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Pop Music

As the trends in music evolve, as does the definition of pop music. Pop started as an abbreviation for popular; since the mid-20th-century, it has become the go-to term to define the music currently holding the most favour with the public. The evolving nature of pop makes it hard to pinpoint the pioneers; some say it all started when performers needed a catchy and memorable song in the Victorian area, while others say that pop began with the original crooners in the 30s.

The introduction of the pop music charts in 1952 allowed a cultural shift to form around music. It was at this point in history that teenagers became a massive target for the media. Before this new social reconstruction, there had been no in-between for children and adults. Just as it is now in the TikTok age, where teenagers can make an unknown artist go viral in minutes, teenagers effectively ran the music industry in the 50s too!

After Elvis Presley reigned supreme in the late 50s and early 60s, the Beatles dominated the charts for eight years until they disbanded in 1970. Throughout the 80s, synthpop took the pop limelight until the Boy Band era was born in the 90s. The selling power of East 17, Take That, Backstreet Boys and ‘N Sync gave Bob and Chris Herbert the idea to manufacture the world’s ultimate girl group; with the Spice Girls, they discernibly succeeded. After the Spice Girls topped the charts, more manufactured pop acts, such as Britney and Mariah Carey, started to surface. Manufacturing is still a massive part of the pop industry, but more and more pop artists are becoming brave enough to break the mould (think Billie Eilish, St. Vincent and Lorde).

Even though the pop charts are more diverse than ever, with Ed Sheeran sitting next to the Weeknd and Dua Lipa next to Tom Grennan, there are still common factors in their pop tracks. Today, most songs that fall into the pop category follow the extensively tried and tested pop formula. Generally speaking, pop tracks are 3 – 5 minutes in duration, use just one key, contains melodically lyrical soundbites that include the title, have a repeating chorus and keep to 4/4 time signatures. Repetition is quite literally key.

Unless it is a ballad or a stripped back acoustic number, pop tracks usually unfold to danceable tempos and rhythms to complement the lyrical hooks. Elements from every genre can be pulled into pop, the main ones being rock, RnB, hip hop, country, Latin and dance. Indie pop was a force to be reckoned with at the start of the millennium, but two decades in, it has lost its foothold to hip hop and RnB, which have become pop genres in of themselves.

Syd Taylor became the new iconic alt-pop siren with her debut single, Love of Your Life

After breaking away from the twin duo, Stereo Jane, the indie alt-pop siren, Syd Taylor, came into her own with her paradox of a self-produced debut single, Love of Your Life, which haunts with its vintage tones as much as it uplifts and empowers through euphoric pop hooks.

The symbiosis between the brashy, saturated-in-delay lo-fi intimacy and the sleeker aesthetics in the single enabled Taylor to cut away from the monotonous fray of polished with superficiality pop and establish herself as a singer-songwriter and producer in the same league as Angel Olsen and Adrianne Lenker. If you’ve ever known the red flag fear of being the subject of obsessive attraction, Love of Your Life is the ultimate reparation.

As a signifier of how much of a phenomenon Syd Taylor is destined to become, the launch party for Love of Your Life happened between the unhallowed walls of the Viper Room on September 20th. With her debut LP in the pipeline, she’s the definition of one to watch as she works her way into the alt-pop pantheon.

Stream the single on all major platforms via this link.

Review by Amelia Vandergast

Bella Gate usurped Lorde in her introspectively arcane piano-driven indie ballad, The Death of an Icon

Bella Gate has ushered in her debut album ‘Gateway‘; a sonic anthology that promises an introspective journey mirrored in its poignant title. At 23, the London-based evocateur has evolved from a child prodigy to an artist with a mature, resonant voice, chronicling her odyssey from adolescence to adulthood with lyrical sincerity and a rich sonic palette.

‘The Death of an Icon’, an iridescent highlight from the album, offers a narrative steeped in personal revelation and artistic struggle. This single, draped in folk nuances and anchored by an ornate piano arrangement, gazes into the torment of an agoraphobic, creatively stifled protagonist. Whether reflecting Bella’s past selves or purely fictive, the track’s emotional gravity is undeniable.

Produced remotely by Jordan Round and polished by Geoff Pesche at Abbey Road, ‘Gateway’ spans a spectrum from balladic solemnity to buoyant folk, all the while maintaining an emotive coherence which eschews conventional hooks for lyrical imagery which pierces the soul and haunts long after the last note fades.

Forget Lorde, Bella Gate is reigning supreme in the sphere of introspectively stylised indie ballads.

Stream Bella Gate’s debut LP, Gateway, on Spotify.

Review by Amelia Vandergast

Wagner Gracciano became the definition of emotional depth in ‘I’m Here’

Wagner Gracciano’s single, I’m Here, from his sophomore album, The History of Mark Beck, is a veritable smorgasbord of stylistic influence and innovative substance which will transport rock fans back to an era when Chris Isaak dominated the airwaves.

