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Top Hip Hop Music Blog & Promotion

The ‘Reckoning’ is Here, in the Form of Dissolved Girl’s Darkly Dystopic Trip-Hop Debut

With the juxtaposing vocal samples setting the cinematically disquiet tone as efficaciously as the harbingeringly dark electronic synthetics, which delve far beyond the dark depths of PJ Harvey, Massive Attack, and Portishead, Dissolved Girl made one hell of an entrance with their debut single, Reckoning.

The haunting anthem for a world teetering on the brink of collapse is a dystopian masterpiece, which encapsulates the unease and turmoil of contemporary times with its perturbed tones and intricately layered instrumentals. We all knew a reckoning was coming, but who would have known it would be delivered by a London-based four-piece with a penchant for the alt-90s, alt-rock, and hip-hop? Dissolved Girl not only captures the essence of an impending societal storm but also delivers a sense of catharsis – a release that fans didn’t realise they needed until it was upon them.

Forward-thinking and accessible in equal measure, the debut is a stark testament to their ability to innovate within the modern music scene. We can’t wait to hear the debut LP, which has been four years in the crafting, with the help of producer Dani Castelar and mastering engineer Matt Colton. The attention to detail paid off immensely; each note and nuance served the song’s brooding atmosphere and intensified the listener’s experience to the nth degree.

In an industry saturated with fleeting trends and disposable hits, Dissolved Girl stands as a beacon for those who crave depth, complexity, and sincerity in their playlists.

Reckoning debuted on November 13th; stream it on Spotify.

Review by Amelia Vandergast

OTH€LLO Delivered Sonics for the Soul with His Smooth and Sensual LP, Miss Mayotte

In the ever-evolving realm of modern hip-hop and afro-fusion, OTH€LLO emerges as an icon of raw individualism, candour, and undeniable sex appeal. His latest offering, “Miss Mayotte,” is a journey through the heart of a true artist. Born in Montreal’s vibrant culture and honed in the Bay Area’s heat, OTH€LLO’s transformation from a street busker to a hip-hop sensation is nothing short of remarkable.

“Miss Mayotte” kicks off with “Her Soul Speaks,” a track that effortlessly blends jazzy neo-pop with R&B, setting the stage for an album that’s as much a conversation with the soul as it is a musical experience. Each of the eight singles is a chapter in OTH€LLO’s story wrestles with societal norms and emerges as a bold statement of personal evolution.

OTH€LLO’s lyrical introspection is a masterclass in storytelling, with his voice dripping like honey over mellow instrumental arrangements. The production is deep and sonorous, creating a tapestry of scintillating textures that are both soothing and exhilarating.

Afterglow,” the second single, is a fiery blend of salacious imagery and mellifluous melodies, wrapped in afro-fusion rhythms that redefine the auditory landscape. The album crescendos with the title track, “Miss Mayotte,” a powerful anthem that confronts misogynoir and celebrates the strength and beauty of the unseen queen. OTH€LLO’s journey from cynicism to belief in love’s true form is palpable in every note, making “Miss Mayotte” a symbol of hope and resilience.

OTH€LLO’s music is deeply rooted in his Congolese heritage, with influences from gospel and secular soukous tunes. His journey from performing in musicals in a conservative Edmonton high school to honing his craft in Toronto’s streets and church choirs has audibly imbued his music with intoxicatingly unique authenticity.

With over 84,000 streams on Spotify for his debut single “SZA 4 NGAZ“, which also features on the album, and critical acclaim from The Source and This is 50, OTH€LLO is not just an artist to watch; he’s an artist to experience. “Miss Mayotte,” available for streaming from November 24th, is a testament to the power of music to transform, inspire, and transcend.

Miss Mayotte will be available to stream on all major platforms, including SoundCloud and Spotify.

Review by Amelia Vandergast

Black Silver is dark and disarming in his latest cinematic juggernaut of a rap track, Silver Linings

Black Silver dropped one of the biggest hip-hop collabs of the year by unleashing the gritty old-school rap track, Silver Linings, featuring Rakaa Iriscience, Griffen, Mykill Myers, and DJ Skilz.

With plenty of record scratching and wavily saturated distortion around the solid and steady beats in the dark and chillingly cultivated production, Black Silver (AKA the Navigator) and his band of lyrical alchemists paid a fitting ode to the 90s hip hop while showing they’re more methodical than Method Man, wittier than Nas with wordplay and boast all the cinematic charisma of Conway the Machine.

