a mellifluous reminder of how sublime it is to find trust and sanctity in knowing there is a higher power. All desire for control our mortal coil will never grant us legibly ebbs away  in the smooth, easy-listening ensemble of jazzy RnB, which is radiant through the balance between nostalgic grace and contemporary trip-hop-y beguile, which puts Jaai. right back on brand to how we heard her from her exceptionally promising debut.

God is Real will be available to stream from February 3rd. Hear it on Jaai.’s official website.

Review by Amelia Vandergast

Interview: Naia Lika tells us all about her incredible debut single Gas Station Bouquet

After appearing to sing in her Mother’s womb, Naia Lika sat down with us recently and we had a chat about her upcoming new release which drops on the 10th of February called Gas Station Bouquet. Eloquently inspiring and showing us what it takes to do what you love, we found out more about singing in the choir, self-awareness, and what it was like living all over the USA.

Hello there Naia Lika. We appreciate you having a chat with us. Where in the world do we find you and what do you usually have for breakfast?

Naia Lika: Hi! I am so excited to connect with you guys. I’m currently living in Los Angeles and I hate to disappoint, but I’m actually not a huge fan of breakfast food. It’s been a weird thing about me since I was a child. My parents would get so mad at me because all I ever wanted for breakfast was a sweet treat, like an ice cream sundae or brownie or something.

Do you feel like you were destined to be a musician after appearing to sing in your Mom’s womb?

Naia Lika: Growing up, music always felt right. My parents put me into dance, vocal lessons, singing groups, and theater – it was all I had ever known. In high school I spent most of my time in choir, musical theater, and doing classical singing competitions; I had always felt so confident and sure of myself and where I stood in my art. I ended up attending the Boston Conservatory at Berklee for musical theater and that was the first time in my life where I wasn’t sure if I was in the right place. I decided to drop out and I experienced this really confusing transitional period. At first, I was convinced I wanted nothing to do with music. I distanced myself as far as possible from it; I almost felt ashamed to even be associated with that part of my life. It wasn’t until the pandemic hit that the boredom made me pick up my guitar again. I was lacking a community during COVID and I started using songwriting as an outlet to explore my thoughts and emotions.

It took me about two years to find a sound that I really resonated with. I put thousands of dollars into an entire album that I have no plans of releasing. In the moment, I was so proud with the work, but after really taking a step back, I realized it didn’t feel true to me or the sound I wanted to create. I went on to do another project and that’s all the music that will be released this year.

Art is all I have ever known, whether that be through music, photography, movement, or any other creative endeavor I dip my toes in. I don’t know exactly what my ultimate destiny is because we can never know, but I do know it will for sure be something where I hold the power to create and express myself through art – I will make sure of that.

Please tell us all about your debut track Gas Station Bouquet which is due to drop on the 10th Feb.

Naia Lika: I’m so excited! The song derives from an eight-song project that was created in August of 2022. I worked with a team of two producers and two co-writers which definitely helped speed up the process. We were completing songs in about 1-2 days each. This song was the second one we wrote and it’s become one of the most special to me. This was the first one that I felt we had actually been able to crack the surface and discover a hint of my sound. The longer we started working on it, the more I felt I could truly resonate with it.

I had spent most of my time during the pandemic writing about traumatizing, heavy topics because I was convinced that music had to be like that. But “Gas Station Bouquet” acted as a catalyst that allowed me to see happy moments with just as much value as “sad” moments. This really built momentum in my daily life; I started to become more present in mundane activities and I learned to appreciate them.

How much of an influence have your parents had in your music career?

Naia Lika: I definitely wouldn’t be sitting here today if it weren’t for them. From the day I could speak, they threw me into a world of music. It became natural for me and I never even questioned a life outside of it for the majority of my upbringing. They had always expected it from me, which I blindly followed.

