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Best Music Blog for New Artists

Under the Ephemeral Veil: DANIELA’s Sonic Resonance in ‘Waiting’

Posted on 26 November 2024

DANIELA’s latest indie RnB single, ‘Waiting,’ is as ethereal as slipping through a semi-lucid dream. The indie-tinged journey through stripped-back soul demands that listeners surrender to the seraphic sublimity of its dreamy atmosphere, which stands as an exhibition of DANIELA’s authentic to the nth-degree talent.

With every note, she demonstrates a masterful command over texture, tone, and melody, carefully curating each sonic element to immerse her audience into a vignette of dreamy, lovesick longing. The warmth of her vocal whispers serves as the gravitational core of the track, leaving the listener tantalised long after the music fades.

Originally from Italy and now enriching London’s diverse music scene, DANIELA draws inspiration from icons such as Amy Winehouse and Lana del Ray, weaving her rich, emotive vocals with contemporary production that hints at nostalgia. Her musical narrative is steeped in neo-soul, jazz, and Italian melodic influences, culminating in a distinct sonic signature.

With a background rich in performance—from London’s speakeasies to the jazz circuits of the Emirates—DANIELA has honed her craft on illustrious stages, contributing to her seasoned artistry. Her live performances resonate with the strength of her studio work, notably during standout gigs such as the WOW Festival at Southbank Centre, backing legends like Sister Sledge, and enamouring audiences in venues as diverse as the Grand Hyatt in Doha and the spirited bars of Soho and Shoreditch.

Waiting was officially released on November 15; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

FHMY – my blue heaven, featuring AQL; a shoegaze invitation to tonal nirvana

Posted on 23 November 2024

The Cairo-born artist, FHMY’s latest single ‘my blue heaven’, featuring AQL, fuses the tonal sublimity of shoegaze with the rhythmic intricacy of math rock, giving listeners a double dose of melancholic alchemy.

The undercurrents surge with an immense force of gravity, dragging you under the progressions as the vocal outpours of emotion oscillate and bleed into the production, allowing the evocative edge of the single to belie the abstract nature of the lyricism. Tumultuous yet as mellifluous as waves crashing onto the shore, ‘my blue heaven’ is the definition of a juxtaposing masterpiece.

FHMY could easily have entered the Hall of Fame pantheon alongside Smashing Pumpkins and My Bloody Valentine if he had entered the scene in the epoch when indie luminaries capable of tearing down the barriers to the soul while building immense walls of sound reigned supreme.

my blue heaven was officially released on November 15; stream the single on Spotify now.

Review by Amelia Vandergast

Daniel Aether tore through the EDM scene like a ‘Tsunami’ in his latest track, featuring Princess Lourdess

Posted on 15 November 2024

If your playlist is missing a track that can thrash through the mundane with visceral intensity, ‘Tsunami’ by Daniel Aether featuring vocal lines from the salacious siren, Princess Lourdess, will fill that void.

So much more than an anthem; it’s an unapologetically soulful storm that melds afrobeat grooves, textured RnB vocals, boom-bap beats and a relentless EDM drive, allowing it to tear apart genre boundaries with hedonistic heat. Once you’re caught in the rhythmic momentum of ‘Tsunami,’ you’ll have no option but to surrender to its evocative pull.

Raised in Italy, based in Scotland, and rooted in Nigerian sounds, Aether’s cultural melting pot of influences pours seamlessly into this track. His appreciation for RnB, Afrobeats, and K-pop harmonies shines through, as does his affinity for MNEK, Little Mix, and Mariah Carey, but it’s the ad-libs and harmonies—think Destiny’s Child with a twist—that distinguishes this single. His seamless integration of influences makes the single as versatile as it is slick, complete with polished production that belies his underground indie status.

‘Tsunami’ may be a love song for volatile hearts, but it’s the refined production and sublime vocal layering that should have this track shimmering at the top of the EDM charts.

Tsunami will hit all major streaming platforms on November 15; stream the single on SoundCloud first.

