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Best Folk Music Blog & Promotion

Jeff Jepson spoke for the disillusioned masses in his jovially schadenfreude folk single, Here Comes Trouble

Posted on 14 October 2023

The Liverpool-born Isle of Man-residing singer-songwriter Jeff Jepson spoke for the disillusioned masses with the jovially schadenfreude standout single, Here Comes Trouble, from his latest album, Meaning Waves.

If you are nostalgic for the days when you used to hide in bed because you were dysfunctional instead of as a protective measure to shield yourself from the chaos in our climate, you won’t fail to find the melodic magic in this masterpiece of instrumental and lyrical ingenuity.

If you want a song to sing along with as the fabric of society tears under our precarious footing in it, consider making Here Comes Trouble a sanity-saving playlist staple. You’d be hard-pressed to forget the enchantingly alchemic progressions anyway.

Here Comes Trouble will be available to stream with the rest of his hotly anticipated LP, Meaning Waves on October 13; stream it on SoundCloud.

Review by Amelia Vandergast

Peter Beatty unveiled a wanderlust dreamscape with his acoustic indie folk single, Tell Me Where To Go

Posted on 13 October 2023

After picking up the best song award from the Cannes World Film Festival in 2023 and picking up more awards for his music and accompanying music videos from The London Independent Film Awards and The Independent Shorts Awards, the critically acclaimed and endlessly accoladed UK singer-songwriter Peter Beatty has unanchored his nautically meta single, Tell Me Where To Go.

With layered vocal harmonies as magnetically compelling as Jack Johnson’s and Richard Hawley’s atop honeyed and intricate acoustic instrumentation, listening to the organically resolving orchestration will set your imagination alight, awaken even the most dormant of wanderlust proclivities, and unequivocally convince you that in this generation of singer-songwriters, few can infuse their elysian soundscapes with a paralleled shot of alchemy.

I couldn’t think of a more stunning way of attesting to the fact that life is little more than a collection of explorations, whether that’s inwards, towards another, or into territories that will show us pieces of ourselves we never knew existed. Great songs stir emotions; superlative ones have what it takes to reconceptualise your take on existence in a few lyrical lines. Beatty is definitively in the latter camp. Someone exhume and tell Sartre I’ve just found the cure for existentialism.

Tell Me Where To Go hit the airwaves on September 29; stream it on Spotify.

Review by Amelia Vandergast

Jessamine Barham exhumed a ‘Shallow Grave’ to speak on the violent oppression of women in her latest single.

Posted on 12 October 2023

Jessamine Barham released her most striking single to date when she read the harrowing tale in her latest single, Shallow Grave. The haunting vocal harmonies atop the staccato acoustic guitar strings and as the centrefold within the quiescent orchestral swells of chamber pop strings brought the solemnity within Shallow Grave to spectral life in a way that assures us that even though Jessamine Barham’s dark pop stylings are niche, her talents of a sonic narrator of feminine tragedy should never be underestimated.

The days of the Salem witch trials and being sectioned with hysteria may be behind us, but the violent oppression of women will always be a tale as old as time. It was no feat of hyperbole to lyrically infer that feminine acts of rebellion can incur the death penalty. Some may say hell hath no fury like a woman scorned, but life hath no tyranny like the men determined to keep us chastised.

Shallow Grave was officially released on September 24; stream it on YouTube.

Review by Amelia Vandergast

Make your heart at home in Mark Leggett’s Latest LP, Folktown

Posted on 11 October 2023
Folktown by Mark Leggett

After two nominations for the Primetime Emmy Award for his music scores, orchestrating endless film and television OSTs and collaborating with everyone from Werner Herzog to Jason Lee to Kylie Minogue, the LA composer and guitarist and composer, Mark Leggett played by the rules of his own expression in his acoustic Americana LP, Folktown.

The title single is a score of Americana that is almost impossible to form an objective view of. The emotion he pulls from the fingerpicked notes overwhelms every conceivable sense as you’re drawn into the sonorous intricacies of the loose and rickety yet tightly profound progressions. That contradiction is only the start of the alchemy that awaits you within his latest album.

Words were surplus to requirement when the fretwork painted such an evocative panoramic picture that lets you feel the humbling bitter-sweet breeze of bluegrass from wherever this masterpiece of an album finds you in the world.

Stream and purchase Folktown on Bandcamp and Apple Music.

Review by Amelia Vandergast

Dora Gola – The Last Tear (Ostatnia Lza): Electronic Folklore Has a New Eloquent Author

Posted on 10 October 2023

For her latest single, The Last Tear (Ostatnia Lza), the electronic folk artist Dora Gola tapped into the divinity of her femininity to create an innately spiritual Clannad-esque score of pure beguile.

With her ethereal vocal timbre scintillating the orchestration of awakening Eastern beats and the reverb-swathed synth lines which give the release an ambiently explorative energy, the Polish Ireland-residing singer-songwriter and dancer reached the pinnacle of transcendent folktronica soul.

After her debut single, Dark Sand, saw her revered by Hot Press and The Irish Times Magazine as one of the most exciting acts to emerge from Ireland in recent years, expectations on the rhythmic seamstress were set high; with each new release, she’s surpassed all expectations.