It wasn’t until I hit college where I started to gain self-awareness. I learned to question myself and challenge my beliefs. Doing so gave me the space to realize that I wasn’t in the right place. When I dropped out of college, they were so upset with me. My dad could barely speak to me because we all assumed I would never touch music again. Like I said earlier, though, the pandemic forced me to pick up my guitar again and I haven’t stepped away from music since. For the first time in my life, I actively made the decision to engage in my art without any external factors telling me to do so.

My dad actually ended up convincing me to do my first artist project after hours of arguing. I wanted to make that decision for myself without being pushed to pursue it, since songwriting had become something that was mine and only mine. I gave it a lot of thought and went through with it and fell in love with the entire process. This is a side of the entertainment industry I had never gotten to experience before because I had been immersed in theater and the classical side of things my entire life. I’m so grateful I took the leap. This space feels right for me.

Creating the song was an impactful moment for me. I had just experienced one of the toughest years of my life and it was such a valuable opportunity to actually sit down and write about something positive in my life amidst all the negativity swarming my mind. I don’t think I take enough time to appreciate what I have in my life.” ~ we love how inspiring this quote is. Have you found that by making music, your mind had calmed down from your tough experiences?

Honestly, at this point in my life, I think it’s made me more anxious. I used to be really good at avoiding the spiraling thoughts that constantly swarmed my mind, but songwriting doesn’t let me do that. Creating art forces you to face everything going on inside, which can definitely be overwhelming at times. I’ve really been digging deep and culminating in a force of self-awareness for over three years now, but it’s not a linear process. I sometimes have the tools I need to calm my mind as I write, but at other times, it feels like I have lost all my tools and allow my songwriting to exacerbate the chaotic thoughts until they become too much to deal with. I think it’s a learning process. Taking a step back to write about your life and experiences can be extremely eye-opening and I think it’s important to have the resources to take care of yourself when something challenging may come up.

You’ve lived in Las Vegas, Michigan, Boston, Hawaii, Vegas again, and Los Angeles. Do you feel like these experiences have broadened your mind?

Naia Lika: For sure. I grew up in a decently conservative area in Michigan where my beliefs did not align with the majority of people I was surrounded by. I felt so isolated and alone here; people were so shallow and surface level that any ounce of emotion I showed was considered “sensitive” and “crazy”. Boston was a complete 180. There, I was able to discover my bisexuality and flourish in an environment that let me be unapologetically myself. I moved to Hawaii, where I had to come to terms with my mistakes. Hawaii is an overly colonized kingdom where native people are fighting for their land every day as they get pushed to the streets. Los Angeles is now where I call home. It’s a place that has re-opened my eyes to a world of motivation and drive, something I was lacking in Las Vegas. The environment here is constantly pushing forward and I honestly love it so much.

Last, what do you hope for humanity to learn after all that has happened recently?

Naia Lika: That’s such a big question and it’s so difficult to pinpoint one thing. I don’t like to sit around and wish for things to be different because I was taught that wanting something to be other than “what is” will only bring you suffering. However, I am also a firm believer that we must stand up and speak out against the things that need change. I think mainly, I want humanity to learn to care for others: other people, other animals, other environments, and the earth they walk on. The issue here is people that who didn’t grow up with love and care often can’t emulate it because they didn’t have the opportunity to receive it. I wish I could make everyone children again and teach them that the world is a safe and good place, but you can’t change people’s past. And unfortunately, sometimes people’s past affects everyone’s future.

Pre-save her new release here. Follow her journey via IG.

Interview by Llewelyn Screen

Chloë Lupton is set to lift the collective mood with her intoxicating amalgam of RnB, Funk, Disco and Pop in ‘Midnight Radio;

Chloë Lupton

RnB Funk Pop fusionist, Chloë Lupton, has transmitted the ultimate soundtrack to intoxicated euphoria with her latest single, Midnight Radio.

The catchy disco grooves that pulsate through old-skool-inspired production are seductively efficacious in their ability to reflect the heat when sparks fly from a chance encounter on the dancefloor as you connect through music.

The 22-year-old Suffolk-based artist is a creative powerhouse after spending the last seven years studying and working in music, acting and dance, including training in performing arts and musical theatre.

