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Jazz

Robert Prester & Adriana Samargia gave jazz a sophisticated edge with ‘Altar Ego’

Posted on 2 April 2024

Two major talents collided for the creation of the superlatively cultivated jazz-pop score, Altar Ego; with Robert Prester in deft charge of composition, lyrics and piano & Adriana Samargia lending her cinematic vocal timbre to the number, it unravelled as a standing ovation-worthy triumph.

Sophistication spills from every note in the sublime, bordering on baroque, score which exhibits Robert Prester’s virtuosic flair when his hands find harmony over piano keys while Adriana Samargia’s vibrant-with-zeal contribution to the single infuses Altar Ego with swathes of commercial appeal. With a voice which wouldn’t be out of place on Broadway, Adriana was the perfect fit to add even more vigour to this exhilaratingly distinctive number.

Stream the official music video for Altar Ego on YouTube.

Review by Amelia Vandergast

Slip back to the mid-century with Sam Johnson Trio’s jazz number, Waltz for Taylor

Posted on 27 March 2024

Sam Johnson Trio’s latest single, ‘Waltz for Taylor’, is a temporal gateway to the golden era of mid-century jazz, an introduction to the trio’s commitment to authenticity and an exhibition of their skill in crafting a sound that resonates with the essence of jazz legends like the Vince Guaraldi Trio and the Oscar Peterson Trio.

The easy-listening instrumental score crafted by Sam Johnson (piano), Georgia Johnson (double bass), and James Wood (drums) shuns the lure of bravado and opts for an ambience rich in opulence and decadence, yet remarkably free of pretension. It’s a rare feat in today’s jazz scene.

The heart of this piece lies in its melodious piano keys, led by Sam Johnson. His intuitive play is the cornerstone of the trio’s sound, weaving a soundscape that is both warm and beguiling. The expressive flair of the music is subtle yet profound, inviting listeners into a world of escapism. The cathartic nature of this waltz is undeniable, offering a respite from the chaos of modern life.

This single is a must-listen for jazz aficionados and casual listeners alike, offering a slice of history served with a side of modern flair.

Waltz for Taylor was officially released on March 15th; stream the single on Spotify.

Review by Amelia Vandergast

Tuto Tribe – Magnetize: A Samba Reggae Pop Symphony of Serotonin

Posted on 22 March 2024

Southampton’s Tuto Tribe, a five-piece, multi-national samba rock band, has crafted a stunning symphony of serotonin with their latest single, ‘Magnetize’. The samba reggae-pop song, the band’s first foray into English lyricism music, is a masterclass in blending world music with pop sensibilities.

The band, born in 2022 and led by the effervescent Brazilian, Tuto, draws from a diverse palette of influences, including Jorge Ben, The Doors, and Manu Chao. Their sound is a modern, bright Brazilian-inspired concoction, with catchy hooks and rhythms influenced by samba, rock, Jamaican music, and jazz.

The reggae rhythms in ‘Magnetize’ wrap around the pop hooks seamlessly, while the vocals, sincere and soulful, spill love and light by the smorgasbord. The single showcases Tuto Tribe’s infectiously sunny disposition, burning as bright as a supernova, refreshing your lust for life and highlighting the beauty within sexual connections. With ‘Magnetize’ as a playlist staple, slipping into a feel-good groove becomes effortless.

Every instrumental element in the arrangement breeds an atmosphere of organic euphoria. The horn stabs, intricately eclectic guitars, and jazzy percussive fills create the perfect platform for the impassioned soul in the vocals to breathe through.

Lyrically, ‘Magnetize’ is a lesson in musical purity, as pure as the act of making love itself. It’s a testament to the band’s ability to create a sound that is both unique and universally appealing; it is a holiday you never realised you were going on.

Magnetize was officially released on March 22nd; stream the single on Spotify.

Review by Amelia Vandergast

Martin Packwood wrapped his latest jazz fusion, Moonlight in Paris, in the warmth of the Parisian night

Posted on 15 March 2024

Martin Packwood’s latest single, Moonlight in Paris, is a scintillatingly smooth journey through the streets of jazz fusion, where every note feels like a step along the Seine under a starlit sky. This amorous installation unravels as a sensory expedition, wrapped in the warmth of a Parisian night.

Packwood’s guitar work, reminiscent of the bluesy soulfulness of Eric Clapton, intertwines effortlessly with the jazz keys. The bluesy guitar notes, like whispers of a distant love affair, meld with percussive fills that don’t just give the score structure, they fill Moonlight in Paris with anticipation.  Each progression in the track teases the listener not unlike the narrative arc of a classic romance.

