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Best Folk Music Blog & Promotion

Spencer Graham built on his indie alt-country legacy with ‘Timing’

Emotions run deep in the veins of the breakthrough country artist Spencer Graham’s latest single, Timing. If there was a world record for how much emotion can be carried in vocal melodies, the singer-songwriter who is writing the next chapter for roots reverent music deserves to rhetorically hold it.

The bitter-sweet lovelorn serenade cuts deep into the wounds of romantic torment as the accordant indie alt-country instrumentals salve the scars through their caressive melodies which carry you through the vignette of how the latter part of the space-time continuum can lead to heartbreak.

While it is an indisputable fact that all talent needs to be nurtured and honed, there is no getting away from the sense that Spencer Graham is a natural-born singer-songwriter. His ability to wrap you up in his narratives and inject the emotions expressed into your senses is second to none.

After being born in Central Pennsylvania and achieving success with his 2020 debut single, Spencer Graham was torn away from his creativity after being enlisted in the US Navy. His latest release is hopefully the sign of more soul-rendered releases to come.

After debuting on August 3rd, Timing is now available to stream on Spotify along with Spencer Graham’s 3-track release, This Is Me.

Review by Amelia Vandergast

Lara Eidi and Ed Blunt conjured the sweetest sound of the summer in the soul-folk single, Orange Sundress

For her latest single, Orange Sundress, the Grecian soul folk goddess, Lara Eidi, collaborated with the equally esteemed artist Ed Blunt to hold the magic of summer.

After a chance meeting at a songwriting retreat in Edinburgh, Orange Sundress was written as an impromptu act of sonic serendipity, and that’s so much more than the origin story behind the single. The naturalistically spontaneous synergy resounds through the weightlessly blissful single which is fraught with the imagery of a love story unfurling to an Athenian backdrop.

Slip into the single and live vicariously through the tenderly warm narrative which serves as yet another attestation to Lara Eidi’s ability to transcend sound with the soul she infuses into each of her sonic landscapes.

With acoustic instrumentation as seraphically sweet as the interplay between the harmonies of Eidi and Blunt, Orange Sundress immortalises the ephemeral utopia of sun-kissed days marked by the rapture of devotion.

Orange Sundress was officially released on August 2nd; stream the single on Spotify.

Review by Amelia Vandergast

ARCTISKY countered divisive propaganda with his latest slice of reggae folk pop gospel,  Let Freedom Ring

By using MLK’s famous speech which shares a vision for an egalitarian future in the intro to his latest single, Let Freedom Ring, the Melbourne-based singer-songwriter, multi-instrumentalist and producer, ARCTISKY, affirmed that almost 80 years have passed since the revolutionary called for peace and equality, yet, tragically, his dream is yet to manifest.

The sublimely uplifting folk-tinged reggae rhythms counter the divisive propaganda perpetuated by the media which is playing a pivotal role in increasing hostility as ARCTISKY’s arcanely honeyed harmonies become conduits of compassion within the gospel-esque atmosphere of the cultivated single which paralyses through the purity within the crescendos.

Let Freedom Ring is an opportunity to slip into the sanctity of a conflict-free society, a reminder that we can’t stand idly by and hope that a resistance rectifies the pervasive prejudices that are destroying societies and making enemies of the innocent. The call to action which sets a tone of historical reflection and aspiration couldn’t hit closer to the bone.

Let Freedom Ring will be available to stream on all major platforms from August 9th. Find your preferred way to listen on ARCTISKY’s official website.

Review by Amelia Vandergast

Peace prevails in Steve Andrews’ latest folk tune, We Can Sing Together

Cardiff singer-songwriter, Steve Andrews, AKA the Bard of Ely, who has graced stages as Glasto and Green Man and TV screens via Britain’s Got Talent, can always be counted on to remedy what ails the world. His latest single, We Can Sing Together, narrowed the divides which distract from the fact that we’re all fundamentally the same and we’re stronger together than we are apart.

The orchestral crescendos in the context of the unifying underpinnings swell with evocative power, and when the choir backing vocalists project perspective-shifting harmonies, you’d be hard-pressed not to shed a tear to the tune of humanistic accordance which is becoming increasingly harder to find out in the wild and away from the airwaves.

