Browsing Tag

electronica

One Tree – Beaming Up: A Cosmic Sojourn Through Time and Sound

One Tree’s latest single, “Beaming Up,” invites listeners on a cosmic journey that intertwines the mindfulness of the present moment with the futuristic exploration of the cosmos and a nod to the nostalgia of the happy hardcore era. Hailing from Lakewood, CO, One Tree delivered an interstellar production that transcends mere magnitude, forming a constellation of sound that captivates with each progressive sonic orbit.

In this hypersonic mix, One Tree deftly incorporates intuitively electrifying effects, creating a sonic landscape that resonates with both the exhilaration of the present and the boundless possibilities of the future. The track’s outro leaves listeners with a palpable sense of rejuvenation and a renewed zest for life, a testament to its ability to connect on a profound level.

In essence, “Beaming Up” is an invitation to embrace the now, to let go of the constraints of time and to immerse oneself in the pulsating rhythms of the present. With its fusion of cosmic themes and infectious energy, this single serves as a reminder that the only moment that truly matters is the one we’re living in.

Beaming Up was officially released on March 18; stream the single on SoundCloud.

Review by Amelia Vandergast

M31 injected catharsis into loss with his soul and rhythm-driven ambient electronica debut Gone

M31, the new electronic project by Melbourne-based artist and producer Jake Debono, made a captivating entry into the leftfield chill electronica scene with the debut single ‘Gone’. The soul-driven staple for any vibe-out playlist pours aching emotion into a lo-fi production which grooves through the warm reverberations of major key chord progressions, creating an intimate soundscape which speaks volumes of M31’s songwriting stripes.

The track explores the impact of loss while agonising over hauntingly sweet memories and the anxiety of moving on. M31’s mastery in confessional lyricism is evident, offering a narrative that will resonate with anyone who has faced the struggle of starting a new chapter with someone they never wanted to leave behind. Despite its strong emotional themes, ‘Gone’ is a sonic lesson in catharsis. As passion reverberates through the single, it becomes a space for reflection and emotional release.

The production of ‘Gone’ is a testament to Jake Debono’s versatility. Transitioning from a rock-licked sonic edge, influenced by bands like Red Hot Chili Peppers and R.E.M, to a chilled-out electronic ambience, M31 showcases a profound adaptability.

Gone was officially released on March 29; stream the single on SoundCloud.

Review by Amelia Vandergast

Delve into the digital abyss with Intonation Effigy’s harbingering journey, Artificial Intelligence

Intonation Effigy’s latest single, ‘Artificial Intelligence‘, composed by Keegan LaBrot, is a dark and harbingering journey into the underbelly of electronica. This cinematically dystopian instrumental release is larger than life in its encapsulation of the ever-lingering threat of AI’s inevitable domination.

The track is a masterclass in creating a disquieting and artfully disconcerting atmosphere. Intonation Effigy’s use of complex and glitchy time signatures is a sonic visualisation of the tumultuous epoch we are entering. The equilibrium between dark, bass-drenched synthetics and light, almost ethereal aesthetics is a testament to Intonation Effigy’s ability to emotionally round out his immersive productions. The track is a journey, not just through sound, but through the emotional landscape of a world grappling with the rise of artificial intelligence.

As the third single from this artfully profound visionary, ‘Artificial Intelligence’ establishes Intonation Effigy as an essential name to follow in the electronica scene. This track is more than a musical composition; it’s a statement, a reflection of our times, and a glimpse into a possible future dominated by AI. For fans of electronica looking for depth, complexity, and emotional resonance, ‘Artificial Intelligence’ by Intonation Effigy is a must-listen.

Artificial Intelligence dropped on March 19th; stream the single on Spotify now.

Review by Amelia Vandergast

Am Élie welcomed EDM fans to a new era with ‘Pareidolia’

Am Élie’s latest single, ‘Pareidolia‘, welcomes EDM fans to the new age while showcasing the Sydney-based prodigy as an emissary of innovation who operates decades beyond current trends.

This blissfully utopian anthem is a one-way ticket to an auditory sanctuary, where the builds and breaks rhythmically oscillate around bursts of euphoria and the production intertwines a futuristically rich tapestry of sonic rapture, strings, lush synths and EDM beats. Am Élie’s use of animatronic vocal effects complements the instrumentals perfectly, ensuring that the emotional themes resonate as powerfully as the ingenuity of the composition.

The lyrical narrative arc of Am Élie’s redemption following a bittersweet breakup is a testament to how the grass will always be greener if you move from what no longer serves you; the emotional depth of ‘Pareidolia’ is palpable, making it a standout piece in Am Élie’s growing discography.

