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Blues Music Blog & Promotion

Rick Shaffer gave psych the blues in his latest garage rock hit, Bogalusa

Rick Shaffer gave psych the blues in his latest LP, Sleeping Dog, featuring the standout single, Bogalusa, which allows garage rock and 60s RnB to converge to create drippings of nostalgia; fans of The Stooges will want to savour every distorted with vintage glamour drop.

12 solo albums into his illustrious career, and it is clear to see that the guitarist and songwriter is far from fresh out of ideas. The Teenage Kicks-reminiscent raucous power pop panache lends itself effortlessly well to the grooves and hooks which make Bogalusa such a scintillatingly electric ride through the golden eras of music.

Wild and hypnotic in equal measure, the guitar hook and riff-rife euphonic escapade is as close as you can get to sonic pornography.

Bogalusa was officially released on September 23; stream it on Spotify.

Review by Amelia Vandergast

Josh Rosenblum Band rhythmically prised listeners from the purgatory of self-scrutiny with ‘Wandering Heart’

Though he has enjoyed spates of success, amassed a loyal fanbase, and become a trailblazing troubadour across the Central Coast, the Cali-hailing singer-songwriter & multi-instrumentalist Josh Rosenblum remains one of the most criminally underrated artists of our time.

His latest album, Love Letter, is yet another testament to his honed ability to echo the old soul of pop, rock, and blues in a way that greets you with familiarity and accommodates you with melodiously reimagined cross-generational sensibilities to prove that there’s no such thing as a sonic bygone era. The door is always left open by artists masterful enough to reignite the same spark ignited by artists whose entry into the hall of fame will never be ephemeral.

His ability to rip a blues riff like it’s nobody’s business is one thing. His talent in delivering consolation through his song crafting, which makes the human experience an infinitely less alienating one, is another entirely.

Take the standout single Wandering Heart as the prime example. By encompassing our universal tendency to self-scrutinise until we’re torn up inside and delivering eloquently rhythmic redemption along with the affirmation we all owe ourselves forgiveness, the sanctity which resounds in the rich harmonic vocal timbre meeting the percussive fingerpicked guitar notes is almost ironically unholy.

With lyricism that gets more profound with every repeat listen for the way the metaphors recontextualise the preceding lines to prise more poetry out of the confessionalism and melodies that never lose their timeless beguile, the single deserves to be equally as revered as the hits in John Mayer and Gary Clark Jr’s discography.

In a time when pressure is building around everyone to be the perfect model citizen, Josh Rosenblum debuted an arrestive vignette attesting to the infallibility of us all. Even if you screamed your virtues from the rooftops, it wouldn’t come close to the arrestive credibleness of Wandering Heart.

If you need a pick-me-up following that profound aural experience, tune into the intoxicating zeal of Crazy as Me, which celebrates the celestial experience of falling in love with someone who doesn’t make you want to conceal your idiosyncrasies. The organ-decorated, riff-soaked blues-pop-rock synthesis is a riot of exhilaratingly sweetened romanticism. The euphoria of uninhibited connection and belonging lingers in every sequence of syncopation, crescendo, and soaring vocal note to almost take you as high as the plateau of unconditional love itself.

Stream the latest LP from Josh Rosenblum via Spotify.

Review by Amelia Vandergast

The LA singer-songwriter Eric Baugh has made his acoustic folk-rock debut with his compulsion-questioning single, Silent Spring

Eric Baugh strummed the decades and all the contemporary distractions which came as a courtesy of them in his debut single, Silent Spring. The bluesy lead notes against the quiescent calm of the acoustic folk-rock chords beneath his beckoning vocal lines will strike all the right notes with fans of Cat Stevens and Paul Simon.

The LA-based singer-songwriter made as much of a case for the beauty in simplicity in his guitar work as his lyrics which bring to question the way we live as though there’s no alternative. Consumerism and greed were never part of the human psyche’s blueprint; as eloquently illustrated by Baugh, we’ve been conditioned into commercialist conformity, and it is never too late to start again.

It may take more than one stunning song fuelled with small-town iconography and bearing R.E.M. reminiscences to derail our descent into further despondency with the world around us, but Baugh’s contribution is sure to compel his listeners into questioning their compulsions.

Silent Spring reached all major platforms on September 15; stream it via this link.

Review by Amelia Vandergast

The indie raconteur Zarko let it flow in his acoustic expedition to ‘River Town’

If you still revere Closing Time by Tom Waits as one of the best albums of all time, you’ll find the latest single, River Town, from the Serbian indie folk raconteur Zarko just as resolving in its acoustic rapture.

The instrumentals may be minimal, but that didn’t get in the way of the up-and-coming singer-songwriter when he put his masterful mind to painting a panoramic picture of barflies in a town which used to conjure brighter emotions. I’m sure we can all relate to the alienating sense of dejection that ebbs away at our ability to feel anything but numb. With River Town on the airwaves, the sensation feels infinitely less lonely.

On the basis of River Town alone, Zarko should be celebrating the same success as Amigo the Devil with his delectable brand of folk blues. For your own sake, pay the hit song a visit.

River Town was officially released on September 2nd; stream it on Spotify.

Review by Amelia Vandergast

Marygolds transcended space and time with the blues in their indie Americana single, Time Machine

The Louisville, Kentucky-hailing indie Americana outfit, Marygolds, made light melodic work of stripping away the past few decades and bringing a bygone era back to life in the standout single, Time Machine, from their eponymous 2023 EP.

Everything rests mellifluously easy on the timbre of the vintage bluesy guitar chords, which shimmer with early ’60s nostalgia as they drive the evocative instrumental arrangement under the gospel-esque vocals which reach the epitome of old-school soul. With the intimacy infused into the massive roots-wrapped production that could rival Father John Misty’s masterful work, Time Machine is so much more than an ode to the past; it’s a ticket back to soulfully sepia-tinged sanctity of it.

