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Best Folk Music Blog & Promotion

The LA singer-songwriter Eric Baugh has made his acoustic folk-rock debut with his compulsion-questioning single, Silent Spring

Posted on 2 October 2023

Eric Baugh strummed the decades and all the contemporary distractions which came as a courtesy of them in his debut single, Silent Spring. The bluesy lead notes against the quiescent calm of the acoustic folk-rock chords beneath his beckoning vocal lines will strike all the right notes with fans of Cat Stevens and Paul Simon.

The LA-based singer-songwriter made as much of a case for the beauty in simplicity in his guitar work as his lyrics which bring to question the way we live as though there’s no alternative. Consumerism and greed were never part of the human psyche’s blueprint; as eloquently illustrated by Baugh, we’ve been conditioned into commercialist conformity, and it is never too late to start again.

It may take more than one stunning song fuelled with small-town iconography and bearing R.E.M. reminiscences to derail our descent into further despondency with the world around us, but Baugh’s contribution is sure to compel his listeners into questioning their compulsions.

Silent Spring reached all major platforms on September 15; stream it via this link.

Review by Amelia Vandergast

Rossa Murray & the blowin’ winds will warmly render your heartstrings raw with ‘Who Really Wants to Get Clean’

Posted on 29 September 2023
Rossa Murray & the blowin' winds

The hype around the Irish alt-folk/rock outfit, Rossa Murray & the blowin’ winds, may be louder than the melancholic quiescence in the title single from their latest EP, but the accolades are far from hyperbolic.

Who Really Wants to Get Clean is a cutting- with razor-sharp precision – exposition on society’s issues around addiction; so much pressure is put upon the people numbing themselves by any means necessary to change, while the societal issues that make it a necessity for so many get ambivalently swept under the rug.

I can’t even remember the last time a track hit me this hard. The evocative delivery, the desperation in the vignette, the agony that lingers in the tempo of the minor keys, the profoundness in the strings, it all synthesises into a tear-jerking performance that leaves you in a sombre state of contemplation.

Fans of Bill Ryder-Jones and Frightened Rabbit won’t be able to tear themselves away from the Rossa Murray & the blowin’ winds’ discography after Who Really Wants to Get Clean has warmly rendered their hearts raw.

The Who Really Wants to Get Clean – Part 2 EP will officially release on September 29th. Stream it on all major platforms via this link.

Review by Amelia Vandergast

Oliver James Brooks synthesised contemporary sickness with the fever of the 70s in ‘Technologically Stoned.

Posted on 28 September 2023
https://bit.ly/OJB-TechnologicallyStoned-Video

To hold a mirror to the dystopic sickness of the day, the critically acclaimed Toronto singer-songwriter, Oliver James Brooks, lyrically narrated our iPhone co-dependency issues in stark contrast to the 70s fever of psych-folk timbres with his alt-folk-rock single, Technologically Stoned.

Illuminating the reality of the evolution of technology which is spurring the regression of society while orchestrating a lava lamp warm soundscape that consoles through the dusky hues couldn’t have been an easy feat; the resolving raconteur succeeded nonetheless.

The accompanying music video, shot on super 8mm film along the Humber River Valley, also acts as a compelling visual exposition of how the chokehold of our phones is blinding us to the natural beauty that is everywhere we turn. If any single is going to convince you to get your dopamine fix in a more organic way, it is Technologically Stoned; the organic and raw production leads by efficacious example.

Technologically Stoned was officially released on September 22; it will also feature in the artist’s third studio LP, A Little Long While, which will be available to stream on all major platforms from November 24.

Watch the official music video for Technologically Stone on YouTube now.

Review by Amelia Vandergast

Joel Porter made a plea for providence in his alt-folk masterpiece, Godsend

Posted on 28 September 2023

The North Dakota alt-folk artist, composer and producer Joel Porter’s fascination with the human psyche knows even fewer bounds than the experimentalism in his harmonic landscapes.

Art brings meaning to life; in Porter’s work, which includes his recently released single, Godsend, life also brings meaning to art as the quiescent neo-classic melodies complement confessional emotional exploration. With his signature sense of intimate longing, Godsend is yet another testament to his talent and introspective eloquence. With a sound so sweet it stings, the melancholic cries for providence in Godsend are so profound they resonantly overwhelm the senses.

Combined with the aesthetic desolation in the black-and-white music video which visualises the monochromatic hues of a forsaken soul, Godsend is yet another masterpiece in Joel Porter’s repertoire.

Over the course of his career, he’s worked with renowned artists, showcased his music on a national level, accumulated over 7.5 million streams, and secured sync placements with the television series The 100 and in the Grey Skies: A War of the Worlds Story video game.

Something tells us the best is yet to come for Porter and his ability to construct bridges between the pensiveness of Elliott Smith and the intricate ambience of Nils Frahm.

The official music video for Godsend will premiere on September 28; watch it on YouTube.

For more info, visit Joel Porter’s official website.

Review by Amelia Vandergast

Susie McCollum – New Year’s Eve: part love song, part soulful indie-folk ode to bitter-sweet tradition

Posted on 28 September 2023

If it isn’t too early for commercial stores to deck their aisles with items that prove we’re in the midst of a consumer-industrial complex, it isn’t too early to pontificate on what will be the staple fixtures on our holiday playlists, especially when the singles are as superlatively resolving as New Year’s Eve from the folk singer-songwriter Susie McCollum.