Am Élie, a graduate of the prestigious Talent Development Project and a student at the Sydney Conservatorium of Music, brings a unique blend of influences to her music. Drawing inspiration from the likes of David Guetta and Lana Del Rey, she occupies the middleground with her distinctive flair which effortlessly sets her apart from her contemporaries.

Check out Pareidolia when it drops on April 5th on SoundCloud.

Review by Amelia Vandergast

Meet the Einstein of IDM in Bitvert’s latest soundscape, wasted states

Wasted states by bitvert

Bitvert’s latest offering, ‘wasted states‘, is a testament to his profound understanding and innovative approach to electronica. Trained as a painter and skilled in music production, projection, 2D artwork, and visuals, Bitvert brings a unique perspective to his musical creations, evident in this captivating track.

‘wasted states’ draws listeners into a monochromatic techno landscape that is as dark and harbingering as it is transcendently liberating. Bitvert’s mastery in creating a soundscape that is both oppressive and enchanting is unparalleled. The backbeat, demanding and unyielding, forms the backbone of this auditory experience, compelling submission with its rhythmic magnetism.

As the instrumental progresses, haunting violin strings weave in, adding an exotic beguile that juxtaposes the track’s oppressive nature. This element of contrast is a reflection of Bitvert’s ability to allow his audience to profoundly feel what he visualises sonically.

Bitvert’s background in various artistic disciplines enriches his music, allowing him to create multi-dimensional experiences. His work with The Light Surgeons and performances at The Big Chill and Glastonbury Festival’s Gas Tower stage, as well as a groundbreaking VR set at The Lost Horizon Festival, showcase his versatility and commitment to pushing the boundaries of electronic music.

Wasted states was officially released on March 15; stream the single on Bandcamp.

Review by Amelia Vandergast

Spirits of Saturn – Transfigured: A Synth-Pop Remedy for Souls Unbounded by Earth’s Orbit

Spirits of Saturn, a band that emerged like a comet in the musical cosmos, has graced our auditory senses with their latest single, Transfigured. The synth-pop odyssey that transcends the mundane unravels as a vibrant fusion of synth and strings, weaving a star-roving tapestry of influence from Kraftwerk, Todd Rundgren, and Daft Punk to submerge synth-pop fans in a constellation of future-perfect disco-pop sonics and vocals that can croon your soul out of kilter.

The beat-bolstered synth-pop ballad explores the mental labyrinth navigated during post-relationship dissolution; It’s a narrative of emotional metamorphosis, where even the most visceral feelings disintegrate through transmutation. The song’s structure, with its stabbing synth lines and euphoric beats, creates an atmosphere that will bring you down to earth and beyond its atmospheric remit. As Transfigured plays, you can’t help but feel unshackled from earthly constraints while simultaneously being in tune with the ache only humankind will know through our romantically masochistic tendencies.

If any outfit has what it takes to dominate the synth-pop scene in 2024, we’d put our money on Spirits of Saturn. They’ve already graced some of the most renowned venues in the UK with their decadently transcendent tones and proven their neon songwriting stripes.

Transfigured will land in Earth’s orbit on March 1st; stream the single on Spotify.

Review by Amelia Vandergast

Etherdene – Summer Dreams: An Indietronica Ode to Seasonal Longing

Etherdene’s latest single, ‘Summer Dreams‘, is a masterstroke in indietronica, blending the magnetic allure of the Yeah Yeah Yeahs with the Smiths’ jangle-pop melodies, all while infusing a shoegaze and retro-futuristic electronica reminiscent of Tiny Ghosts.

Since her solo debut in June 2023, Etherdene has been an indomitable force in the music industry. Each release has solidified her place in the hearts of listeners and playlist curators. Her music, an affectingly arresting cocktail of empowering messages and evocative soundscapes, resonates deeply on every conceivable level.

‘Summer Dreams’, released in the heart of February, initially strikes as a paradoxical choice. However, the track’s lyrical yearning for the warmth and sticky-sweet hues of summer, set against the backdrop of the Pacific Northwest’s rainy winters, unifies through the affirmation that we’re all in it together, and now we have the ultimate soundtrack to our unified longing.

We didn’t think there was much scope for improvement from Etherdene’s previous single, You Are My World, but the complexities within Summer Dreams that reveal a new reason to fall head over heels for the single with every listen prove that Etherdene is poised to become an indietronica firebrand in 2024.

