The Cyprian Bristol-based artist and producer, Alvinos Zavlis, is in his experimental element in his fourth alt-electronica LP, After Sex All Animals Are Sad. With an album title that compels you to sonically explore the contents through eccentrically offbeat name alone, the bar is already set high. But evidently, Zavlis knows exactly how to transcend expectation and temporal boundaries with his dark syntheses of trip-hop, alt-pop, and artfully manifested electronica.
Sitting on the leftfield of Pop, one of the standout singles, I Shouldn’t, featuring Sae, is an ethereally hypnotic extension of the contemporary moody pop trends fused with 90s trip-hop that glitches and oscillates in the same vein of Massive Attack and Portishead.
The alchemic blend carries just as much cultivation and evidence of evocative rhythmic control as the latest releases from Chelsea Wolfe, but the way Zavlis locked into the collaborative chemistry between him and Sae allowed the release to resound beyond compare. The sensually dark catharsis is superlative evidence of how honed his sound has become after he took a hiatus and returned with fresh fervour.
In his own words:
“The main idea of the album is how the chase for perfection in your artistic craft can hinder personal relationships, health, and financial stability.”
For the full Alvinos Zavlis experience, stream After Sex All Animals Are Sad in full by heading over to Spotify.
Review by Amelia Vandergast
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