Perhaps even more remarkably, even though Marygolds left no clues to their 21st-century habitation behind in the cinematic gravitas of their work, their reverence for roots music didn’t come close to resounding as archaic. The outfit comprised of progenitors of modern blues is definitely one to watch.

Time Machine is now available to stream on Spotify.

Review by Amelia Vandergast

Eddie & The Wolves riffed the blues in their latest hard rock anthem, The Coming Storm

Batten down the hatches for the latest riff-adrenalized anthem, The Coming Storm, from Eddie & the Wolves. With the soulful overtones underpinning the blues rock installation of riotously introspective rancour, you’ll be exposed to the soft underbelly of the UK-hailing wolfpack while being electrified by the hard rock alchemy their tight synergy bleeds into the airwaves.

Instead of solely keeping it superficial and glam, Eddie & The Wolves used The Coming Storm to weave a raw tale that invites the listener to take the track as a sign that you should face the uncertainty of our chaotic world head-on. With the hook-littered hit on your playlists, standing at the vanguard of change will start to seem an infinitely better option than cowering into a bottle.

The Coming Storm will arrive on September 15; stream it on Spotify & keep up to date with the band on Facebook.

Review by Amelia Vandergast

Unknown River set the bar for honkytonk hits plateau-high with ‘Outlaws on My Trail’

The Floridan singer-songwriter and multi-instrumentalist Unknown River set the bar for penning immersive escapist honkytonk hits plateau-high with the standout single, Outlaws on My Trail, taken from his debut album, The Dead River Passage.

The fiddle and banjo-driven single delivers a vignette of a man coming to regret the repercussions of his down-and-out actions; the combination of the simple country living exposition and the upbeat arrangement and vocals is enough to make the experience of outlaw-evading sound like a riotous way to see the sands of time slip away, and therein lies the beauty of Unknown River’s indomitable magnetism.

By taking the influence of bluegrass, delta blues, country, rock and old-timey traditional tunes, Unknown River’s amalgamated Americana signature is designed to strip away the plight of modern-day malaise and entrench you in the ease and euphoria of eras that are far from bygone – roots-crafted sanctuaries are just one hit on play away. Press it.

Outlaws on My Trail is available to stream on Spotify.

Review by Amelia Vandergast

The blues rock renegade Chance Brown supercharged the airwaves with his electrifying single, Come See ‘Bout Me

The Victoria BC roots rock renegade Chance Brown delivered a bluesy bluegrass invitation you won’t want to turn down with his latest single, Come See ‘Bout Me.

Don’t let the acoustic guitar-wielding cover art fool you. Come See ‘Bout Me is more electrifying than anything Jack White has crafted in his entire career and just as rich in mainstream appeal thanks to the garage rock infusion. The track is so much more than a live wire, it is more reactive than the Chernobyl power plant at the point of explosion.

Between the harmonica blasts, the lap steel tones and the tightly controlled chaos of the choruses, Chance Brown succeeded in paying homage to the traditions of blues and ensuring that those aural traditions have a place in the contemporary music industry.

After spending his life in unwavering devotion to honing the different elements of song-crafting, Chance Brown has polished his talents and maintained his passion, initially ignited by the likes of Justin Townes Earle and Gord Downie, enabling him to become one of the most scintillating raconteurs of truths in any town.

Come See ‘Bout Me was officially released on the 18th of August; stream it on YouTube.

Review by Amelia Vandergast

Tom Rogers resurrected psych blues in his single, Rise Again

From the first nostalgic note in the debut single, Rise Again, from Tom Rogers, you will bask and revel in the Beatles and the Doors reminiscences and find something brand-new in Rogers’ reggae, blues, folk and psych amalgam.

While the groove-pocketed rhythms take a firm grip of your rhythmic pulses, the kaleidoscopic tones abstract you from the 21st century as the visceral with bluesy soul vocals light a fire under the vintage production.

With Pawala Ariyathilaka on lead guitar, Will Fraser on Drums, Dan Wakeling on bass, and Steve Burholt on keys, Tom Rogers and his backing band delivered a superlative slice of psychedelic blues rock reverence that will allow you to slip back in time and across the Atlantic. They didn’t reinvent the wheel with Rise Again, which carries a flood of second-coming redemption, but the way they gave you a ticket back to the 70s era of blues rock via a route never taken is something to celebrate. If you’ve got the Black Keys and The Black Rebel Motorcycle Club on your radar, you have room for Tom Rogers on your playlists.

Rise Again was officially released on August 4th; stream it on Spotify.

Review by Amelia Vandergast

Pick up Propter Hawk’s seminal blues rock release, Telephone

Fill up your whiskey glass and pick up the seminal single, Telephone, from Propter Hawk – if you can lift the heavy with swaggering rock n roll riffs, that is.

As a born rock frontwoman, Malorie Blake on lead vocals knows just how to pay homage to bluesy overdriven rock with her authentically Americana high-octane vocal lines which effortlessly gel with the if-they’d-be-any-tighter-they’d-be-claustrophobic instrumentals as they weave through eras and genres with ease.

With influence from The Beatles, The Band, and Otis Redding feeding into their amalgamated free bird sonic signature, you’ve never encountered an outfit quite like Propter Hawk before, nor are you ever likely to with their commitment to authenticity and their devilishly distinctive use of distortion on their vintage gear.

If you’re desperate to hear more after Telephone, you only have two weeks to wait before the release to wait before the official launch of the debut eponymous LP, which is due for release on August 18th.

Telephone is available to stream on all major platforms, including Spotify. 

For more info on Propter Hawk, check out their official website. 

Review by Amelia Vandergast