Review by Amelia Vandergast

Laura Mock took her listeners from poetic depth to ethereal heights in her standout single, Acadia

Posted on 11 November 2024

After two years of pouring her poetry, candour and sublimely affecting unique aura into her debut EP, home//body, the NYC-residing songstress, Laura Mock has finally unveiled one of the most sensuous sounds of 2024.

The standout single, Acadia, starts with tenderly warm piano chords which echo Nick Cave’s ‘Into My Arms’ before the single veers into stylistically seraphic easy listening territory and concludes following an arcane neo-classic folk pop crescendo which reaches the epitome of sonic serenity.

Despite the diaphanous propensities of each of the motifs in Acadia, the artfully composed, orchestrally laced progressions are strong enough to carry the weight of the heaviest souls as Mock uses the organic reverie within her vocal register to wrap you up within a vignette where naturalistic beauty resounds in equal measure to the divine nature of her talent.

Stream Laura Mock’s debut EP, home//body, on Spotify now.

Review by Amelia Vandergast

faSade – Freedom to Carry (Is Not Free): A Dark Cabaret Plea For An End to The Right to Bear Arms

Posted on 6 November 2024

In the Avant Garde production of faSade’s dark cabaret rock single, Freedom to Carry (Is Not Free), the artist plunges deep into the heart of one of America’s most polarising debates. The jazz-imbued track, saturated with theatrical verve, doesn’t shy from voicing the harrowing price paid by innocence in the face of the nation’s gun culture.

With each lyric, faSade delivers visceral blows, but none as sharp as the one imparted through the strikingly sombre line, “Your freedom to carry is not free when I have to carry my child to the cemetery”.

The fierce outcry against the so-called freedom of gun ownership accounts for the loss of the cost of children’s lives while delivering an anthem mourning those lost to the bullets of mentally ill assailants and a rebuke of society’s complacency.

With America on the brink of electing a new leader, the timing of the track couldn’t be more poignant. faSade holds a mirror to the grim realities of a society that chooses the profits of the gun industry over the safety of its youth as the artist condemns the political powers that perpetuate this cycle of violence for electoral gains, and the societal indifference that allows domestic abusers and despondent individuals access to firearms.

Through Freedom to Carry (Is Not Free), faSade implores listeners to awaken from their idle states as mere legislative changes could preserve countless futures.

The official video for Freedom to Carry (Is Not Free) premiered on October 18th; stream the video on YouTube now.

Review by Amelia Vandergast

You Dirty Blue revived vintage blues rock with their renegade of a hit, Humming

Posted on 5 November 2024

‘Humming’ by You Dirty Blue thrashed into the blues rock scene with a rare ferocity that barrels through the annals of music history. This single reverberates with the raw, unrefined essence of 70s rock, encapsulated by fuzzy guitar riffs and raucous vocals that snarl with renegade charm. It’s a rhythmically infectious track that knocks polished modern rock productions off their pedestals and replaces them with something that resonates with the spirit of old-school rock.

You Dirty Blue, a powerhouse duo from Tamworth, have been igniting venues across the UK with their explosive live shows. Their music is steeped in the DIY ethos of grunge and blues, infused with a punchy punk twist that makes each performance unforgettable. Humming is a new chapter in the duo’s legacy with its heady rush of rock’s golden era aesthetics and modern ferocity. If you’ve been pining for the days of raw, unapologetic rock music, get your kicks that are guaranteed to leave a lasting mark.

Humming was officially released on November 1st; stream the single on SoundCloud now.

Review by Amelia Vandergast

Rearview Romantics delivered a new testament of rock n roll with ‘The Preacher’

Posted on 16 October 2024

Out of Philadelphia, the raw force known as Rearview Romantics slashed through the rock scene with their stormer of a single, ‘The Preacher’.

The unapologetic throwback to the 60s – 80s rock epochs erupts with crunchy, overdriven guitar riffs that could summon spirits from rock’s golden age. The vocals carve a niche between Metallica’s gritty resonance, the anthemics of New York Dolls and The Cramps’ punk eccentric ferocity, creating an uncompromising voice for the band. The production crackles with an electric fervour, each note and beat engineered to grip your soul and shake it awake.

