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phantom electric

Emerge from your naval daze with Phantom Electric’s acoustic rock symphony, ‘Hope So’

Posted on 27 September 2024

The quasi-psychedelic indie singer-songwriter Phantom Electric may have innovation running deep in the veins that connect to the heart he wears on his guitar strings, but his latest single, Hope So, revisits classic song crafting, allowing the thematic underpinnings of the release to draw you into the artful gravity of the single.

Hope So is a haunting intersection between the atmospherically nostalgic air of Chris Isaak and the soul of Bryan Adams; the Adams influence tempers the dark melancholic chill of the lyrics which are slick with existential yearning.

Hope So unfurls as an artful reflection on how easy it is to succumb to navel-gazing and forget to care about anything but yourself—a theme all too relevant in our era of rampant individualism. With spectrally arcane melodies that tear through the soul, Phantom Electric produced one of his most affecting singles to date by looking to the darkest side of the human condition and showing a better way to be.

Hope So will be available to stream on all major platforms from September 27; stream the single on SoundCloud first and head over to Phantom Electric’s official website for more ways to listen.

Review by Amelia Vandergast

Phantom Electric deliver protest punk catharsis with “Modern Culture”

Posted on 18 November 2020

Rage Against the Machine may be consistently be heralded as the ultimate political Alt-Rock act, but the visceral aural empowerment which stems from Phantom Electric’s single “Modern Culture” is just as adrenalizing.

Expect broiling buzzsaw riffs, frenetically super-charged drums and a growlingly ominous bassline which demands that Modern Culture is blasted at max volume for the ultimate hit of protest punk catharsis.

Feel the furore in the sonically tight arrangement which throws plenty of virtuosic tumultuous breakdowns your way in between the massive choruses which will undoubtedly be a hit with any fans of Deftones, Black Rebel Motorcycle Club and Nine Inch Nails.

Modern Culture hits so hard it might just knock some sense into the Alt-Right. The Atlanta-based act who made their debut in 2013 isn’t just one to watch, they’re one to get behind.

You can check out Modern Culture which dropped as a double A-side release with “Lie”, which also attacks the state of America’s increasingly fragile socio-political atmosphere via SoundCloud.

Review by Amelia Vandergast

Phantom Electric – Friends: Arrestingly Beautiful Indie Rock Gold

Posted on 6 March 2018

I’m frankly stumped and appalled that Atlanta, Georgia based band Phantom Electric’s latest track Friends isn’t already being blasted through BBC Radio on a Sunday afternoon.

The Indie Rock MASTERPIECE ‘Friends’ has the same allure as bands such Jaws, Peace, Drenge and the Maccabee’s with all of its own unique pioneering glory. Vocals curtesy of Nick Whitson have the same evocative edge as some of my favourite 90’s Alt Rock idols, they’re ethereal, yet arrestingly beautiful at the same time. It’s the atmospheric aura that the 5-piece band create is what really makes this track such a pleasure to listen to. The tranquil trickling harmonies build up to create a rich cacophony which rings to the reverberation of the guitar. It’s once you really tune into the lyrics of the band’s debut track when the power of the sound really hits you, the heart-wrenching lyrics somehow pertain warmth, and an infinite amount of sweet resonance.

Check out the official video to Friends on YouTube using the link below:

https://www.youtube.com/watch?v=NjD71iIDH4A&feature=youtu.be&t=30s

Follow Phantom Electric on Facebook & stay up to date with all their new releases:

https://www.facebook.com/pesounds/

Review by Amelia Vandergast

Looking At You: Australian artist Scott O’Hara misses the normal days away from the ‘Zeroes and Ones’

Posted on 28 August 2021

With the lead single from his debut solo album ‘Clutter‘, Scott O’Hara wishes that the fun days could return of seeing your loved ones face to face, rather than on a lonely screen with ‘Zeroes and Ones‘.

Scott O’Hara is a talented multi-instrumentalist, guitarist for BathTub Orchestra and indie rock singer-songwriter based in Bath, UK and also Sydney, Australia.

”As a Tasmanian teenager he developed a reputation as a great blues guitarist, which led to jamming with Son Terry and Brownie McGee. He cut his teeth in high school bands with members of Devils in Heaven before forming Evolution and The Funky Phantom. In the 90s he traveled the world playing guitar in the US with Tate & the Million Dollar Band in Chicago, home of the electric blues.” ~ Scott O’Hara

His vocals are gritty cool, with guitar playing of the very highest order that sizzles hungrily through your curious ears. He is the old school storyteller who has seen most things in this world from his travels, and plays with a sterling soul which takes you places you forgot existed. This is a singer who has a rare ability to lift you into a different world, as his quality shines through here with a terrific new single.

‘Zeroes and Ones‘ from the Australian/UK-based indie rock artist Scott O’Hara, is the real story of longing for normality to return. After being stuck inside for so long, he misses the human interaction as the video calls have grown tiresome, as he wishes there was a better way to connect. Sung with a real vigor and true experience, this is a reflective track that we can all relate to.

Hear this new single on Spotify and see his IG page for more.

Reviewed by Llewelyn Screen