Co-written with Stephen Friedland and contributed to by a choir of school children, We Can Sing Together is a ballad of prevailing peace, which goes a long way in rectifying the collective loss of faith in humanity.

Watch the official video for We Can Sing Together which premiered on August 1st via YouTube.

Review by Amelia Vandergast

Pure Notes & Deep Reflections: Ari Jacob Unfolds in ‘Feel It Coming’

Melbourne-based artist Ari Jacob, a singer, songwriter, pianist, and endlessly creative mind with a Bachelor’s in Music, has continued to explore and expand his artistic boundaries since his debut LP, Sink Without Drowning. After moving to Israel in 2017 to strengthen his spiritual ties and expand his creative horizons, Ari found his niche as the in-house composer for Israel Story, a role that took him across the US. His collaborations flourished, notably with Shay Parry in their band Shayari, leading to a rich period of artistic production, including over a hundred concerts and the album Economy of Heart.

His epoch of personal and creative growth has culminated in his sophomore LP, Son Called Moon, featuring the seminal single, Feel It Coming. The single serves as a narrative canvas, drawing parallels with The National’s I Am Easy to Find LP by filtering organic acoustic folk through an evocative indie lens. The tenderness within the lyrical, instrumental and vocal confluence echoes the reflectively profound nature of Glen Hansard as Ari taps into the essence of folk traditions, reinvigorating them for today’s audience.

His songwriting turns everyday details into affecting meditations, revealing the beauty others would be quick to disregard as immaterial matter. The minimalist instrumentals expand like a panorama, laying a foundation for vocals that nestle into the production with a delicate yet full-bodied serenity which attains a sublime lightness, embodying both vulnerability and polished artistry.

I couldn’t recommend a more apt record to discover the potential for depth and purity of modern folk through.

Stream Feel It Coming with Ari Jacob’s sophomore LP, Son Called Moon, on Spotify now.

Review by Amelia Vandergast

Surrender your senses to the spiritual sanctity within Catherine Grace & Mark Dwane’s electronic folk single, Broken Wide Open

Broken Wide Open by Mark Dwane / Catherine Grace

In the spirited soundscape of her childhood home, reverberating with the likes of Johnny Mathis, Fleetwood Mac and Barbra Streisand, Catherine Grace found her calling, which would eventually lead her to her collaborative partner, Mark Dwane. Their relationship, marked by seamless creativity and a deep mutual understanding, has culminated in scores of cultivated-with-soul releases, including their latest titularly poetic single, Broken Wide Open.

The track unfolds at a cathartically measured pace, not rushing to reveal its depths but rather allowing listeners to immerse themselves in its spiritual and soulful melodies. Catherine’s ethereal harmonies, when coupled with Dwane’s electronic folk underpinnings, create a profound sonic synergy that transcends mere musical collaboration. The duo has mastered the art of building a track that ebbs and flows with rhythmic magnetism, weaving together notes that resonate with an arresting affirmation of their unique artistic alchemy.

Amidst personal challenges and life’s unpredictable turns, music has been Catherine’s sanctuary, a theme that resonates powerfully throughout their latest offering. With Broken Wide Open” Catherine Grace and Mark Dwane invite the listener into a shared experience of renewal and revelation. Their collaborative spirit evokes comparisons to the iconic Enya, yet with a distinct identity that firmly roots them in the contemporary indie scene.

As you surrender to the lush, layered textures of Broken Wide Open, you’ll revel in the power of sound to soothe, inspire, and awaken.

Broken Wide Open is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Chris Bannister unleashed the black dog of depression in his latest Americana folk vignette, William, You Lied

The roots-reverent folk singer-songwriter, Chris Bannister, broke the radio silence which followed the successful release of his 2020 album, Truth, with his latest lyrically panoramic single, William, You Lied.

Taken from the UK-residing professional musician’s upcoming sophomore album, The Calling Course, which is due for release in August, William, You Lied is a sonically stripped, tonally paralysing, emotionally charged vignette of how heavy depression weighs on the soul and how it clouds vision with confusion and loss of direction.

The single, which follows the release of seven critically acclaimed LPs, aches with authenticity as Chris Bannister takes influence from folk greats in the vein of Cohen, Nick Drake, and Steve Earl while using his distinctive Americana-tinged acoustic folk signature to scribe a striking account of the all-consuming afflictions imposed by a melancholy mind.