Summer Dreams was officially released on February 9th; stream the single on Spotify.

Review by Amelia Vandergast

Ed Roberts became the guiding light in the EDM scene with Northern Star featuring Amy Wyatt and Roi Aknin

Ed Roberts’ latest single, ‘Northern Star’, featuring Amy Wyatt and Roi Aknin, is a luminous beacon in the EDM universe. This track, infused with metaphorical depth, stands as a testament to Roberts’ burgeoning prowess in a genre often overshadowed by the towering legacy of icons like Avicii.

Roberts, a UK-based producer, draws inspiration from EDM stalwarts such as David Guetta and Armin Van Buuren. His journey, which took a definitive turn at the Amsterdam Dance Event in 2019, has seen him evolve from a vocal producer to a creator of his own distinctive soundscapes. His previous works have already made waves on platforms like Spotify, but ‘Northern Star’ marks a zenith in his artistic trajectory.

The track opens with a subtle, yet captivating melody that sets the stage for the soul-stirring vocals. The production, bathed in the twilight of dreamy synths, allows the emotional resonance of the lyrics to shine through. Each beat, each note, is meticulously crafted to carry the weight of the song’s heartfelt message.

As the song progresses, Roberts demonstrates his mastery of the genre, blending powerful, energetic drops with a sense of emotional depth that is often elusive in EDM. The reverb, far from being just an auditory effect, acts as a vessel for the song’s affective power, drawing the listener deeper into its narrative.

Northern Star was officially released on February 18th; stream the single on SoundCloud.

Review by Amelia Vandergast

Alvinos Zavlis delivered sensually dark catharsis with his moody pop meets dark trip-hop mash-up, I Shouldn’t

The Cyprian Bristol-based artist and producer, Alvinos Zavlis, is in his experimental element in his fourth alt-electronica LP, After Sex All Animals Are Sad. With an album title that compels you to sonically explore the contents through eccentrically offbeat name alone, the bar is already set high. But evidently, Zavlis knows exactly how to transcend expectation and temporal boundaries with his dark syntheses of trip-hop, alt-pop, and artfully manifested electronica.

Sitting on the leftfield of Pop, one of the standout singles, I Shouldn’t, featuring Sae, is an ethereally hypnotic extension of the contemporary moody pop trends fused with 90s trip-hop that glitches and oscillates in the same vein of Massive Attack and Portishead.

The alchemic blend carries just as much cultivation and evidence of evocative rhythmic control as the latest releases from Chelsea Wolfe, but the way Zavlis locked into the collaborative chemistry between him and Sae allowed the release to resound beyond compare. The sensually dark catharsis is superlative evidence of how honed his sound has become after he took a hiatus and returned with fresh fervour.

In his own words:

“The main idea of the album is how the chase for perfection in your artistic craft can hinder personal relationships, health, and financial stability.”

For the full Alvinos Zavlis experience, stream After Sex All Animals Are Sad in full by heading over to Spotify.

Review by Amelia Vandergast

Sonic Alchemy: An Interview with KASIA on Weaving Spirituality into Music

In this enlightening interview with A&R Factory, artist KASIA opened up about her latest single, “Heartstrings,” and its deep-rooted connection to her spiritual journey in music. She reveals how her songs, emerging from personal struggles, have become a sanctuary for healing, with a special focus on the transformative power of specific musical frequencies.

The interview promises an intimate glimpse into her artistic evolution and the profound impact of her music on both personal growth and the collective human experience.

KASIA, welcome to A&R Factory! Can you share the story behind your latest single and music video, “Heartstrings”; where did the inspiration come from? 

“The inspiration behind my latest single and music video, “Heartstrings,” comes from personal experiences, as most of my songs do. The lyrics were born out of a pretty bad relationship, where I found myself struggling with difficult emotions. Throughout my life, music has served as my safe place, providing a certain protection from harsh realities. In many ways, music has been my reality, offering a means of expression and understanding in the face of adversity.”

How has music helped to shape your healing journey? And how important is it for you to light the path towards empowerment for your listeners? 

“Music has played a huge role in my healing journey, serving as a powerful form of catharsis and expression. It’s difficult to fully articulate the transformative effect that music has had on me. There’s a certain magic that occurs when you listen to music in specific frequencies. While most modern music is tuned to 440 Hz, which can sometimes evoke a sense of melancholy, I’ve found that music tuned to 432 Hz resonates more harmoniously with the energy of the Earth. Many older pieces of music were tuned to this frequency, and I tend to use it for my own work, including tuning my healing instruments to 432 Hz.

