Browsing Category

Discover New Electronic Music on Our Blog

Get Your Freak On with Rockwell Gordy’s Dark Urban Pop Hit, Spooky Bitch

Posted on 24 October 2024

Reanimating after a decades-long hiatus, the unmistakable Rockwell Gordy broke unhallowed ground with his sonic spectre of a comeback track, Spooky Bitch. Fusing his 80s pop sensibilities with contemporary boom bap beats and a dark RnB aesthetic, Spooky Became a bold crossover that beckons the nostalgic and the novel to the dancefloor.

Produced by the illustrious Bullets Production Team—William Junebug Lee and Christopher Spitfiya Lanier—Spooky Bitch straddles the line between eerie and exhilarating with its alchemised amalgam of unsettling energy and infectious rhythms. The light and dark collide, creating a dance-worthy dialectic that Rockwell manipulates with superlative skill.

Beyond the music, Rockwell has orchestrated a mini-documentary detailing his creative resurgence, available on his official YouTube channel. It’s a deep dive into the genesis of ‘Spooky Bitch’, inspired by a cryptic encounter in an Inglewood underground club that sparked this latest artistic venture.

Spooky Bitched dropped just in time for Halloween on October 11; stream the single on YouTube now.

Review by Amelia Vandergast

Ennoverse – OOT: Electrifyingly Eclectic Dub-Heavy Downtempo

Posted on 22 October 2024

In his debut single ‘OOT‘, the up-and-coming Aotearoa, New Zealand-raised artist and producer Ennoverse stitched his eclectic past into the very fabric of the entrancing instrumental while embracing his unique sonic identity.

OOT pays ode to the electronic pulses of Ratatat and Pitch Black, the disco grooves of Lindstrom, the classical arcs of Rossini and the raw hip-hop energy of The Beatnuts and Cypress Hill. Fusionism fuels the downtempo, dub-heavy beats of ‘OOT’, a track that nods to the pulsating aesthetics of the ’90s rave scenes and innovates with a modern twist.

His use of phasers, strobing synths, and reverberant basslines crafts a space where the listener is compelled to engage their rhythmic pulses and reflect in equal measure. Each element is ingeniously constructed, resulting in an instrumental that drips with funk and electrifies the senses.

While ‘OOT’ is just the beginning, it’s a powerful glimpse into what might come from Ennoverse.

OOT was officially released on October 11; stream the single on SoundCloud now.

Review by Amelia Vandergast

Sink into the hypersonic synergy of Subbwell and Flowdan’s Grimey DnB track, Welcome to London

Posted on 16 October 2024

For his latest release, Subbwell, the indomitable Estonian drum and bass producer, teamed up with London’s own grime juggernaut, Flowdan, to drop their massive sonic attack, ‘Welcome to London’.

The hit is a deep dive into the city’s gritty vibe, delivered with a raw edge and polished with a high-quality production to juxtapose the dark, grimey bars that snarl over a backdrop of hypersonic drum and bass. The beats are savage—slamming, distorting, and warping under the weight of Flowdan’s delivery. He weaves through the track with a melodic flow that hits hard, perfectly synched with the wild, adrenalising energy of the builds and drops.

As for the video, think London’s streets through a Grand Theft Auto lens. It’s a cinematic piece that flips the script on how we see the city, as the camera tears through the streets, the good, the bad, and the ugly filter into the vignette that will resonate with the realities of many Londoners.

With ‘Welcome to London’, Subbwell and Flowdan throw us into the middle of London’s pulse through an unapologetic, in-your-face celebration of all things raw and real about London’s underground scene.

Stream the official music video for Welcome to London on YouTube now.

Review by Amelia Vandergast

Spyndycyt existentially unravelled over a four-to-the-floor Avant-Garde beat in ‘I Don’t Wanna Do This Anymore’

Posted on 12 October 2024

Spyndycyt’s latest single, ‘I Don’t Wanna Do This Anymore,’ amps up the sonic signature scribed through his prior releases, giving the electrifying track a pulse of EBM while keeping true to his erratically eccentric vocal style as he unravels over a narrative of existentialism and frayed with chaos strobing synth lines.