William, You Lied was officially released on July 26th; stream the single on Spotify and discover more about Chris Bannister via his official website.

Review by Amelia Vandergast

Diehard Romantics Will Meet Their Match in Kaleb Cohen’s Bluesy Indie-Folk Release, Our Eyes Met on Friday

Kaleb Cohen is set to become the second biggest Cohen in folk after the release of his bluesy indie single, Our Eyes Met on Friday.

After opening with an introspectively tender extended prelude, inviting listeners into a defining moment that captures the essence of a soul finally finding its home the song unfolds through increments of upbeat folk elements reminiscent of the Lumineers and Mumford and Sons which surge through the ingenuity within the genre-bending energy.

This release showcases Kaleb’s profound ability to make loungey piano keys bleed pure raw emotion, complemented by his seraphically timbered vocals that masterfully blend the gruff with the smooth. The continuous sonic reinventions throughout the track play havoc with rhythmic expectations, yet each new arrangement is as euphonic as the last, exhibiting the devilishly playful innovation of an artist who could easily skate by on his larynx of gold but chooses instead to go the extra aural mile to beguile.

Kaleb Cohen, an indie-folk-rock prodigy from Connecticut who writes, records, and self-produces his music is currently pursuing a Bachelor of Fine Arts in Film & Television Production. As an omen of the illustrious path he is destined to pave, his first-ever show in New Haven was a sell-out with fans coming as far as Pennsylvania to witness one of Indie Folk’s most promising names etch their legacy.

Our Eyes Met on Friday will be officially released on July 26; stream the single on Spotify.

Review by Amelia Vandergast

The Seraphic Soulstress, Cati Landry, Struck Again with Her Sophomore Single, Riptide

Cati Landry defied the confines of material reality with the rush of euphonic etherealism in her sophomore single, Riptide, inspired by an equilibrium of the timeless music she grew up on and the rugged beauty of her coastal Canadian upbringing.

Ensuing from the ring of acoustic guitar chords which tinge the intro with 90s nostalgia, the single quickly oscillates into a diaphanous, quasi-hymnal ballad which reminisces on the most tender and mystifying-on-the-heartstrings facets of a relationship while conjuring a seraphic sense of serenity.

Landry’s crystalline vocal lines take the dreamy indie pop meets alt-country soundscape to a whole other celestial level; you can’t help but surrender to her otherworldly command when immersed in Riptide, which doesn’t stop at washing over your rhythmic senses; the single permeates the soul to implant the reverie rendered into the release.

Cati Landry set the bar high with her 2023 debut single, Mind’s Eye, but she reached nirvana with Riptide and sits alongside Beach House, Mazzy Star, and Chayr in the dream-pop pantheon.

Prior to focusing on her solo career, the Vancouver Island-born-and-raised artist lent her talents to various bands and performed in jazz clubs, bars & theatres. After studying Literature at the University, she pursued a Master’s in Songwriting at Berklee, where she wrote her debut single, which was brought to life in an LA recording room and polished by producer Neil Wogensen.

The dream-folk daytime lullaby arrived on the airwaves on July 11, distributed via Foundation Media, stream the single on Spotify now.

Review by Amelia Vandergast

James Jarmusch – Rattlesnake Road

James Jarmusch

James Jarmusch’s unreleased single, Rattlesnake Road, presents a deep, narrative-driven journey wrapped in the gritty textures of blues and acoustic indie folk; there isn’t an epoch this single could reverberate through and sound out of place, affirming the singer-songwriter’s ability to rhythmically cradle modernism and traditionalism without tipping the balance either way.

Reminiscent of the evocative darkness found in Amigo the Devil’s murder folk sound print and the expressive depth characteristic of Kurt Vile, Rattlesnake Road seamlessly layers raw blues folk undertones with dark Americana-twanged vocals to forge a soundscape that transcends immersive. The melodies sonically transport you to the lawlessly enticing destination where the enigmatic singer-songwriter found his muse.

The track, which will shortly be available to stream, serves as an undeniable showcase of Jarmusch’s unique adeptness in painting vivid portraits with rhythmic brushstrokes; his devilishly magnetic command over tone and atmosphere presents him as a true folk troubadour.

Review by Amelia Vandergast