The genius of Packwood lies in his ability to draw from a diverse palette of influences. His style, a confluence of Santana’s rhythmic mastery and the improvisational spirit of jazz, makes Moonlight in Paris a track that transcends mere auditory experience. It’s a piece that paints pictures, evoking the filmic aura of a David Lynch creation.

This release, following Packwood’s consistent contributions to the jazz-rock fusion domain, confirms his place as a sculptor of soundscapes rather than just a musician. Moonlight in Paris is a nocturnal stroll through the heart of jazz fusion, leaving listeners with a longing for just one more night in the city of lights.

Moonlight in Paris will officially release on March 15; stream the single on SoundCloud.

Review by Amelia Vandergast

Daniel Walzer – Space Thing: A Cosmic Journey Through Jazz Fusion

Posted on 21 February 2024
Tripglitch by Daniel Walzer

Daniel Walzer’s single, ‘Space Thing’, from his LP ‘Tripglitch’, is an innovatively entrancing blend of jazz, electronica, and progressive rock elements and a shining example of Walzer’s prowess as a composer and multi-instrumentalist. His ability to compose avant-garde soundscapes deeply rooted in musical tradition is evident in the synthesis of spacey tones and mind-altering melodies.

The prog-rock guitars add a unique dynamic, intertwining seamlessly with the more traditional jazz and classical elements. This fusion creates a soundscape that is vibrant and upbeat yet laced with subtle hints of dystopia. Even amidst the more energetic progressions, Space Thing evokes a sense of quiescence and solace while sharing a few tendencies with the ‘War of the Worlds’ OST.

The production of ‘Space Thing’ is gentle yet potent, allowing each instrument to shine without overpowering the others. This balance is a hallmark of Walzer’s work, reflecting his deep understanding of and respect for each genre he incorporates into his music.

‘Tripglitch’, and particularly ‘Space Thing’, is a reflection of Walzer’s journey through various musical landscapes, from jazz fusion to new age and ambient pop. His ability to blend these styles while maintaining a cohesive sound is nothing short of remarkable.

Space Thing is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Blowing My Own Trumpet redefined the landscape of protest music with their world music single, Sama Rainbow

Posted on 18 February 2024
Sama Rainbow by Blowing My Own Trumpet

Blowing My Own Trumpet’s latest single, “Sama Rainbow,” is a striking blend of vibrant world music and poignant political commentary. The track is a rich tapestry of Latin and African rhythms, infused with the soulful essence of jazz. This musical family, led by Claude and Josephine Lamon, along with Joe Dorstal and Mattie James, has crafted a piece that is as thought-provoking as it is rhythmically exhilarating.

From the first note, “Sama Rainbow” immerses the listener in a world where the joyous beats of Africa and Latin America collide. The instrumentation is a kaleidoscope of sound, with each note painting a picture of vibrant landscapes. However, beneath this bright exterior lies a narrative of deep sorrow and frustration towards the political turmoil that taints the beauty of Africa.

The lyrics, poignant and direct, speak of the enduring pain caused by political corruption in Africa. Phrases like “Politicians still playing their games” and “Help save the broken Rainbow” are powerful calls to action, urging listeners to acknowledge and address the ongoing struggles.

What makes “Sama Rainbow” particularly compelling is its ability to balance the beauty of its musical composition with the gravity of its message. The track doesn’t just lament the state of affairs; it also offers a sense of hope and resilience. The final verses, “There are colours in the Rainbow / We have saved the broken Rainbow,” suggests a future where unity and justice might prevail.

In essence, “Sama Rainbow” is a powerful statement on the state of our world, wrapped in a melody that captivates and moves. It’s a reminder that music can be a tool for change, echoing the struggles and hopes of people across the globe.

Sama Rainbow is now available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

London’s most enchanting jazz siren, Camille Rose, soulfully reimagined the 50s classic ‘So This is Love’ for her latest release

Posted on 13 February 2024

Camille Rose, the South-East London songstress, has elegantly redefined the 1950s classic ‘So This is Love’, known from Disney’s Cinderella. This loungey, bright, and warm rendition is a testament to her ability to enchant; even if she sang acapella, the release would want for nothing with her soulful harmonies reaching the epitome of class as they hit the high notes.

Her approach to breathing new life into the release is a delicate balance, maintaining the gravitas of the original while infusing it with a contemporary zeal in opportune moments. Resulting in a rendition that respects its roots yet feels fresh and relevant.

The transformation of this well-known melody into a 21st-century jazz piece is nothing short of remarkable. With a brass section, backbeats, and basslines, Camille creates a texture-rich track that grooves effortlessly. Her velvet-smooth vocals, reminiscent of and influenced by Amy Winehouse are delivered with a playful spontaneity that mirrors the song’s narrative excitement.