As quirky and kinetically rhythmic as Neuroticfish and The Gothsicles, as experimental as, well, it’s pretty hard to draw a comparison in that domain, this latest single from Spyndycyt proves how succinctly he can command a four-to-the-floor beat that injects symphonic elements of the 90s rave scene.

It’s a broadsiding tour de force that is undoubtedly as effective at altering your brain chemistry as electroshock therapy. Bite down on this exploration of mistrust, betrayal, and the crushing, ever-growing suspicion that all your deepest and unspoken fears are true.

Contrasting the dark thematic undercurrents of being a terminal disappointment, the solo artist ensures that I Don’t Wanna Do This Anymore oscillates through euphorically rhythmic hedonism to sugar the pill you will want to swallow time and time again.

I Don’t Wanna Do This Anymore is now available to stream on SoundCloud.

Review by Amelia Vandergast

MINERVA SYSTEM synthesised an installation of stylistic sublimity with their alt-rock/trip-hop hybrid, Undermind

Posted on 9 October 2024

MINERVA SYSTEM is a fractured yet symbiotically tight collective, threading their diverse life strands into the dense fabric of their latest single, ‘Undermind’. With members scattered from London to Devon, from St. Petersburg to the indeterminate coordinates of their drummer, the online outfit crafts sonic installations that are as expansive as their geographical spread.

‘Undermind’ is a descent into the ethereal, echoing the otherworldly aura of Bjork with an execution that plays havoc with rhythmic pulses. MINERVA SYSTEM manipulates time signatures with trip-hop precision while maintaining a mellifluous melodicism that binds the chaos into coherence. Discernibly, few artists know how to create equilibriums of sonic serenity and visceral intensity as adeptly as MINERVA SYSTEM with their skill in soaking sounds with raw emotion.

As the track progresses, it metamorphoses; midway, it shifts gears into a 90s-alt-rock-tinged crescendo that wouldn’t be amiss in a Garbage tracklist. This crescendo is a stark, gritty counterpoint to the track’s smoother beginnings, illustrating the band’s versatile command over their sound palette.

If they continue to produce hits in the same vein as Undermind, their rise from the underground is inevitable. They’ve clearly mastered the dark art of sonic scintilaltion; watch this space.

Stream Undermind on SoundCloud now.

Review by Amelia Vandergast

Kilabear created a sonic sanctuary for the disillusioned with his dark trap stormer, leave me alone

Posted on 9 October 2024
Kilabear

In leave me alone, the alt-rap pioneer, Kilabear, stakes his claim as the dark sovereign of trap, invoking a prelude reminiscent of Sisters of Mercy, only to shatter the gothic serenity with a bass-heavy beat that propels us into his world of brooding introspection. The track is a raw confluence where the polished production of pop and the grit of trap music coalesce into an evocative vignette of how desperation for isolation can swarm the psyche.

Kilabear’s verses, laden with a poignant candour, penetrate relatable melancholy deep into the mix; his words don’t just hit close to the bone, they soak into the marrow as you’re confronted with unfeigned vulnerability, which acts as an olive branch to connect through one of life’s most solitary experiences. If you’ve ever wanted to withdraw into the recesses of your own spirit through disillusionment and scorn, consider leave me alone you’re new sonic sanctuary.

With his music, Kilabear addresses themes of heartbreak, substance abuse, and the everyday struggles that often go unspoken. leave me alone is a testament to his fearlessness in exposing unvarnished truth.

leave me alone will be available to stream on all major platforms from October 9th; check out the single on Spotify and Apple Music.

Review by Amelia Vandergast

Get a Sonic Contact High from Bramley’s 80s House Anthem, You See Me?

Posted on 8 October 2024

Bramley is no stranger to invoking pure euphoria, and with You See Me?, he pushes the limits of retro-inspired house grooves, creating a track that feels like it was made for that 2 am peak in a sweat-soaked club when shirts are off and the energy is electric. The powerhouse vocals soar effortlessly over his disco-tinged beats, offering an instant mood lift as they project empowering reprises through the mix.