Stream the official music video for The Last Tear by heading over to YouTube.

Review by Amelia Vandergast

Sadness plays the blues in the latest folk composition by Italian virtuoso, Stefano Manotti

Posted on 10 October 2023

A cosmically arcane air breezes right through the latest folk single from the Italian singer, songwriter, composer and guitarist Stefano Manotti. He may be only a few years on from the release of his Soulgem Records-distributed debut single, but he is already making major waves in the industry by climbing the charts and supporting internationally acclaimed artists.

The amorous melancholy that lingers in his vocal lines as they drift above the folky instrumental arrangement in Endless Road, which paints a panoramic picture of estrangement and wantonness for connection, invites you into an intimately electrifying and orchestrally ornate world. Sonically visualising the middle ground between Bowie & Tom Waits while orchestrating an exemplary manifestation of Italian folk, Manotti’s sound couldn’t be more refined in this odyssey of folk blues.

Endless Road is now available to stream on Spotify.

Review by Amelia Vandergast

Get moving with Johnjames Bruce’s acoustic post-punk hit, Dance

Posted on 8 October 2023

After cutting his teeth as a bass player in the punk outfit The Irrelevants, the Lancashire-hailing rhythm-maker, Johnjames Bruce, found his voice as a solo acoustic artist and started to release his own indie-folk punk music in 2018.

His latest single, Dance, carries the raucous and cutting spirit of post-punk; heavy distortion was surplus to requirement with the swagger of the acoustic guitars, the snarl in the vocals and the snappy percussive backbeat.

If you’re a fan of Pleasure Heads, Youth Sector, and The Walkmen and like your punk hits raw, intimate and uniquely authentic, Johnjames Bruce’s discography will be your new favourite discovery.

Dance was officially released on September 29; stream it on Spotify.

Review by Amelia Vandergast

Sinéad Ann has released her spiritually spectral alt-indie-folk single, Four Walls

Posted on 6 October 2023

If any Irish folk artist has what it takes to surpass the fame of Glen Hansard in 2023, it is Sinéad Ann with her spectrally spiritual single, Four Walls, which haunts the middle ground between indie rock and alt-folk.

With vocals that command in the same celestially raw vein as Dolores O’Riordan and chamber strings aiding the depiction of the clash between our mortality and spirit, Four Walls makes no apology as it visualises the maleficence of our shadow selves.

Rather than painting the picture of incandescent innocence, Sinéad Ann elevated the murder-folk subgenre with her confession of nightmarish visions before taking her listeners to a place of enlightenment following the vanquishment of her demons. You couldn’t ask for a more scintillating narration of the triumph of good over evil. It definitively proves that nothing concerning the soul is ever black and white, crimson always has a part to play; it runs in our veins and has a role to play in redemption, whether that plays out in our shadow minds or in reality.

With more music in the baroque pipelines, any folk fans partial to expositions of the darker sides of the human condition will want to be part of the breakthrough artist’s ascent.

Stream Four Walls on Spotify now.

Review by Amelia Vandergast

Chamber strings go pop in Philadelphia String Quartet’s latest score, Oh My God

Posted on 6 October 2023

Living by their motto, ‘Think Outside the Bach’s’, the classically trained artists of which the Philadelphia String Quartet comprises know no bounds when scoring their pieces and comply to even fewer.

Their recently released piece, Oh My God, is a baroque folk fantasyscape, which wouldn’t be out of place in the prelude in a progressive folk metal track, in the OST of lore lore-filled series akin to The Witcher, or any other setting that calls for the romanticism of chamber strings pulling together in complete coalescent quintessence.

Since forming in 2009, the quartet has been immensely in demand as a wedding band; the performers even go as far as to curate custom playlists for couples. If Oh My God is anything to go by, the airwaves should be equally as inclined to champion the quartet’s quasi-classic spin on pop.

Stream Oh My God on Spotify, and follow the four-piece to ensure you’re the first to know when their live-recorded upcoming album drops!

Review by Amelia Vandergast

The LA singer-songwriter Eric Baugh has made his acoustic folk-rock debut with his compulsion-questioning single, Silent Spring

Posted on 2 October 2023

Eric Baugh strummed the decades and all the contemporary distractions which came as a courtesy of them in his debut single, Silent Spring. The bluesy lead notes against the quiescent calm of the acoustic folk-rock chords beneath his beckoning vocal lines will strike all the right notes with fans of Cat Stevens and Paul Simon.

The LA-based singer-songwriter made as much of a case for the beauty in simplicity in his guitar work as his lyrics which bring to question the way we live as though there’s no alternative. Consumerism and greed were never part of the human psyche’s blueprint; as eloquently illustrated by Baugh, we’ve been conditioned into commercialist conformity, and it is never too late to start again.

It may take more than one stunning song fuelled with small-town iconography and bearing R.E.M. reminiscences to derail our descent into further despondency with the world around us, but Baugh’s contribution is sure to compel his listeners into questioning their compulsions.

Silent Spring reached all major platforms on September 15; stream it via this link.

Review by Amelia Vandergast