Part love song, part soulful indie-folk ode to bitter-sweet tradition, the loungey and luxe feel of the NYC singer-songwriter’s debut single allows you to slip into a reflective sanctuary of a soundscape. The gentle piano keys against the minimalist acoustic guitars construct an absorbing platform for McCollum’s endlessly sonorous harmonic notes to drift into as the lyrics go beyond the commodification of the holiday, which, whether we like it or not, forces us to take sentimental stock of the year gone by and anticipate what we’ll be grateful for next year.

However you choose to spend it this year, there isn’t a situation McCollum can’t elevate with her Joni Mitchell, Norah Jones and Janis Ian-esque sound.

Add New Year’s Eve to your Spotify playlists now.

Review by Amelia Vandergast

Brian Berggoetz tenderly chases an ethereal spectre in his orchestral folk score, Just a Dream

Posted on 26 September 2023

Just a Dream is the latest orchestrally ornate single meticulously crafted by the Tucson, Arizona artist, Brian Berggoetz. While the acoustic guitar strings keep the orchestration humble, intimate and folky, the cinematic interplay between the cello and violin strings brings a profound sense of elegant refinement to the lyricism, which tenderly chases an ethereal spectre.

With his backing band, Brian Berggoetz has become a prominent fixture in the Tucson live circuit and beyond; his live shows, whether he’s opening for Reverend Horton Heat, Charlie Sexton and Chris Murphy or topping the bill, have a reputation for rendering audiences enraptured.

Original songwriting is just one of his talents in a vast repertoire; he also has an affinity for reimagining classical songs in his distinctive style, which balances euphonic decadence with the intense affability of folk rock to make classical overtones effortlessly accessible to a wide audience. If Eddie Vedder’s soundtrack for Into the Wild infused more orchestral strings, I’m not entirely convinced it would emanate the same delicate visceral mesmerism of Just a Dream.

Just a Dream is now available to stream on Spotify.

Review by Amelia Vandergast

Spike Casino has unveiled his surreal sophomore folk-rock single, Lobsters and Guns

Posted on 23 September 2023

Surrealism is never far from the equation when the LA-hailing singer, poet, writer, producer, and general music shape-shifter Spike Casino turns his hand to a new sonic creation.

His sophomore single, Lobsters and Guns, unravels as a kaleidoscope of obscurity; if New Model Army shared a few tabs of acid with the Legendary Pink Dots, their always panoramic lyrical pictures would share the same quintessentially out-there air as this alt-folk rock harbingering serenade.

Once you’re immersed in the spiritedly cadenced single, the minimal connotations between lobsters and guns in the world outside of this track won’t dare to phase you. Instead, you’ll be enthralled by the depiction of a gangster-fuelled seaside town they should probably close down if this single is anything to go by.

Lobsters and Guns was officially released on September 1st; stream it on Spotify.

Review by Amelia Vandergast

The indie raconteur Zarko let it flow in his acoustic expedition to ‘River Town’

Posted on 23 September 2023

If you still revere Closing Time by Tom Waits as one of the best albums of all time, you’ll find the latest single, River Town, from the Serbian indie folk raconteur Zarko just as resolving in its acoustic rapture.

The instrumentals may be minimal, but that didn’t get in the way of the up-and-coming singer-songwriter when he put his masterful mind to painting a panoramic picture of barflies in a town which used to conjure brighter emotions. I’m sure we can all relate to the alienating sense of dejection that ebbs away at our ability to feel anything but numb. With River Town on the airwaves, the sensation feels infinitely less lonely.

On the basis of River Town alone, Zarko should be celebrating the same success as Amigo the Devil with his delectable brand of folk blues. For your own sake, pay the hit song a visit.

River Town was officially released on September 2nd; stream it on Spotify.

Review by Amelia Vandergast

Mark Ben Wilson is searching on the other side in his compassionately warm folk-pop single, Horizons

Posted on 22 September 2023

Some tracks allow you to fall in love with a three-minute experience; others allow you to develop a deep kinship with the artist through their inviting warmth. After listening to Mark Ben Wilson’s single, Horizons, it is safe to say that he puts his listeners in the latter camp with the evocative resonance in his guitar work that is only matched by the compassionate honey that drips from his vocal lines.

His humble yet highly assured approach to passionately pure acoustic folk-pop is intoxicating from the first melodic breath; as Horizons continues to unravel, you’re taken along for the emotive ride as he searches for meaning on the other side of the kind of storm that leaves you alone holding up an umbrella. It’s a stunning vignette that will easily enamour any fans of Ben Howard, John Butler and Fink.

Horizons will release along with Wilson’s LP, Roots & Wings on September 22nd. Stream it on SoundCloud.

Review by Amelia Vandergast

Jessamine Barham melodised marionette melancholy in her compelling vignette, Puppet Girl

Posted on 21 September 2023

Every time the dark indie folk singer-songwriter Jessamine Barham turns her creativity to the composition of a new baroquely imaginative piano score, complete immersion in her archaic vignettes is non-optional.

In her seminal avant-garde single, Puppet Girl, the San Diego-hailing artist melodied marionette melancholy by inviting you into a world of powerlessness, subjugation, and betrayal.

Taking the single at face value, you will enjoy a jaunty Evelyn Evelyn-esque cabaret tune; look a little deeper at what is written between the lines, and you will lock into an exposition on the limitations life can find a way of imposing on us. No matter how free we think we are, we all come with strings attached, making Puppet Girl a resonantly dark reflection of reality.

Puppet Girl is now available to stream on YouTube.

Review by Amelia Vandergast