Starting with just vocals and bass, the track explores a dynamic range, culminating in a rich backing by a 7-piece live band. This arrangement not only showcases Camille’s vocal prowess but also her deep understanding and love for jazz-infused soul music.

‘So This is Love’ is available now, preceding Camille Rose’s second EP ‘Be Alright’, set for release in April 2024; stream the single on Spotify.

Review by Amelia Vandergast

J reshaped the landscape of protest music with his jazzy guitar score, Shame on You

Posted on 28 January 2024

Busting the myth that protest songs need to antagonise in the same vein as Rage Against the Machine or Black Flag, the Brighton-based artist, J, exhibited how mellow sonic political activism can be with his latest release, Shame on You.

Paired with an aptly endearing official music video, the ‘oppressed version’ of the single, sans the snippets of dystopian diatribes from Trump and Bush, allows you to embrace the absurdity of our tumultuous political waters while rising above them as the lighter-than-air guitar lines seemingly defy gravity.

J’s guitar work is nothing short of phenomenal – his strings sing with a life of their own in the genre-fluid fusion of jazz, pop, and classical guitar, but notably, the secret ingredient is his unflinching sense of humour and his lack of artistic ego. It’s a rarity for an artist to be so talented and not locked into the singular vision of rock stardom; J always endeavours to create sonic experiences that resonate with his soul; in doing so, he opens up cathartic worlds with his virtuosic tongue-in-jazz-groove flare.

Shame on You will be available to stream from January 26th; stream the official music video on YouTube.

Review by Amelia Vandergast

King Apollo juxtaposed grit with glamour in his alt-hip-hop hit, Holliwould

Posted on 18 January 2024

King Apollo, hailing from Columbus, Ohio, is not just another name in the rap game; he’s a whirlwind of creativity reshaping the hip-hop domain. His latest single, ‘Holliwould‘, stands as a testament to this bold assertion. This track is a journey through a soundscape where jazz’s sophistication meets the raw energy of rap, creating an experience that’s as enigmatic as it is enthralling.

From the first note, ‘Holliwould’ envelops you in a world where the past and future collide. The instrumental arrangement is a masterclass in melody, weaving a tapestry that’s both spacy and wavy, with a jazzy undertone that feels like a nod to the classics. Yet, it’s undeniably forward-thinking, a fusion that feels both nostalgic and novel.

King Apollo’s bars are the centrepiece of this musical odyssey. His wordplay is not just clever; it’s a sly wink to the listener, as intricate and layered as the title suggests. The lyrics dance through the beats with a devilish charm, offering a glimpse into a mind that’s as sharp as it is creative. It’s this blend of wit and wisdom that sets King Apollo apart, ensuring that every line resonates long after the song ends.

By blending the glamour of film noir with the unvarnished truth of street life, contrasting elements coalesced with effortless grace and established this sense of duality as a mark of King Apollo’s artistry.

Stream Holliwould as part of the 2023 LP, OuterSpace, on Spotify now.

Review by Amelia Vandergast

Suedejazz Collective broke jazz-fusion boundaries with ‘Spinal Chord’, ft Louie Le Vack & LEYLAH

Posted on 16 January 2024

Suedejazz Collective assembled once more to create their sophomore single, Spinal Chord and brought Louie Le Vack & LEYLAH into the fold to orchestrate an unflinching foray into the darker side of contemporary jazz-fusion.

The intro sees piano keys sway against the rigorous drum fills and fervid horns before sultry RnB vocal lines, perfectly pitched by LEYLA, become a demure anchor in the track, but it isn’t long before there’s another seamless yet breakneck transition in the exhilarant feat of genre fusion. Hip-hop often borrows timbres from jazz, but Suedejazz Collective reverse-engineered the fusion by bringing in Louis Le Vack’s rap bars that bite down hard on the psyche over the synthesis of electronica fervour to effortlessly complement the ensnaring alchemy which grooves through the release.

There aren’t many jazz-inclined outfits that can transcend the fusionist flair of Melt Yourself Down and Acoustic Ladyland, but the energy and attitude which charges through Spinal Chord is set to seal the London-based multicultural collective’s fate as unrivalled conduits of experimentalism. The uniqueness of their sonic blueprint goes beyond edgy pretension. It opens up viscerally constructive arenas of sound that you’ll want to feel the heat of time after time. Forget the smoky jazz you’ve inhaled before. Spinal Chord is a wildfire in the form of a riptide.

Stream Spinal Chord on all major platforms via this link.

Review by Amelia Vandergast