After realising she has an ear for soul, jazz and RnB, which also happens to be where her stylish signature vocals lie best, she worked on adding her own individualistically amalgamated sonic style to the airwaves. Now signed with Radical Lounge Studios, there is no telling where the soulful prodigy will be a year from now. She’s definitively one to watch.

Midnight Radio will officially release on January 20th across all major streaming platforms. Check it out via this link.

Review by Amelia Vandergast

solos has unveiled his innocently sweet star-crossed indie-pop single, only mine

Recently, there has been a lot of demonising rhetoric about people crushing on their friends; the up-and-coming Boston-based artist and producer, solos, proved that it is completely possible to respect the friend you want to go further with through his single, only mine.

The melodic indie-pop single that pushes the accordance from the acoustic guitars to the front of the mix is an extension of resonance to everyone who finds themselves lamenting over the lack of mutual attraction but maintaining gratitude for the friendship.

The ornately mellow short and sweet track, complemented by the music video, is one of the purest things you will see and hear all year. His crystal-clear RnB-tinged pop harmonies against the mellifluous flow of the instrumentals are wholesomely transcendent.

The official video for only mine premiered on January 13th; watch it yourself on YouTube.

Review by Amelia Vandergast

DMK takes us ‘Higher’ with his alt-RnB single

With a similar tonal palette to the one used in Nirvana’s iconic track, Something in the Way, in addition to the faint reminiscences to Hozier, the up-and-coming independent RnB artist DMK, well and truly came into his own through his artfully experimental single, Higher.

We fully attest to the single’s ability to take you higher through the transcendental feel of the soundscape, which breaks through from the grungy indie guitars in the prelude. The calm and collected nature of the vocals makes it all too easy to meditate on the laidback lyrics that illuminate a more mindful way of living. For your own sake, make it a playlist staple. The hypnotic textures of the track have what it takes to strip ennui from the soul by sonically alluding to the emotional quiescence we should all be striving for. The Houston-hailing artist and producer is definitively one to watch.

Watch the official music video for Higher on YouTube.

Review by Amelia Vandergast

Grammy-Nominated Frank Swisher is on Euphoric Form in His Contemporary RnB Single, ItDontGetNoBetta ft Corio

Frank Swisher

For his seminal single, ItDontGetNoBetta, the SWILLA-signed artist, Frank Swisher, teamed up with Corio to create a gratitude-encompassing feat of RnB soul that pays homage to the unparalleled feeling of losing yourself completely in the sanctity of another.

If those three little words don’t feel enough, send your main squeeze this lusciously fresh hit their way to allude to how deep your feelings run. It’s Shakespeare for the modern era, with sublimely smooth melodies to boot.

After garnering hype as a rising artist in the hip-hop world, Swisher set his sights on the contemporary RnB scene; based on the impassioned euphoria within ItDontGetNoBetta, the Ohio-born and raised artist may just be in the running for another Grammy nomination.

ItDontGetNoBetta will officially drop on January 13th. Catch it on Spotify.

Follow Frank Swisher on Instagram.

Review by Amelia Vandergast

School is in session for Monicasuperiorroze’s lesson on sensuality in her seminal single, Close

The spotlight is moving ever closer to the sensuous soulstress, Monicasuperiorroze. The Palmdale-residing RnB artist brought as much heat as the Cali sun she finds her inspiration under in her seminal single, Close.

The kicked-based grooves and sultry harmonies set an elevated laid-back tone, while the lyrics show how visceral affection should always be. With nuances of trip-hoppy jazz written into the extended mix and ample room for vocal progression and tensile amplification, Close is a whirlwind for all the senses.

There is a discernible boldness and confidence in her indie RnB stylings; she could never be accused of being assimilative. If she’s following any rulebook, it is the one she constructed from the confetti after ripping up the rules laid down by everyone before her.

Stream Close on YouTube. Follow Monicasuperiorroze on Facebook, TikTok and Instagram.

Review by Amelia Vandergast