When Black Silver isn’t dropping his seminal solo rap tracks, the Las Vegas-hailing trailblazer is at the helm of his independent record label, Sterling World Records and contributing to hip-hop groups, including Analog Brothers, Tha Likwit Crew, 2000 Crows, and Black Ice with Ice T.

Silver Linings hit the airwaves on October 20th; it is now available to stream on Spotify.

Review by Amelia Vandergast

_sicko narrated ‘A MODERN HORROR STORY’ in his seminally twisted boom bap track

Hip-hop’s darkest hour struck when the UK alchemist of boom bap, _sicko delivered his PLAY ME EP on Halloween. After a chilling horror score of an intro track, which sets the tone for the rest of the EP, the standout single, A MODERN HORROR STORY, kicks right into macabre gear, following an anachronistic haunted music box prelude.

By painting himself as a twisted protagonist to portray the sickness that breeds online when the worst impulses of the human psyche are vindicated by nefarious echo chambers, _sicko (AKA Aaron Terror) provided a spine-chilling exposition on the proclivities of perversion that are worryingly prolific.

With a twisted lyrical style that isn’t out of the ordinary in death metal projected through a rap flow, which makes it all too easy to lock into the sickness within the horror imagery, A MODERN HORROR STORY is plagued with sickness that will make you stop, shiver, and think.

While some would undoubtedly rush to cancel _sicko, we can see the ingenuity within his creativity, which is on par with some of the greatest horror writers out there.

Stream the PLAY ME EP via Spotify.

Review by Amelia Vandergast

It’s all bells and no whistles in Roman Gastelum’s ingenuitive hip-hop track, Pavlov’s Dogs

After a bell ring in the intro to pay a conceptual nod to the iconic conditioning experiment, Roman Gastelum moves straight in with an amalgam of funk grooves, jazzy timbres, and hip-hop beats in his standout single, Pavlov’s Dogs taken from his debut LP, EQlibrium.

With the single and LP title, we probably don’t need to tell you that the LA-based bassist, vocalist, lyricist, and composer is an intellectual cut above the rest. In fact, if there were any more genius touches to this release, Roman Gastelum’s door would be blown off its hinges after an army of sapiophiles came knocking. But it is far from just pretentious art over substance.

The sublime sonic atmosphere conjured around the bruisingly clever bars by the artist who received his Bachelor of Arts in Music Performance from the Musicians Institute in LA ensured that even on the 100th listen, you’ll take something new from Pavlov’s Dogs. As the cherry on the urban alchemist cake, the spacey sci-fi surrealism towards the outro is a lesson in experimental scintillation.

Pavlov’s Dogs is now available to stream on Spotify with the rest of the EQlibrium LP which dropped on September 29.

Review by Amelia Vandergast

You will want Doller on speed dial after feeling the heat of the fusionist fire in his EP, Call Me

On November 3rd, UK’s fieriest genre fusionist Doller dropped his dynamic three-track EP, Call Me, to prove he’s lost none of the flair, flow, or finesse that has seen his audience stretch across the globe during his storming 15-year music career.

After track one unravels as an infectiously hooked garage hip-hop anthem, which efficaciously gets you in the groove and hot under the collar, Doller dips into a pseudo-trap iteration of dancehall before bringing in a smooth and steamy session of trap-soul. Achieving that feat of sonic eclecticism with three separate tracks would be one thing, but Doller exhibited his superlative versatility by reworking the same track while ensuring that each track stands by the volition of its own merit.

From the luxe high vibes that reverberate around the rhythmically arresting first single, which features MC Neat and Zara W, to the scintillating atmosphere in track two to the wavy, dreamy tonal hues within track three, which pays an intimate ode to intimacy with a little help from Aleisha Lee and Terry Trill, there’s something for everyone in the Call Me EP, which has established Doller as the baller of originality.