With soul-drenched production, sensual RnB touches weave through a tight mesh of rock guitar lines, classic pop harmonies, and the shimmer of organ keys, creating a unique gospel of pop rock. As diverse as the track is, the seamless cohesion pulls everything together in a sublime display of genre fluidity.

‘I’m Here’ makes a bold statement of passion and dedication, showing that romance isn’t as dead as we perceive it to be as Gracciano exhibits his forte in transcending the confines of genre labels and creating utopias of euphonia with his songwriting. With each listen, there’s a deepened appreciation for the superlative arrangement and emotive depth that defines the track.

As a multi-talented guitarist, composer, and producer, Wagner Gracciano has spent over 25 years mastering his craft across genres such as progressive rock, blues rock, jazz, fusion, RnB, and heavy metal. The History of Mark Beck (2024) showcases his affectingly immersive lyricism and Grammy-worthy compositions, with guest appearances from Cleveland P. Jones, Carlos Zema, and Rachael Da Silva. Supported by world-class musicians such as Charles Judge, Michael Webb, and Adair Daufembach’s pristine production, Wagner’s vision is undeniably realised.

I’m Here is now available to stream with Wagner Gracciano’s sophomore LP, The History of Mark Beck on Spotify and all major platforms.

Review by Amelia Vandergast

Goodfellow delivered the antidote for obsessive rumination with his alt-pop hit, Think 2 Much

Goodfellow, accompanied by the honeyed harmonies of female vocalist seleen, dropped a genre-defying single that seizes the RnB Trap Pop scene with an undeniable groove. ‘Think 2 Much‘ hit the epicentre of the contemporary genre-fluid zeitgeist by weaving pop elements reminiscent of Maroon 5’s chart-dominating era with ‘Payphone’ into a foundation of trappy beats.

In ‘Think 2 Much’, the lyrics paint a chaotic whirlwind of thoughts induced by an overwhelming crush, offering listeners a sticky-sweet vignette of emotional turmoil. This perennial earworm doesn’t just narrate; it plunges you into the heart of melodious obsession where there’s no escaping the razor-sharp hooks which are embedded within the quintessential soul of RnB.

The slick production ensures that the beat remains too addictive for just one listen, and the same goes for Goodfellow’s cheeky, hedonistic charm that permeates the track, resonating through augmented summer-vibe melodies that promise to outlive the season.

For those entangled in the messy throes of romance, here’s your anthem.

Think 2 Much is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Jake Marshall allowed the anxiously attached to unite in his retro synth-pop hit, TOO MUCH!

We may be in an era of throwaway pop hits but if any track is worth holding onto it is Jake Marshall’s sad-boy synth pop sophomore release, TOO MUCH! Marshall and his 5-octave range set the bar high with his titularly ironic debut single, Bad Singer, and transcended it with the 80s aesthetics and indie hyper-pop nuances in TOO MUCH.

The candidly riotous track finds an earwormy way to articulate the trials and tribulations of contending with an insecure attachment style and battling with the inner monologue which constantly gnaws with crushing self-reflections of overbearingness. Even if you don’t have bags of childhood trauma attached to your attachment style, we can all relate to some degree to how it feels to feel too much as we try and seek assurance and affection.

Safe to say, Jake Marshall is the queer icon we never knew we needed; his discography is shaping up to be far more than just outpours of pained introspection, it’s a safe space where outliers, the heartbroken and the LGBT+ community can find swathes of consoling resonance.

With his upcoming EP, love(s) of my life, in the pipeline, the future looks iridescently bright for Jake Marshall.

TOO MUCH! Dropped on September 6th; stream the track on SoundCloud now.

Review by Amelia Vandergast

DanFromUpstairs & Luke Matthews shifted the tides of alt-pop with ‘Love’

With his boy-next-door moniker which fully synergises with his genre-fluid sonic identity, DanFromUpstairs is easy to adore. The Brighton-based artist’s latest single, Love, featuring Luke Matthews is a veritable exposition of how much of a forte orchestrating authentic alt-pop earworms is to him. I can safely guarantee you won’t find a more deadpan love song on the airwaves, and that is just scratching the surface of the ingenuity in Love.

As the pseudo-hip-hop beat slaps, the pop melodies stroke with their lush 90s-tinged aesthetic creating an expansive contrast with the intersections of scuzzy synths and raw indie rock guitars which rough the smooth edges of the polished production that you’ll need a serious concussion to forget.

As a true conduit of sonic experimentation who knows exactly which textures, tones and stylistic elements to synthesise into his narratives to ensure innovation doesn’t deviate into obscurity and veers towards commercial potential instead, DanFromUpstairs is standing at the vanguard of the modern genre-bending trend.

The official music video for Love will premiere on September 13; stream it on YouTube.

To connect with DanFromUpstairs and keep up to date with news of his forthcoming debut album, Hopeless Fables, which promises to deliver a continuous fever dream as the track grooves between electronica, funk, hip-hop, jungle and rock, follow the artist on Instagram.