The manifesto of rebellion dictates a relentless pace that dares listeners to keep up. As a rock anthem, the track ticks all the boxes, bridging the gap between classic sensibilities and potently explosive energy.

With their larger-than-life live shows marked by magnetic stage presence, Rearview Romantics are quickly becoming the act to watch. Coupled with a consistent stream of videos and tracks, the rock n roll reverent renegades are proving they’re destined for bigger stages.

The Preacher was officially released on September 26th; stream the single on YouTube now.

Review by Amelia Vandergast

Spyndycyt existentially unravelled over a four-to-the-floor Avant-Garde beat in ‘I Don’t Wanna Do This Anymore’

Posted on 12 October 2024

Spyndycyt’s latest single, ‘I Don’t Wanna Do This Anymore,’ amps up the sonic signature scribed through his prior releases, giving the electrifying track a pulse of EBM while keeping true to his erratically eccentric vocal style as he unravels over a narrative of existentialism and frayed with chaos strobing synth lines.

As quirky and kinetically rhythmic as Neuroticfish and The Gothsicles, as experimental as, well, it’s pretty hard to draw a comparison in that domain, this latest single from Spyndycyt proves how succinctly he can command a four-to-the-floor beat that injects symphonic elements of the 90s rave scene.

It’s a broadsiding tour de force that is undoubtedly as effective at altering your brain chemistry as electroshock therapy. Bite down on this exploration of mistrust, betrayal, and the crushing, ever-growing suspicion that all your deepest and unspoken fears are true.

Contrasting the dark thematic undercurrents of being a terminal disappointment, the solo artist ensures that I Don’t Wanna Do This Anymore oscillates through euphorically rhythmic hedonism to sugar the pill you will want to swallow time and time again.

I Don’t Wanna Do This Anymore is now available to stream on SoundCloud.

Review by Amelia Vandergast

Get a Sonic Contact High from Bramley’s 80s House Anthem, You See Me?

Posted on 8 October 2024

Bramley is no stranger to invoking pure euphoria, and with You See Me?, he pushes the limits of retro-inspired house grooves, creating a track that feels like it was made for that 2 am peak in a sweat-soaked club when shirts are off and the energy is electric. The powerhouse vocals soar effortlessly over his disco-tinged beats, offering an instant mood lift as they project empowering reprises through the mix.

As an accomplished DJ, musician, and guitarist Bramley has a clear vision – to take his listeners on a sonic ride where live elements meet the pulse of electronic music. His knack for knowing exactly when to let the rhythm breathe before hitting hard with those infectious hooks shines through in every track he touches. You See Me? is an undeniable attestation to his mission to make rhythmic hedonism oscillate across dance floors.

The track oozes old-school house nostalgia while maintaining a fresh feel for today’s appetite for house hits. You See Me? hits so much harder than your average house cut; it’s a rush of retro bliss that reminds house music fans why Bramley is a kingpin in his genre.

You See Me? dropped on September 27; stream the single on all major platforms, including Spotify and SoundCloud.

Review by Amelia Vandergast

The renegades of shoegaze revolution, interail, emerged as an unreckonable outfit in their debut single, red

Posted on 3 October 2024

With their debut single, red, the independent alt-rock outfit interail went beyond dropping the first track in their repertoire. The Northwest UK-hailing four-piece collective established themselves as the renegades of rock’s impending revolution, impending under their juggernautical volution.

Undercurrents of grungy shoegaze permeate the artfully chaotic tour de force, guaranteeing that getting swept up in the tides of red is non-optional as piercingly tumultuous percussion punctuates the laments of the distorted guitars beneath the vox, which oscillate between emulating everyone from Julian Casablancas to Thom Yorke to Orlando Weeks before heightening the evocative sting of the unique inflexions as the track gears towards its viscerally intense hardcore-tinged outro.

Not one moment of red allows you to feel comfortable within the progressions; the dynamic chameleon shifts in pace and tone are enough to leave your nerves frayed and your rhythmic pulses in knots.

The bar couldn’t have been set higher with their debut track; if you’re sick of assimilation-driven shoegaze, prepare to be adrenalised by the walls of sound in red.

Stream red on Spotify now.

Review by Amelia Vandergast