The impact of music extends beyond mere sound waves; it can deeply affect us on physical, emotional, and spiritual levels. For me, creating and listening to music in these frequencies has been a source of profound healing and growth. As an artist, I feel a responsibility to not only share my personal journey through lyrics and music but also to be vulnerable and real with people – hopefully to the effect of empowering my listeners.”

Your goal is to create a spiritual and energising journey through your music. How do you incorporate this intention into your creative process?

“Creating a spiritual and energizing journey through my music is paramount to me. I focus on making empowering lyrics that resonate with listeners on a deeper level. I integrate the ethereal tones of sound bowls into my electronic productions using Ableton. My creative process is deeply intertwined with meditation and spending time in nature, where I find wisdom and inspiration. Through the practice of gnosis, a process of inner exploration and connection with our higher selves and nature, I tap into somewhat hidden creative expression. I want to authentically express myself while offering something meaningful to others on their individual paths. I believe that music serves as a conduit to higher states of consciousness and my goal is to channel that energy and share it with my audience.”

How did you come about developing your unique blend of house, bass house and pop? Were there any particular influences which shaped it? 

“My musical journey has been a fusion of diverse influences. Growing up, I was drawn to pop icons like The Spice Girls and Britney Spears, followed by a deep dive into hip-hop with artists such as Biggie, Tupac, WestSide Connection, Naz, and J Cole during my high school years. As I matured, I became more drawn towards house music. It was during this phase that I connected with the producer of Fan Death, SZAM, who invited me to step in as the lead singer, replacing Dandi Wind. Fan Death’s synth-pop style marked a pivotal moment in my musical evolution.

The more I got to know Vancouver’s music scene, I discovered a blend of techno and house influences. Although I wasn’t initially drawn to techno, I found my niche in Bass House, a genre that merges elements of house, pop, and rap. My journey is driven by a genuine love for music and a desire to create something uniquely mine. Recently, I’ve been particularly drawn to the lyrical style of Caroline Polachek.”

How indicative is “Heartstrings” of what is to come from your debut album? Which other themes does your LP explore? 

“While “Heartstrings” serves as a starting point, it’s just a glimpse of what’s to come with my debut album. I see it as an opportunity to test the waters, to gauge reactions to both my music and the visuals I create. Part of me is inclined to wait until there’s a readiness from the audience, while another part recognizes that significant change often arises from bold actions, regardless of initial readiness. As Theodore Roosevelt aptly said, ‘It’s not the critic who counts.’ So, while “Heartstrings” sets the tone, my debut album will delve deeper into a range of themes, exploring aspects of personal growth, resilience, and the human/spiritual experience.”

Did your transition from being a lead singer in a synth-pop band to becoming a music producer influence your current style? 

“The transition from being the lead singer of a synth-pop band to stepping into the role of a music producer has profoundly shaped my artistic trajectory. Fan Death was my first experience writing and recording professional music. I learnt what a DAW was and how to use it! Fan Death truly served as a pivotal chapter in my musical evolution.

Despite the stylistic differences between synth-pop and my current direction, I owe a great deal to SZAM, the creator and producer of Fan Death. The band imparted invaluable knowledge and skills. Looking back, Fan Death was ahead of its time, and I often reflect on the synchronicities and patterns that have guided my journey towards future endeavors.”

You’ve had your fair share of high-profile live performances; do you prefer writing music or performing and seeing first-hand the effects of your music on your fans? 

“Thank you for the question! It’s a tough call because I genuinely love both aspects. On one hand, there’s nothing quite like the energy of performing live and connecting with fans face-to-face. Witnessing firsthand the impact my music has on them is truly special. But then, there’s also something incredibly fulfilling about being in my element – in the studio, wearing my glasses and hoodie, lost in the creative process of making music. I find joy in every aspect of my artistry, including dreaming up music videos and bringing my vision to life through visuals.”

As a delegate of The Canadian Academy of Recording Arts and Sciences, what insights have you gained about the music industry?

“Just being around other artists pursuing similar goals is such an amazing experience. The most profound insight I’ve gained revolves around the power of community within the music industry. Coming from a small town where artistic pursuits were rare, I often felt isolated in my passion for music. However, being surrounded by other artists who share similar aspirations has been so refreshing. The opportunity to connect with full-time artists who understand the language of creativity has been incredibly inspiring. It’s a reminder that I’m not alone in this journey and that there’s this supportive community, rallying behind each other’s artistic pursuits.”

Stream KASIA’s latest music video on YouTube now.

Interview by Amelia Vandergast