Before the release of Call Me, the Edmonton-originating artist who was born the roots reggae icon Kush Tafari and shares blood with the Jamaican rapper Flash earned endorsements from the likes of Ghetts, Tion Wayne, DJ Target, Charlie Sloth, Sian Anderson, Sir Spyro, Wiley, and Logan Sama. His music has also been synced into an MTV Base advert and the critically acclaimed film Sket. Over the years, he’s flitted between rap, dancehall, and trap-soul as his musical influences diversified. If one thing has remained a constant, it is the renown that has stemmed from his versatile style and impressive lyrical prowess. While some artists out there gas themselves up as a triple threat, Doller is asserting himself as the ultimate threat and one to watch throughout 2024.

Stream the Call Me EP on Spotify & SoundCloud.

Follow Doller on Facebook & Instagram.

Review by Amelia Vandergast

Massive Cranes grooved with the bumps in the night with their macabre release, Monsters

Massive Cranes went beyond proving all monsters wear human skin with their latest chillingly raw single, which pulled the masks from the most nefarious entities in the UK and revealed them as Tories. Jacob Rees Mogg won’t approve of this message, but everyone left disenfranchised by their reign of late-stage capitalism will revel in the vindication so piquantly delivered.

If Massive Cranes don’t reach the same heights as John Cooper Clarke with their gritty expositions of reality in the UK, it will add to the long list of injustices covered in this sonically macabre, lyrically mesmerising release which doesn’t shy away from the darkest facets of our contemporary reality. It meets them face-on with a sardonic grin.

The sinisterly deep synth lines against the unearthly backbeat in Monsters create the perfect atmosphere for spoken word laments to sink into as they speak on battles with malady, futility, and ennui. We couldn’t be more obsessed with this track if we tried.

Monsters was officially released on November 10; stream it on SoundCloud.  

Review by Amelia Vandergast

Skee x Bogart. waxed lyrical with maximum conviction in ‘Go Off’

Trip hop meets old-school East Coast flavour in the latest lyrically sharp single, Go Off, from the Switzerland-based producer duo Bogart and the rapper Skee, who more than understood the assignment before he waxed lyrical with maximum conviction over the trippy mix which blends the ethereal with the gritty and visceral.

Layers of reverb ascend from the mix that steadies itself with a rocksteady backbeat and record-scratching to create an immersive atmosphere for Skee to dominate with his bars, which leave you under no illusion that this track was versed from anywhere but straight from the soul. It’s a cutting exposition of how using the spark from your passion can take you to the greatest heights but you’ll only reach the top unscathed with swathes of resilience.

Go Off was officially released on November 10th; stream it on Spotify.

Review by Amelia Vandergast

Othenic borrowed from the Beastie Boys while tracking the warp speed of the human experience with ‘Last’

If you chiselled an indie pop edge into the legacy of a discography belonging to the Beastie Boys, you’d be left with a sonic sculpture bearing a striking reminiscence to Othenic’s latest single, Last.

With a touch of Crazy Town’s Butterfly written into the alternative mix of indie, pop, and hip-hop, the alt-90s nostalgia within Last is arrestingly potent. While the angular staccato guitars lend themselves to melodic mesmerism, Othenic reflects on how the human experience moves at a warp speed and leaves us questioning how the innocence of youth slips us by and catapults us into the monotony of corporate reality.

“Life’s too short, you might as well make it last” may seem like a simple lyric, but lean into it deeper within the context of the track and you’ll see a testament to the Kentucky-Cincinnati-based artist’s proficiency with wordplay.

Last was officially released on October 19; stream the single on Spotify and follow Othenic on Instagram.

Review by Amelia Vandergast

K.I.R.B. took the crown off Nas with the rap flair in his latest installation of infectiously impish alt-hip-hop, ‘No Time’

With a slamming beat bolstering the experimental saturated in delay instrumentals, intricately unorthodox rhyme patterns in the rap bars and enough impishly clever charisma to win you over from the first verse, after the release of his single, No Time, the Cali rap prodigy, K.I.R.B., will never be kicked to the curb by the music industry.

The up-and-coming artist has enough ingenuity in his bars to rival Nas, Rakim and Method Man, as for the sonic aesthetic, that’s beyond compare through K.I.R.B.’s authenticity and determination to keep his sound pumping with a diverse array of influence.

Since making his debut, K.I.R.B. has worked with everyone from NICK BLANCO to Nick Mira, but clearly, he’s not riding on anyone’s coattails. He’s got exactly what it takes to win over an army of alt-rap fans.

Check out No Time on all major streaming platforms via this link.

Review by Amelia Vandergast