As an accomplished DJ, musician, and guitarist Bramley has a clear vision – to take his listeners on a sonic ride where live elements meet the pulse of electronic music. His knack for knowing exactly when to let the rhythm breathe before hitting hard with those infectious hooks shines through in every track he touches. You See Me? is an undeniable attestation to his mission to make rhythmic hedonism oscillate across dance floors.

The track oozes old-school house nostalgia while maintaining a fresh feel for today’s appetite for house hits. You See Me? hits so much harder than your average house cut; it’s a rush of retro bliss that reminds house music fans why Bramley is a kingpin in his genre.

You See Me? dropped on September 27; stream the single on all major platforms, including Spotify and SoundCloud.

Review by Amelia Vandergast

Radio-Activity haunted the dancefloor with their house anthem,  Ghost of You

Posted on 6 October 2024

Radio-Activity’s single ‘Ghost of You,’ may have been released this summer, but it is veritably one of the hottest Halloween EDM House drops of 2024. The anthem juxtaposes luminously lit euphoria with dark, moody, atmospheric chills that wrap around solid basslines, crafting a soundscape that haunts as much as it kinetically adrenalises.

Though initially known as a rock powerhouse, Radio-Activity has indisputably found their forte in the EDM house arena. The cleverly constructed track has allowed them to emerge as rock stars of the EDM genre. With ‘Ghost of You,’ they invite listeners to find the rhythmic rapture in being haunted by your own heart in the aftermath of a breakup.

Like The Prodigy, Die Antwoord, Skrillex, and Pendulum, who were welcomed into the rock community with open arms, we anticipate alt-music fans finding just as much favour in the fervour of this release. What genre they will dip into next is anyone’s guess, but with their chameleonic talent, it isn’t likely that they will go lower than the high bar set by ‘Ghost of You.’

Stream Ghost of You on all major platforms, including Spotify.

Review by Amelia Vandergast

Atrionix painted a neon-lit skyline in his synthwave score, Nights

Posted on 5 October 2024

Sinking into Atrionix’s, standout single, Nights, is so much more than hitting play on an instrumental score; it is diving headfirst into a neon-drenched skyline after dusk.

Short, yet undeniably affecting, the retro-futurist single sets a high bar for anticipation of what’s next from the promising artist. With just over a minute of runtime, Atrionix, the stage name of 19-year-old Londoner Rahul Dasgupta, proves that brevity can indeed be the soul of wit—and of intrigue.

Nights sweeps you up in a rush of synth waves, echoing the energy of a city that never sleeps, each note painting streaks of light across the dark canvas of the listener’s imagination.

After earning his stripes as a pianist, violinist and guitarist at a young age, Rahul had naturally progressed into electronic production by 12; his creative ambitions and passion for sound palettes have never faltered. With his sights now set on becoming a hitmaker and his production style as honed as Empathy Test’s, his career path is going to be paved in gold.

Don’t mistake Nights as a short and sweet instrumental, recognise it as a bold statement of what’s to come from one of the most promising up-and-coming artists on the scene today.

Stream Nights on YouTube now.

Review by Amelia Vandergast

Elevated Focusion reanimated the 90s rave scene in his trippy industrial electro-pop anthem, Disco Devil

Posted on 3 October 2024

Elevated Focusion electrified the middle ground between Deadmau5 and Lords of Acid in his alt-electronica anthem, Disco Devil, which features Dime De San and closes his eclectically epic LP, Dark Nights.

With endless transgressions in style, tone and momentum, the synthesis of EDM, electronic rock and industrial pop reanimates the hedonistic euphoria of the 90s rave scene with dark beats, demonic drops, and devilishly dualistic female vox which deliver Shiny Toy Guns-esque euphony in one breath and scathing fury in the next.

Elevated Focusion’s ability to seduce the rhythmic pulses and create dancefloor-worthy anthems follows early exposure to the NY rave scene and an era of experimentation in his earlier project, Johnny Rhythms. In 2023, the Elevated Focusion moniker was born, followed by the eponymous collaborative LP, which deserved to be as revered as the Judgement Night soundtrack, Peeping Tom’s self-titled release and Chase and Status’ No More Idols LP.

Stream the Dark Nights LP, which hit the airwaves on September 20th, via Spotify now.

Connect with Elevated Focusion on Facebook and Instagram.

Review by Amelia Vandergast