Review by Amelia Vandergast

maxhauer – fifteen: Cerebrally Melodic Indie Pop

Maxhauer’s sophomore single, ‘fifteen’, sweeps listeners into an indie pop sphere of celestial fluidity and exhibits how the innovative artist has honed his sound after a promising 2023 debut to re-emerge with a melodically cerebral piece that cradles his vocals which are so light they become the oxygen you breathe as you follow the diaphanous progressions as they lead to gentle, ambient crescendos.

Positioned somewhere between the evocative expressions of Death Cab for Cutie and Elliott Smith, maxhauer channels the introspective spirit of these indie legends while marking his territory as the boygenius of a new era. His sophomore single reveals an artful orchestration, seamlessly weaving expansive, lush harmonies that paint a vivid scene of emotional intensity, satisfying those yearning for a more complex, emotionally dense soundscape.

Maxhauer, as a multi-talented producer and vocalist, will undoubtedly become revered for his unique ability to infuse the nuanced longing of adolescence into his music. His compositions are both a revolution and an evolution in the indie music scene, where plaintive vocals and expansive harmonies intertwine to create a sound that gnaws at the listener with its raw, poignant beauty.

After one hit, your rhythmic pulses will crave the emotive journey for the catharsis in the candour. Safe to say, he’s one for every indie fan’s radar.

Stream fifteen on Spotify now.

Review by Amelia Vandergast

ARCTISKY – My Relief: Romance & Raw Alt-Rock Ingenuity

With his latest single, My Relief, the soul conduit ARCTISKY orchestrated an alt-rock single that resonates with the romantic intensity of the 80s while pulsating with contemporary vitality and standing as a testament to his worthiness of the highest industry accolades.

From the Maldives to Melbourne, ARCTISKY channelled a voice so warm it could thaw the coldest souls into a sonic landscape which weaves swoon-worthy melodies that suspend in the air and pirouette through the world-class production.

My Relief is a flawless fusion, serenading listeners with vocals reminiscent of Bryan Adams, and orchestral crescendos that ensure your heartstrings are inseparably combined with each progression. To subvert the arcane accordance, a surprising shift comes with the middle eight; gruff, voicemail-esque tones akin to Tom Waits introduce a jarring yet brilliantly conceived contrast, showcasing ARCTISKY’s determination to boldly assert his sonic identity.

Safe to say, the track is one of 2024’s most emotionally impactful releases. If you want the burdens stripped for your soul, sink in.

My Relief debuted and salved the airwaves on September 6th; stream the single on SoundCloud and Spotify.

Review by Amelia Vandergast

Celine Georgi serenaded her sycophants in her pop hit, Fan of Mine

RnB Pop revolutionist, Celine Georgi, hit the ground running with her seminal EP, Serendipity I. A standout single on the EP, Fan of Mine, is a rhythmically cultivated earworm which exhibits the euphonically evocative power in her ethereal vocal lines and is sure to leave swathes more sycophants kneeling at her altar.

The track kicks off with a wavy, delay-saturated prelude that gently sweeps you into its sonic sphere, followed by Georgi’s cinematic harmonies which seamlessly meld with a solid, rhythmically gripping beat. As you follow the melodies through the narratively rich synth pop tour de force, the beat punctuates pulsative gravity into the track which mirrors the quality of Hollywood Blockbuster. The balance of snare hits and bass drum punches drives the track forward, carrying all the momentum you could hope for in a dance pop hit.

As the music washes over you, there’s a palpable sense of euphoria paired with an urge to hit replay. For anyone chasing the sound of summer, look no further; Fan of Mine will resonate far beyond the season.

Fan of Mine is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Mars Playground carried an arsenal of earworm potential in his alt-pop hit, ‘S.O.S.’

Mars Playground, helmed by Chris Dixon, embarked on a bitter-sweet alt-pop exploration of angst and existential rumination with his latest track, “S.O.S.” The South Florida native melded the nostalgic beats of mid-2000s hip-hop with the crisp innovation of modern bedroom pop, set to the pace of hyper-pop while touching the raw nerve of pop-punk to craft a boldly original sonic profile worthy of drawing comparisons to the likes of Dominic Fike and Post Malone.

The icon of genre fusion synthesised trap’s rhythmic dynamism and indie’s subtle introspection to create a masterpiece of modern sound which oozes commercial potential. After initiating with percussive breaks that nod to the likes of Alexisonfire, the song subverts expectations with its euphonic pop aesthetics which envelop an emotional upheaval wrapped in a veneer of sticky-sweet melodies that cling relentlessly to memory.

As Mars Playground continues to chart a course towards critical acclaim, S.O.S. is yet another testament to the resonance of his boldly candid sound. The universal plea for solace amidst chaos sends a lifeline, woven with the threads of his vibrant, varied influences and the unvarnished truths of his journey.

S.O.S. hit the airwaves on August 28th; stream the single on Spotify now.

Review by Amelia Vandergast